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Melville "Among the Nations"
Early in July 1997, scholars from around the world met in Volos, Greece, to discuss the work of American writer and international traveler Herman Melville. Offering insights into Melville the man and Melville the artist, the papers presented at this conference reflected a variety of interdisciplinary, international, and intergenerational perspectives. With the participation of esteemed Melville critics and many young scholars gaining recognition for their innovative and incisive work in the area of Melville studies, this unique conference afforded all who attended an overview of current approaches to Melville and detailed thermatic examinations of his specific works and themes.
The Treatment of Race and Gender in Rita Dove
Essay from the year 2005 in the subject English Language and Literature Studies - Literature, grade: Distinction, University of Wales, Bangor (English Department), language: English, abstract: Traditional black literature since the 1960’s tends to operate according to the creed: “Black literature BY blacks, ABOUT blacks, directed TO blacks. ESSENTIAL black literature is the distillation of black life,” Ekaterini Georgoudaki states. However, similar opinions had been voiced much earlier than the 1960’s. Langston Hughes stated in his 1926 essay “The Negro Artist and the Racial Mountain” that no black artist can be truly called a black artist, if he intends to be a poet for black an...
Literature and Culture in Late Byzantine Thessalonica
A cultural history of one of the most important centres of the Hellenistic and Byzantine world.
A Delicate Aggression
A vibrant history of the renowned and often controversial Iowa Writers’ Workshop and its celebrated alumni and faculty As the world’s preeminent creative writing program, the Iowa Writers’ Workshop has produced an astonishing number of distinguished writers and poets since its establishment in 1936. Its alumni and faculty include twenty-eight Pulitzer Prize winners, six U.S. poet laureates, and numerous National Book Award winners. This volume follows the program from its rise to prominence in the early 1940s under director Paul Engle, who promoted the “workshop” method of classroom peer criticism. Meant to simulate the rigors of editorial and critical scrutiny in the publishing industry, this educational style created an environment of both competition and community, cooperation and rivalry. Focusing on some of the exceptional authors who have participated in the program—such as Flannery O’Connor, Dylan Thomas, Kurt Vonnegut, Jane Smiley, Sandra Cisneros, T. C. Boyle, and Marilynne Robinson—David Dowling examines how the Iowa Writers’ Workshop has shaped professional authorship, publishing industries, and the course of American literature.
Beyond Imagined Uniqueness
Beyond Imagined Uniqueness: Nationalisms in Comparative Perspectives is a collection of essays from a variety of disciplines and theoretical perspectives that explore the contentious issue of nationalism in historical and contemporary settings. They adopt an interdisciplinary approach to the topic of nationalism and its permutations and modes of expression. The unspoken context of these essays is the trends subsumed under the processes of globalization. Though the world may be becoming more integrated economically, these essays suggest social, cultural, and political forces, historically rooted, keep the nation and national identity alive and well. The comparative perspectives offered by the...
Invisibility in African American and Asian American Literature
The book is a comparative study of the invisibility trope in African American and Asian American literature. It distinguishes between various kinds of invisibility and offers a genealogy of the term while providing a theoretical dissection of the invisibility trope itself. Investigating the various ways of striving for visibility, the author places special emphasis on the need for cooperation among various racial groups. While the book explores invisibility in a variety of African American and Asian American literary texts, the main focus is on four novels: Ralph Ellison's Invisible Man, Sam Greenlee's The Spook Who Sat by the Door, Maxine Hong Kingston's Tripmaster Monkey and Chang-rae Lee's Native Speaker. The book not only sheds light on the oppressed but also exposes the structures of oppression and the apparatus of power, which often renders itself invisible. Throughout the study the author emphasizes that power is multi-directional, never flowing only in one direction. The book brings to light mechanisms of oppression within the dominant society as well as within and between marginalized racial groups.
Understanding Rita Dove
Presents an introduction to the poetry of the Pulitzer Prize winning Rita Dove, who was the first African American poet laureate of the US. Charting Dove's evolution as a poet, this title offers analyses of her artistic development, bringing to light the musical sense of form and expression of history that permeates her work.
Fields Watered with Blood
Representing an international gathering of scholars, Fields Watered with Blood constitutes the first critical assessment of the full scope of Margaret Walker’s literary career. As they discuss Walker’s work, including the landmark poetry collection For My People and the novel Jubilee, the contributors reveal the complex interplay of concerns and themes in Walker’s writing: folklore and prophecy, place and space, history and politics, gender and race. In addition, the contributors remark on how Walker’s emphases on spirituality and on dignity in her daily life make themselves felt in her writings and show how Walker’s accomplishments as a scholar, teacher, activist, mother, and family elder influenced what and how she wrote. A brief biography, an interview with literary critic Claudia Tate, a chronology of major events in Walker’s life, and a selected bibliography round out this collection, which will do much to further our understanding of the writer whom poet Nikki Giovanni once called “the most famous person nobody knows.”
Insane Passions
In France in 1933, two sisters, presumed to be lovers, murdered the women who employed them as maids. Known as “the Papin affair,” the incident inspired not only Jean Genet's 1947 The Maids but also an essay by Jacques Lacan that presents the sisters' crime as fueled by a narcissistic, homosexual drive that culminated in the assault. In this new investigation of the roots of the twentieth-century myth of the lesbian-as-madwoman, Christine Coffman argues that the female psychotic was the privileged object of Lacan’s effort to derive a revolutionary theory of subjectivity from the study of mental illness. Examining Lacan's early writings, French surrealism, Djuna Barnes’ Nightwood, and H.D.’s homoerotic fiction in light of feminist and queer theory, Insane Passions argues that the psychotic woman that fascinates modernist writers returns with a murderous vengeance in a number of late twentieth-century films—including Basic Instinct, Sister My Sister, Single White Female, and Murderous Maids. Marking the limit of social acceptability, the “psychotic lesbian” repeatedly appears as the screen onto which the violence and madness of twentieth-century life are projected.
Contested Boundaries
Contested Boundaries aims to map the space between A Mercy, Toni Morrison’s ninth and arguably most enigmatic novel, and the fiction comprising the author’s multiple-text canon. The volume accomplishes this through the inclusion of eight original essays representing a range of critical approaches that trouble narrative boundaries demarcating the novels included in Morrison’s evolving opus, with A Mercy serving as a locus for discussion of her re-figuration of concerns central to her narrative project. Issues relevant to the conflicted mother-child relationship, the haunting legacy of slavery, the black female body as a site of trauma, the thorny quest for an idealized home, the perilou...
