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Who You Think I Am?
Pop stars are close to us. In their songs, their pictures, their stories on Instagram. What we are looking for is an authentic impression. Real feelings on real faces. But what happens when they cover their face with a mask? Permanently, as a second face. The phenomenon can be found in the mainstream as well as in the underground. The mask does not break with the ideal of authenticity. Rather, depending on how it is staged, it refers to the most diverse discourses, can appear cool or grotesque, become a logo or create anonymity. The essay uses mainly two examples (Sido, Slipknot) to show how the mask constructs the persona of pop stars - and thus reveals structures of pop music.
Teaching Research in Design
Since the 1990s, the concern to define areas of research in design has dominated academic debates. As a result, we are now facing a multitude of understandings. This is especially true for practice-based design research. Sandra Dittenberger, Hans Stefan Moritsch and Agnes Raschauer discuss how the concept of learning by research can be integrated into product design studio teaching. They show different international approaches for integrating research into teaching and contrast the areas of design research with scientific standards. The book features study results that helped generate both a general orientation for research in design education and guidelines for students of how to integrate research into their project work.
After Ice
As the climate warms and the hydrological cycle falters, ice is no longer a reliable feature of higher latitudes or winter seasons. What are the consequences of the planet’s waning capacity to cool? In other words, what comes after ice? This collection examines the implications of the end of consistent freezing and thawing cycles. After Ice gathers experts in a wide range of disciplines to articulate aspects of the cold humanities. They investigate ice and its dynamic properties as a foundational element of Indigenous communities in the Arctic regions, as a commodity with technological and political value, and as a reflection of environmental change and the passage of time. As the future of the cryosphere is increasingly determined by human behaviour, this thought-provoking exploration envisions ice as both a phase of water and as a milieu for sensemaking. It asks us to consider how to define, describe, and materially characterize our warming world.
The Post/Colonial Museum
The African museum landscape is changing. A new generation of scholars and curators is setting international standards for the reappraisal and revision of colonial collections, the conception of curatorial spaces, and the integration of new groups of actors. In the face of the ghostly survival of colonial epistemologies in archives, displays, and architectures, it is a matter of breaking up institutional encrustations and infrastructures, inventing new museum practices, and bringing archives to life. Scholars and museum experts predominantly working in Africa and South America discuss the post/colonial history of museums, their political-economic entanglements, the significance of diasporic objects, as well as the prospects for restitution and its consequences. The contributions to this issue of ZfK are all presented in English. Based on the works of Waverly Duck and Anne Rawls, the debate section is devoted to forms of everyday racism and the way interaction orders of race are institutionalized.
Gender and Age/Aging in Popular Culture
As social spaces are culturally diverse and digitally networked, the reality of our lives is shaped by processes of globalization and digitization. This leads to the question of whether popular cultures enable or impede (inter-)cultural exchange and global communication. To explore this, the contributors to this volume analyze representations of the intersections of gender and age/ing in cultural and media consumption, such as literature, film, music, and social media. The interconnectedness between gender and aging has been evident since the 1990s and enabled the recognition of age as a cultural category - now is the time to take this intersectional analysis further.
The Creativity Complex
Wherever we turn, we find creative practices and creative spaces, creative organizations and creative subjects. At work or in public places, in media representations and in advertisements, on social platforms, in schools and universities: There is a demand to be new and special, conspicuous and singular. How did this creativity complex and its imperative to be creative come about? Which terms and concepts enable us to understand its multiple and partly contradictory forms and processes? Where are its limits? Gathering and interweaving 40 short and incisive essays, this companion maps, investigates and illuminates the contemporary creativity complex.
Historicizing Secular-Religious Demarcations
This volume aims to revitalize the exchange between sociological differentiation theory and the sociology of religion, which previously held center stage among the sociological classics. It brings together contributions from different disciplines, as well as various forms of regional and historical expertise, which are indispensable in forming a globally oriented sociological perspective today. Secularization is understood as a process of boundary demarcation, that is, as the enactment of semantic, practical, and institutional distinctions between religion and other spheres of activity and knowledge. These distinctions may emerge from within the religious field itself, or may be absorbed int...
Media Hot and Cold
In Media Hot and Cold Nicole Starosielski examines the cultural dimensions of temperature to theorize the ways heat and cold can be used as a means of communication, subjugation, and control. Diving into the history of thermal media, from infrared cameras to thermostats to torture sweatboxes, Starosielski explores the many meanings and messages of temperature. During the twentieth century, heat and cold were broadcast through mass thermal media. Today, digital thermal media such as bodily air conditioners offer personalized forms of thermal communication and comfort. Although these new media promise to help mitigate the uneven effects of climate change, Starosielski shows how they can operate as a form of biopower by determining who has the ability to control their own thermal environment. In this way, thermal media can enact thermal violence in ways that reinforce racialized, colonial, gendered, and sexualized hierarchies. By outlining how the control of temperature reveals power relations, Starosielski offers a framework to better understand the dramatic transformations of hot and cold media in the twenty-first century.
Where Are We Now? - Orientierungen nach der Postmoderne
Die Postmoderne ist zu Ende! Seit drei Dekaden hallt diese Diagnose durch den geisteswissenschaftlichen Diskursraum. Doch was kommt jetzt? Die Beiträger*innen des Bandes schlagen kein neues Epochenkonzept vor, sondern widmen sich den Phänomenen Postironie, Pop III, Heimat und Posthumanismus. Mit Hilfe kulturwissenschaftlichen Rüstzeugs klopfen sie zeitgenössische Filme, Serien und Romane auf ihr gegenwartsspezifisches Potenzial ab. Grimes, David Bowie und Olivia Wenzel werden dabei ebenso behandelt wie Donna Haraway, Andreas Gabalier und Leif Randt.
Utopie - Dystopie - Klimaromane / Utopia - Dystopia - Climate Fiction
Gegenwartsliteratur: Ein germanistisches Jahrbuch/ A German Studies Yearbook was founded in 2022 by Mike Lützeler (Washington University, St. Louis) and is currently edited by Friederike Eigler (Georgetown University). It is one of the premier international publication venues in the field of German Studies, presenting original research in both German and English for scholars across the globe. Each volume of the yearbook comprises articles covering aspects of contemporary German-language literature from the 1990s onwards, a cluster of articles on an annual special topic reflecting current discourses in the discipline, and a book review section. Recent topics include Disability Studies (2022)...
