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Greek Notions of the Past in the Archaic and Classical Eras
This volume in The Edinburgh Leventis Studies series collects the papers presented at the sixth A. G. Leventis conference, It engages with new research and new approaches to the Greek past, and brings the fruits of that research to a wider audience.
Fake News in Ancient Greece
Scholars have recognized that fake news is not a phenomenon peculiar to the 21st century. While efforts for a more focused approach to fake news in the ancient world have been carried out in the field of Roman history, the phenomenon of fake news in ancient Greece has received limited attention. The contributions in this volume offer a selective approach to this phenomenon by applying media and cultural studies instruments to ancient texts. They pinpoint parallels and differences between ancient and modern fake news by employing methods of literary and cultural studies, as well as historical-documentary analysis of ancient sources. In particular, they explore questions such as: To what exten...
After Wisdom
The nine essays in this volume, written by an international interdisciplinary group of younger scholars, explore comparative dimensions of ancient Chinese and Greek literature. They illuminate the development and interrelations of two modes of thought – mythos and logos, or myth and reason – characteristic of certain ancient cultures, including these two, during the second half of the first millennium BCE. They interrogate the meaning and validity of these concepts and of the category of “wisdom literature,” demonstrating that they must be understood critically and that their interrelations are extraordinarily complex and productive. In particular, they explore modes of the rationalizing appropriation of mythic discourses – commentary, edition, philosophy, history – which deconstruct their traditional authority but also secure their survival and continuing significance. Contributors Tomás Bartoletti, Gaston J. Basile, Thomas Crone, Andrew Hui, Fabio Pagani, Luke Parker, Leihua Weng, Kenneth W. Yu and Jingyi Jenny Zhao.
The Oxford History of Historical Writing
A chronological scholarly survey of the history of historical writing in five volumes. Each volume covers a particular period of time, from the beginning of writing to the present day, and from all over the world.
Der Troische Krieg in der nachhomerischen Literatur bis zum 5. Jahrhundert v. Chr
Der Mythos des Troischen Krieges in seiner homerisch-epischen Ausformung bildet für die Griechen einen bedeutenden und mehrdimensionalen Bezugspunkt. Die Rezeption des Themas bei den Lyrikern, den Geschichtsschreibern und den tragischen Dichtern bis zum 5. Jh. v. Chr. verdeutlicht das sich wandelnde Bild eines Mythos, der als Geschichte empfunden wird und als Paradigma und Identitätssymbol sowohl auf der literarischen als auch auf der realpolitischen Ebene fungiert. Durch die vergleichende Gegenüberstellung der nachhomerischen Autoren wird es möglich, den komplexen Zusammenhang der innerliterarischen Interdependenzen, der gattungsspezifischen Eigenheiten und der stark gegenwartsorientierten Wirkungsabsichten der jeweiligen Autoren in ihrem historischen Kontext zu erkennen.>
Singing for the Gods
Singing for the Gods develops a new approach towards an old question in the study of religion - the relationship of myth and ritual. Focusing on ancient Greek religion, Barbara Kowalzig exploits the joint occurrence of myth and ritual in archaic and classical Greek song-culture. She shows how choral performances of myth and ritual, taking place all over the ancient Greek world in the early fifth century BC, help to effect social and political change in their own time. Religious song emerges as integral to a rapidly changing society hovering between local, regional, and panhellenic identities and between aristocratic rule and democracy. Drawing on contemporary debates on myth, ritual, and performance in social anthropology, modern history, and theatre studies, this book establishes Greek religion's dynamic role and gives religious song-culture its deserved place in the study of Greek history.
Sappho and Homer
Brings two of ancient Greece's most famous poets into conversation with contemporary theorists of gender, sexuality, and affect studies.
The Greeks and Their Histories
In this concise but stimulating book on history and Greek culture, Hans-Joachim Gehrke continues to refine his work on 'intentional history', which he defines as a history in the self-understanding of social groups and communities – connected to a corresponding understanding of the other – which is important, even essential, for the collective identity, social cohesion, political behaviour and the cultural orientation of such units. In a series of four chapters Gehrke illustrates how Greeks' histories were consciously employed to help shape political and social realities. In particular, he argues that poets were initially the masters of the past and that this dominance of the aesthetic in the view of the past led to an indissoluble amalgamation of myth and history and lasting tension between poetry and truth in the genre of historiography. The book reveals a more sophisticated picture of Greek historiography, its intellectual foundations, and its wider social-political contexts.
Helen of Troy
Helen of Troy engages with the ancient origins of the persistent anxiety about female beauty, focusing on this key figure from ancient Greek culture in a way that both extends our understanding of that culture and provides a useful perspective for reconsidering aspects of our own.
Essays on Ancient Greek Literature and Culture
In this book one of the world's leading Hellenists brings together his many contributions over four decades to our understanding of early Greek literature, above all of elegiac poetry and its relation to fifth-century prose historiography, but also of early Greek epic, iambic, melic and epigrammatic poetry. Many chapters have become seminal, e.g. that which first proposed the importance of now-lost long narrative elegies, and others exploring their performance contexts when papyri published in 1992 and 2005 yielded fragments of such long poems by Simonides and Archilochus. Another chapter argues against the widespread view that Sappho composed and performed chiefly for audiences of young girls, suggesting instead that she was a virtuoso singer and lyre-player, entertaining men in the elite symposia whose verbal and musical components are explored in several other chapters of the book. Two more volumes of collected papers will follow devoted to later Greek literature and culture.
