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《Travel Bar旅遊吧》是一本以旅遊為主題的香港雜誌,內容包括旅遊業界分享、世界各地的特色酒店介紹、本地酒店住宿及餐飲優惠、節日特輯、旅遊故事、遊記及小知識、海外及本地餐廳和美食介紹等。雜誌於香港、九龍和新界共約1,000個零售點,在香港的7-11、Circle K便利店、各書報店、香港國際機場部分零售店均有發售。《Travel Bar旅遊吧》雜誌除了實體版雙月刊雜誌,除了一般銷售點外,亦有線上本地及海外銷售,及於全港18區及中央圖書館予公眾閱覽。 "Travel Bar" is a travel-themed magazine in Hong Kong. The content includes travel industr...
Majalah Akses merupakan majalah non-profit yang dibiayai oleh Pemenrintah Indonesia dan di produksi/ditulis oleh pegawai Direktorat Jenderal Asia Pasifik (aspasaf) Kementerian Luar Negeri. Tujuan Majalah ini untuk memberikan informasi / akses kepada Usaha Mikro Kecil Menengah (UMKM) terhadap pasar luar negeri. Edisi Ke-18 ini membahas mengenai bisnis dengan Malaysia. ------- Akses Magazine is a non profit Magazine financed by Indonesian Govenrment and produced by employees of the Directorate General for Asia Pacific (Aspasaf) Ministry of Foreign Affairs. The purpose of this magazine is to provide information / access to the Micro, Small and Medium Enterprises (UMKM) to overseas markets. 18th edition is to discuss the business with Malaysia.
Majalah Akses merupakan majalah non-profit yang dibiayai oleh Pemenrintah Indonesia dan di produksi/ditulis oleh pegawai Direktorat Jenderal Asia Pasifik (aspasaf) Kementerian Luar Negeri. Tujuan Majalah ini untuk memberikan informasi / akses kepada Usaha Mikro Kecil Menengah (UMKM) terhadap pasar luar negeri. Edisi Ke-7 ini membahas mengenai bisnis dengan Malaysia. ------- Akses Magazine is a non profit Magazine financed by Indonesian Govenrment and produced by employees of the Directorate General for Asia Pacific (Aspasaf) Ministry of Foreign Affairs. The purpose of this magazine is to provide information / access to the Micro, Small and Medium Enterprises (UMKM) to overseas markets. 7th edition is to discuss the business with Malaysia.
On gender mainstreaming and women's rights in Indonesia.
Gaze Regimes is a bricolage of essays and interviews showcasing the experiences of women working in film, either directly as practitioners or in other areas as curators, festival programme directors or fundraisers. It does not shy away from questioning the relations of power in the practice of filmmaking and the power invested in the gaze itself. Who is looking and who is being looked at, who is telling women’s stories in Africa and what governs the mechanics of making those films on the continent? The interviews with film practitioners such as Tsitsi Dangarembga, Taghreed Elsanhouri, Jihan El-Tahri, Anita Khanna, Isabel Noronhe, Arya Lalloo and Shannon Walsh demonstrate the contradictory ...
Gender Terrains in African Cinema reflects on a body of canonical African filmmakers who address a trajectory of pertinent social issues. Dipio analyses gender relations around three categories of female characters – the girl child, the young woman and the elderly woman and their male counterparts. Although gender remains the focal point in this lucid and fascinating text, Dipio engages attention in her discussion of African feminism in relation to Western feminism. With its broad appeal to African humanities, Gender Terrains in African Cinemastands as a unique and radical contribution to the field of (African) film studies, which until now, has suffered from a paucity of scholarship.
Women in African Cinema: Beyond the Body Politic showcases the very prolific but often marginalised presence of women in African cinema, both on the screen and behind the camera. This book provides the first in-depth and sustained examination of women in African cinema. Films by women from different geographical regions are discussed in case studies that are framed by feminist theoretical and historical themes, and seen through an anti-colonial, philosophical, political and socio-cultural cinematic lens. A historical and theoretical introduction provides the context for thematic chapters exploring topics ranging from female identities, female friendships, women in revolutionary cinema, mothe...
Born during the Great Depression and World War Two (1929–1945) an entire generation has slipped between the cracks of history. These Lucky Few became the first American generation smaller than the one before them, and the luckiest generation of Americans ever. As children they experienced the most stable intact parental families in the nation’s history. Lucky Few women married earlier than any other generation of the century and helped give birth to the Baby Boom, yet also gained in education compared to earlier generations. Lucky Few men made the greatest gains of the century in schooling, earned veterans benefits like the Greatest Generation but served mostly in peacetime with only a fraction of the casualties, came closest to full employment, and spearheaded the trend toward earlier retirement. Even in retirement/old age the Lucky Few remain in the right place at the right time. Here is their story, and the story of how they have affected other recent generations of Americans before and since.