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A tiny 2,000 years old stone tells a story about the way of life in the time of Jesus in the Holy Land.How people dressed; how they shopped; what a kitchen looked like and the cuisine prepared; what had been common occupations? The stone, which had dropped off a Roman mosaic, finds her way to New York in the pocket of a Marine soldier visiting Israel. Her memory is sharp and she can answer many questions a contemporary child might ask.The story is sprinkled with references from the scriptures and is accompanied by ravishing illustrations by the artist Elias Akleah, who grew up and resides in Nazareth, the hometown of Jesus in the Galilee.
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A tiny stone tells a story about the way of life in the time of Jesus. She tells about the people's food, houses, trade, cloths and so on.
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A tiny 2,000 years old stone tells a story about the way of life in the time of Jesus in the Holy Land.How people dressed; how they shopped; what a kitchen looked like and the cuisine prepared; what had been common occupations? The stone, which had dropped off a Roman mosaic, finds her way to New York in the pocket of a Marine soldier visiting Israel. Her memory is sharp and she can answer many questions a contemporary child might ask.The story is sprinkled with references from the scriptures and is accompanied by ravishing illustrations by the artist Elias Akleah, who grew up and resides in Nazareth, the hometown of Jesus in the Galilee.
The Works of Elias or the Continuation of the Doctrine and Covenants, containing sections 137 - 222. With explanatory letters, inviting Latter-day Saints to read these "revelations" from a "Holy Angel" named Elias. 1 book. The Church of Jesus Christ of Latter-day Saints does not accept this book as true doctrine. An explanatory letter, attempting to encourage members of the Church to read and accept Works of Elias, says this: "[F]or more than twenty (20) years our esteemed Prophets, Seers, and Revelators have chosen to ignore, treat with contempt, and even go so far as to label these new revelations as "of Satan," and ... the esteemed constituted authorities have neither accepted nor acknowledged these Revelations to be authentic, true, or divinely authorized."
A tiny 2,000 years old stone tells a story about the way of life in the time of Jesus in the Holy Land.How people dressed; how they shopped; what a kitchen looked like and the cuisine prepared; what had been common occupations? The stone, which had dropped off a Roman mosaic, finds her way to New York in the pocket of a Marine soldier visiting Israel. Her memory is sharp and she can answer many questions a contemporary child might ask.The story is sprinkled with references from the scriptures and is accompanied by ravishing illustrations by the artist Elias Akleah, who grew up and resides in Nazareth, the hometown of Jesus in the Galilee.
And in the days of Nimrod, the mighty man (or giant), a fire appeared which ascended from the earth, and Nimrod went down, and looked at it, and worshipped it, and he established priests to minister there, and to cast incense from it. From that day the Persians began to worship fire...-from "The Fourth Thousand Years"One of the most prolific and respected Egyptologists of the Victorian era, Budge here offers his translation of the 4th-century A.D. Syrian text commonly known as "the Cave of Treasures," a history of the world from the Creation to the crucifixion of Christ and considered by some to be an apocryphal book of the Bible. Budge's extensive notes, linking the work to other ancient writings, as well as the numerous illustrations, make this unusual work, first published in 1927, an excellent resource for students of ancient civilizations and comparative mythology.SIR E. A. WALLIS BUDGE (1857-1934) was curator of Egyptian and Assyrian antiquities at the British Museum from 1894 to 1924. Among his many works of translation and studies of ancient Egyptian religion and ritual is his best-known project, The Egyptian Book of the Dead.