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This volume honors and extends the contributions of educator and scholar Dr. Michael J. Budds to the field of musicology, particularly the study of American music. As the longtime editor of two book series for the College Music Society, Budds nurtured a wide range of scholarship in American music and had a lasting impact on the field. This book brings together scholars who worked with Budds as a colleague, editor, or mentor to carry on his legacy of passionate engagement with America’s rich and varied musical heritage. Ranging through jazz, gospel, Americana, and film music to American classical, and addressing music’s social contexts and analytical structure, the research gathered here attests to the diversity of the mosaic that is American music and the numerous scholarly approaches that have been taken to the subject.
Elie Siegmeister, American Composer: A Bio-Bibliography is the first book-length treatment of the life and work of composer Elie Siegmeister. It includes a comprehensive listing of his works, including 20 stage, 41 orchestral, 14 band, 37 choral, 34 chamber, and 40 piano solo works, 159 songs, and hundreds of choral arrangements. After a thorough biographical essay, the bibliography includes an annotated list of every known composition, publication, recording, performance, review, and thesis by or about Siegmeister.
In the 1930s, Aaron Copland began to write in an accessible style he described as "imposed simplicity." Works like El Salón México, Billy the Kid, Lincoln Portrait, and Appalachian Spring feature a tuneful idiom that brought the composer unprecedented popular success and came to define an American sound. Yet the cultural substance of that sound--the social and political perspective that might be heard within these familiar pieces--has until now been largely overlooked. While it has long been acknowledged that Copland subscribed to leftwing ideals, Music for the Common Man is the first sustained attempt to understand some of Copland's best-known music in the context of leftwing social, poli...
Renowned composer Elie Siegmeister presents 19 classic contemporary miniatures that are a delight to play, filled with fresh contemporary harmonies and playful melodies. Teachers will find that the more of these pieces their students play, the more pieces their students want to learn! Titles: * March * Banjo Tune * Song of the Dark Woods * A Bit of Jazz * Street Games * Boogie * Blues * Prairie Night * Old Time Dance * Fairy Tale * The Toy Railroad * Feeling Easy * Boogie Rhythm * Follow the Leader * The Chase * Bicycle Wheels * Marching * Monkey Business * Sunny Day
This book tests critical reassessments of US radical writing of the 1930s against recent developments in theories of modernism and the avant-garde. Multidisciplinary in approach, it considers poetry, fiction, classical music, commercial art, jazz, and popular contests (such as dance marathons and bingo). Relating close readings to social and economic contexts over the period 1856–1952, it centers in on a key author or text in each chapter, providing an unfolding, chronological narrative, while at the same time offering nuanced updates on existing debates. Part One focuses on the roots of the 1930s proletarian movement in poetry and music of the nineteenth and early twentieth centuries. Part Two analyzes the output of proletarian novelists, considered alongside contemporaneous works by established modernist authors as well as more mainstream, popular titles.
Authoritative guide presents 231 of the most frequently performed pieces by 55 composers. A must for music lovers and musicians alike. "No lover of chamber music should be without this Guide." — John Barkham Reviews.
Alex North (1910-1991) was one of America's most renowned film composers. His musical scores enhanced more than 60 major motion pictures--A Streetcar Named Desire, Cleopatra and Who's Afraid of Virginia Woolf among them. He had 15 Oscar nominations, and received the Lifetime Achievement Oscar. This book begins with his early life in Pennsylvania, and moves through his studies at Juilliard and in Russia and Mexico, his early experiences in modern dance, documentaries, and theater, and his major work in film. The book also offers analyses of North's musical scores for Streetcar, Spartacus, The Misfits, Under the Volcano, and Prizzi's Honor. Appendices include a bibliography, a filmography, a listing of other North compositions, a discography, and a listing of awards.
Historically, the term "cosmopolitan" has often been combined with the adjective "rootless," to describe members of the Jewish diaspora with a sense of alienation from mainstream culture. The author of this autobiography, the creator of music to words in eleven languages, and translations from each of them into his native English, feels anything but rootless, however, in his devotion to learning from and extending tradition. In this memoir, he describes the influences of family, mentors, and colleagues that have shaped his life and work, including 100 translations/adaptations, 12 operas, 7 musicals, and 246 other vocal & instrumental works (heard on 6 continents) based on words by Blake, Ros...
A civilian-soldier during WW II who found herself on that stony uphill path where the Women's Army Corps was the unwitting avant-garde for women's liberation.
"Easily the most comprehensive and useful work on American socialism, including its history, theories, and impact on life, culture, and economic and political parties in the United States.... Volume 2, bibliography, is as important a contribution as the essays. Hereafter, students of practically all phases of American life will turn to it for help and guidance."—U.S. Quarterly Book Review. Originally published in 1952. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.