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Persia in Early Modern English Drama, 1530–1699
This book is a study of the representation of the Persian empire in English drama across the early modern period, from the 1530s to the 1690s. The wide focus of this book, encompassing thirteen dramatic entertainments, both canonical and little-known, allow it to trace the changes and developments in the dramatic use of Persia and its people across one and a half centuries. It explores what Persia signified to English playwrights and audiences in this period; the ideas and associations conjured up by mention of ‘Persia’; and where information about Persia came from. It also considers how ideas about Persia changed with the development of global travel and trade, as English people came into people with Persians for the first time. In addressing these issues, this book provides an examination not only of the representation of Persia in dramatic material, but of the broader relationship between travel, politics and the theatre in early modern England.
Word and Image in Russian History
Word and Image invokes and honors the scholarly contributions of Gary Marker. Twenty scholars from Russia, the United Kingdom, Italy, Ukraine and the United States examine some of the main themes of Marker’s scholarship on Russia—literacy, education, and printing; gender and politics; the importance of visual sources for historical study; and the intersections of religious and political discourse in Imperial Russia. A biography of Marker, a survey of his scholarship, and a list of his publications complete the volume. Contributors: Valerie Kivelson, Giovanna Brogi (University of Milan), Christine Ruane (University of Tulsa), Elena Smilianskaia (Moscow), Daniela Steila (University of Turi...
Visual Culture in Twentieth-century Germany
'Visual Culture in Twentieth-Century Germany' explores a wide spectrum of visual media in 20th century Germany in their critical and social contexts. Contributors examine film, photography, cabaret performances, advertising, architecture, painting, dance, television, and cartography.
Inventing Exoticism
As early modern Europe launched its multiple projects of global empire, it simultaneously embarked on an ambitious program of describing and picturing the world. The shapes and meanings of the extraordinary global images that emerged from this process form the subject of this highly original and richly textured study of cultural geography. Inventing Exoticism draws on a vast range of sources from history, literature, science, and art to describe the energetic and sustained international engagements that gave birth to our modern conceptions of exoticism and globalism. Illustrated with more than two hundred images of engravings, paintings, ceramics, and more, Inventing Exoticism shows, in vivi...
Was ein Poëte kan!
Paul Fleming (1609‐1640) gehört zu den bedeutenden Dichtern der Frühen Neuzeit, schon seine Zeitgenossen haben ihn in einer Reihe mit Martin Opitz genannt. Der vorliegende Sammelband dokumentiert eine internationale Fachtagung aus Anlass seines 400. Geburtstags. Er versammelt Beiträge, die Flemings Werk dezidiert auf literaturgeschichtliche Traditionen und und kulturgeschichtliche Kontexte (darunter insbesondere politische, religiöse und medizinische Diskurse) beziehen. Dabei werden neue Forschungsparadigmen für die Analyse fruchtbar gemacht und Teile insbesondere aus dem Korpus von Flemings lateinischen Gedichten erstmals für die Diskussion erschlossen.
Revolts and Political Violence in Early Modern Imagery
In the early modern period, images of revolts and violence became increasingly important tools to legitimize or contest political structures. This volume offers the first in-depth analysis of how early modern people produced and consumed violent imagery, and assesses its role in memory practices, political mobilization, and the negotiation of cruelty and justice. Critically evaluating the traditional focus on Western European imagery, the case studies in this book draw on evidence from Russia, China, Hungary, Portugal, Germany, North America, and other regions. The contributors highlight the distinctions among visual cultures of violence, as well as their entanglements in networks of intensive transregional communication, early globalization, and European colonization. Contributors: Monika Barget, David de Boer, Nóra G. Etényi, Fabian Fechner, Joana Fraga, Malte Griesse, Alain Hugon, Gleb Kazakov, Nancy Kollmann, Ya-Chen Ma, Galina Tirnanić, and Ramon Voges.
Visions of Persia
This work examines the travel account of a German baroque author who journeyed in search of silk from Northern Germany, through Muscovy, to the court of Shah Safi in Isfahan. Olearius introduced Persian culture to the German-speaking public; his appraisal of Persian customs prepares the way for German Romanticism's infatuation with Persian poetry.
Early Modern England and Islamic Worlds
The essays in this book analyze a range of genres and considers geographical areas beyond the Ottoman Empire to deepen our post-Saidian understanding of the complexity of real and imagined "traffic" between England and the "Islamic worlds" it encountered and constructed.
