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Textual and Visual Representations of Power and Justice in Medieval France
Thoroughly interdisciplinary in approach, this volume examines how concepts such as the exercising of power, the distribution of justice, and transgression against the law were treated in both textual and pictorial terms in works produced and circulated in medieval French manuscripts and early printed books. Analysing texts ranging from romances, political allegories, chivalric biographies, and catalogues of famous men and women, through saints’ lives, mystery plays and Books of Hours, to works of Roman, canon and customary law, these studies offer new insights into the diverse ways in which the language and imagery of politics and justice permeated French culture, particularly in the late...
In Laudem Hierosolymitani
In the thirty-five years since B.Z. Kedar published the first of his many studies on the crusades, he has become a leading historian of this field, and of medieval and Middle Eastern history more broadly. His work has been groundbreaking, uncovering new evidence and developing new research tools and methods of analysis with which to study the life of Latins and non-Latins in both the medieval West and the Frankish East. From the Israeli perspective, Kedar's work forms a important part of the historical and cultural heritage of the country. This volume presents 31 essays written by eminent medievalists in his honour. They reflect his methods and diversity of interest. The collection, outstand...
Arts of the Medieval Cathedrals
The touchstones of Gothic monumental art in France - the abbey church of Saint-Denis and the cathedrals of Chartres, Reims, and Bourges - form the core of this collection dedicated to the memory of Anne Prache. The essays reflect the impact of Prache’s career, both as a scholar of wide-ranging interests and as a builder of bridges between the French and American academic communities. Thus the authors include scholars in France and the United States, both academics and museum professionals, while the thematic matrix of the book, divided into architecture, stained glass, and sculpture, reflects the multiple media explored by Prache during her long career. The essays employ a varied range of ...
Pornographic Archaeology
In Pornographic Archaeology: Medicine, Medievalism, and the Invention of the French Nation, Zrinka Stahuljak explores the connections and fissures between the history of sexuality, nineteenth-century views of the Middle Ages, and the conceptualization of modern France. This cultural history uncovers the determinant role that the sexuality of the Middle Ages played in nineteenth-century French identity. Stahuljak's provocative study of sex, blood, race, and love in nineteenth- and early twentieth-century medical and historical literature demonstrates how French medicine's obsession with the medieval past helped to define European sexuality, race, public health policy, marriage, family, and th...
Ibn Khaldun
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Patrons, Authors and Workshops
Patrons, Authors and Workshops invokes a cross-disciplinary approach to the study of late medieval books and book production in Paris, from the troubled years of the early fifteenth century onwards. It shows the extent to which such activity was able to flourish even against the backdrop of the endemic struggle between Burgundians and Armagnacs, or the subsequent English invasion which led to Agincourt and the regency of Bedford. Extensive coverage is given to the key role played by the libraire, to the author as scribe or copyist (Christine de Pisan, Jean Lebegue), and also to the development of commercial production under figures such as Jean Trepperel. A section on bibliophiles and their ...
Queenship in Medieval France, 1300-1500
This book examines the power held by the French medieval queens during the fourteenth and fifteenth centuries and their larger roles within the kingdom at a time when women were excluded from succession to the throne. Well before Catherine and Marie de’ Medici, the last medieval French queens played an essential role in the monarchy, not only because they bore the weight of their dynasty’s destiny but also because they embodied royal majesty alongside their husbands. Since women were excluded from the French crown in 1316, they were only deemed as “queen consorts.” Far from being confined solely to the private sphere, however, these queens participated in the communication of power and contributed to the proper functioning of “court society.” From Isabeau of Bavaria and her political influence during her husband’s intermittent absences to Anne of Brittany’s reign, this book sheds light on the meaning and complexity of the office of queen and ultimately the female history of power.
Imago Mortis
Here, Ashby Kinch argues for the affirmative quality of late medieval death art and literature, providing a new, interdisciplinary approach to a well-known body of material.
Jan van Eyck and Portugal's 'Illustrious Generation'
This book investigates Jan Van Eyck's patronage by the Crown of Portugal and his role as diplomat-painter for the Duchy of Burgundy following his first voyage to Lisbon in 1428-1429, when he painted two portraits of Infanta Isabella, who became the third wife of Philip the Good in 1430. New portrait identifications are provided for the Ghent Altarpiece (1432) and its iconographical prototype, the lost Fountain of Life. These altarpieces are analysed with regard to King Joao I's conquest of Ceuta, achieved by his sons, who were hailed as an "illustrious generation." Strong family ties between the dynastic houses of Avis and Lancaster explain Lusitania's sustained fascination with Arthurian lo...
