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ABBA created a brand of deliciously catchy pop music that made the Swedish group an international sensation, but they were a far cry from today's manufactured stars. Their musical development, spectacular visuals, and global reach changed pop music forever. ABBA Treasures offers an insightful narrative that explores each album in detail, the relationships between the band members, and how ABBA's story continued as a result of the success of Mamma Mia!. New interviews with Bjorn Ulvaeus and Benny Andersson of ABBA, as well as fellow musicians and ABBA collaborators, add depth to the analysis of ABBA's impact on music and global pop culture. Giving fans a uniquely hands-on experience, ABBA Treasures showcases 20 pieces of removable memorabilia, including reproductions of collectible stickers and trading cards, a backstage pass, tickets, the souvenir program from their 1979 world tour, and much more. With more than 150 colourful photos spanning the legendary group's career, every page is a celebration of the kings and queens of the dance floor.
Audiences for musical theater are predominantly women, yet shows are frequently created and produced by men. Onstage, female characters are depicted as victims or sex objects and lack the complexity of their male counterparts. Offstage, women are under-represented among writers, directors, composers and choreographers. While other areas of the arts rally behind gender equality, musical theater demonstrates a disregard for women and an authentic female voice. If musical theater reflects prevailing societal attitudes, what does the modern musical tell us about the place of women in contemporary America, the UK and Australia? Are women deliberately kept out of musical theater by men jealously guarding their territory or is the absence of women a result of the modernization of the genre? Based on interviews with successful female performers, writers, directors, choreographers and executives, this book offers a unique female viewpoint on musical theater today.
Turning 21 is a thrill and in many regards means one has met true adulthood. Nevertheless, there is still so much wisdom that new adults have yet to encounter. Thankfully, these 21 essays by young notables in the fields of fashion, music, theater, science, and sports are happy to share their insights and experiences so others can benefit. The essays are personal, instructive, inspirational, and funny - just the ticket to kickstart an amazing next chapter for anyone.
The politics of Broadway musicals matter a great deal more to U.S. American culture than they appear to mean, and they are especially important to mainstream politics surrounding sex, gender, and sexuality. Love Is Love Is Love looks to the Broadway musicals of the past decade for help understanding the current state of LGBTQ politics in the United States. Through analyses of Promises, Promises, Newsies, Hedwig and the Angry Inch, The Color Purple, and Frozen, this book attempts to move past the question of representational politics and asks us instead to think in more complex ways about LGBTQ identity, what LGBTQ politics are, and the politics of Broadway musicals themselves. Producing new,...
What will happen to the theater when there are no more critics? With the decline of print media and the rise of online journalism, theater critics are facing hard times. As their influence fades, will the industry they cover be adversely affected or can bloggers and message boards fill the void? Can a new economic model be created for theater criticism? How can critics lucky enough to still have jobs stay relevant in the age of social media? Speaking of which, what does a theater critic really do, and how do you become one? In this book, Matt Windman, a theater critic himself, interviews more than 50 critics from New York and around the country, including Ben Brantley, Charles Isherwood, John Lahr, Terry Teachout, Linda Winer, Chris Jones, David Cote, John Simon and Peter Filichia. They discuss their long careers and the nightly process of evaluating plays and musicals, and offer their thoughts on the future of the profession.
The popularity of cartoon music, from Carl Stalling's work for Warner Bros. to Disney sound tracks and "The Simpsons"' song parodies, has never been greater. This lively and fascinating look at cartoon music's past and present collects contributions from well-known music critics and cartoonists, and interviews with the principal cartoon composers. Here Mark Mothersbaugh talks about his music for "Rugrats," Alf Clausen about composing for "The Simpsons," Carl Stalling about his work for Walt Disney and Warner Bros., Irwin Chusid about Raymond Scott's work, Will Friedwald about "Casper the Friendly Ghost," Richard Stone about his music for "Animaniacs," Joseph Lanza about "Ren and Stimpy," and much, much more.
The Justice LeagueÑthey are known as DC ComicsÕ finest heroes, and they are prepared to save the world from itself! From a noble attempt to alleviate world hunger, to fighting a seemingly endless war on crime, to granting the wishes of sick and needy children, to seeking truth in the quest for peace, to stopping a threat from space before it can instill enough fear throughout the world to rip it apartÉ These are epic tales of DC ComicsÕ most famous, colorful and iconic characters, and through the amazing talents of Emmy and Eisner award-winning writer Paul Dini (The New Batman/Superman Adventures, Batman Beyond) and Eisner Award-winning painter Alex Ross (Kingdom Come), these heroes have been given life in a way thatÕs never been seen or experienced before. Collects Superman: Peace on Earth, Batman: War on Crime, Shazam!: Power of Hope, Wonder Woman: Spirit of Truth, JLA: Secret Origins and JLA: Liberty and Justice.
"World music" is an awkward phrase. Used to describe the hugely multifaceted nature of a range of typically non-English-language popular music from the world over, it's a tag that throws up as many problems as it does solutions. Louise Gray's The No-Nonsense Guide to World Music attempts to go behind the phrase to explore the reasons for the contemporary interest in world music, who listens to it, and why. Through chapters that focus on specific areas of music, such as rembetika, fado, trance music, and new folk, Gray explores the genres that have emerged from marginalized communities, music in conflict zones, and music as escapism. In this unique guide, which combines the seduction of sound with politics and social issues, the author makes the case for music as a powerful tool able to bring individuals together. Louise Gray is a writer and editor whose work on music and performing arts has appeared in the New Internationalist, The Wire, The Independent on Sunday, the Guardian, and Art Review. She co-edited Sound and the City (British Council, 2007), a book exploring the changing soundworld of China.
Do you remember these great pop stars and their hits? Deerhoof's The Man, The King, The Girl Butch Hancock's West Texas Waltzes and Dust Blown Tractor Tunes, Swamp Dogg's Cuffed, Collared and Tagged, Michael Head's The Magical World Of The Strands, John Trubee's The Communists Are Coming to Kill Us, John Phillips's Wolf King of L.A., and Michel Magne's Moshe Mouse Crucifiction? You will when you read Lost in the Grooves, a fascinating guide to the back alleys off the pop music superhighway. Pop music history is full of little-known musicians, whose work stands defiantly alone, too quirky, distinctive, or demented to appeal to a mass audience. This book explores the nooks and crannies of the ...