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Digital Asset Management
Digital Asset Management: Content Architectures, Project Management, and Creating Order out of Media Chaos is for those who are planning a digital asset management system or interested in becoming digital asset managers. This book explains both the purpose of digital asset management systems and why an organization might need one. The text then walks readers step-by-step through the concerns involved in selecting, staffing, and maintaining a DAM. This book is dedicated to providing you with a solid base in the common concerns, both legal and technical, in launching a complex DAM capable of providing visual search results and workflow options. Containing sample job models, case studies, retur...
The Carriage Journal
York to Cupar & Down the West of England By Ken Wheeling Appropriate Turnout of a Gig By Barry Dickinson Collar Selection, Part One By Barb Lee The High Flyer By Anne Macdonald An Austrian in America By Mario Daber! How I Got Hooked, by Jim Keathley The World on Wheels, by Tom Ryder Memories ... Mostly Horsy, by Tom Ryder The Road Behind • The Brewsters Letters to the Editor The Carriage Trade From the CMA Library Book Reviews CAA. Bookstore The View from the Box, by Roger Murray
From 1989, Or European Music and the Modernist Unconscious
"Roth Family Foundation music in America imprint."
The Courtroom: A Reenactment of One Woman’s Deportation Proceedings
Elizabeth Keathley, a Filipina immigrant, entered the United States on a K-3 visa to live with her husband, a U.S. citizen. When applying for her driver’s license at an Illinois DMV, Keathley inadvertently said “yes” to the form question of registering to vote, and subsequently received a voter registration card in the mail. With this card, Keathley voted in a midterm congressional election, violating U.S. election law. When the mistake was discovered at her citizenship hearings, the Department of Homeland Security ordered her deportation. Elizabeth Keathley’s case went from Chicago Immigration Court all the way to the U.S. Court of Appeals for the Seventh Circuit. Created from verbatim transcripts, THE COURTROOM is an uncanny examination of the U.S. immigration system and one woman at its mercy.
The Carriage Journal
... Something Completely Different [a photo essay] Turnout: part 2 (proper-and fun-turnout for sleighs) by Vicki NELSON BODOH Elkanah Deane (the story of a Williamsburg coachmaker) by Ken WHEELING Road to the WEG, part 4 (Mike McLennan works toward his goal) Our Shared Past Carriages & Driving Nuts and Bolts Backward Glances In the Carriage House In the Stable The Road Behind Our Community Memory Lane Your Letters The Last Word
Schoenberg's Correspondence with Alma Mahler
A fresh perspective on two well-known personalities, Schoenberg's Correspondence with Alma Mahler documents a modern music friendship beginning in fin-de-siécle Vienna and ending in 1950s Los Angeles. This volume is the first English-language edition of the complete extant correspondence in new English translations from the original German, many from new transcriptions of handwritten originals, and it is the first English-language book of Schoenberg's correspondence with a female associate. These often quite candid letters afford readers a fascinating glimpse into the personalities, ideologies, institutions, protocols, and aesthetics of early twentieth-century European music culture. Critic...
Programming the Absolute
Programming the Absolute discusses the notorious opposition between absolute and program music as a true dialectic that lies at the heart of nineteenth-century German music. Beginning with Beethoven, Berthold Hoeckner traces the aesthetic problem of musical meaning in works by Schumann, Wagner, Liszt, Mahler, and Schoenberg, whose private messages and public predicaments are emblematic for the cultural legacy of this rich repertory. After Romanticism had elevated music as a language "beyond" language, the ineffable spurred an unprecedented proliferation of musical analysis and criticism. Taking his cue from Adorno, Hoeckner develops the idea of a "hermeneutics of a moment," which holds that ...
Schoenberg's Early Correspondence
Early in his career, the composer Arnold Schoenberg maintained correspondence with many notable figures: Gustav Mahler, Heinrich Schenker, Guido Adler, Arnold Rosé, Richard Strauss, Alexander Zemlinsky, and Anton von Webern, to name a few. In this volume of Oxford's Schoenberg in Words series, Ethan Haimo and Sabine Feisst present English translations of the entirety of Arnold Schoenberg's early correspondence, from the earliest extant letters in 1891 to those written in the aftermath of the controversial premieres of his String Quartet No. 1, Op. 7, and the Kammersymphonie, Op. 9. The letters provide a wealth of information on many of the crucial stages in Schoenberg's early career, offeri...
Music and the Skillful Listener
Explores the relationship between listening and musical composition focusing on nine American women composers inspired by the sounds of the natural world
Schoenberg's New World
Arnold Schoenberg was a polarizing figure in twentieth century music, and his works and ideas have had considerable and lasting impact on Western musical life. A refugee from Nazi Europe, he spent an important part of his creative life in the United States (1933-1951), where he produced a rich variety of works and distinguished himself as an influential teacher. However, while his European career has received much scholarly attention, surprisingly little has been written about the genesis and context of his works composed in America, his interactions with Americans and other émigrés, and the substantial, complex, and fascinating performance and reception history of his music in this countr...
