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What’s the true story behind the “buffalo” wing, and why do Buffalonians refuse to call it that? Where is the nature preserve that was once an outlaw colony? Which obscure shop on the city’s East Side produces hats for Hollywood? Find the answers to these questions and many more in Secret Buffalo, a guide to the mysteries, surprises, and incredible stories of this Gilded Age hub. Now known for its architecture, food, and natural beauty, Buffalo’s history hides more than a few gems to astound visitors and locals alike. Learn about an early motion picture theater, the first woman to run for US president, the first Olmsted-designed park system, and more. Discover Buffalo’s hidden public art, travel the Underground Railroad, and make a bucket list of hidden parks to enjoy. It’s all here, and with local author Elizabeth Licata’s lifetime of exploration to guide you, you’ll be well on your way through the weird and wonderful sides of the Queen City. Uncover the secrets of a city you thought you knew.
First published in 1976, this beautiful, interactive collaboration is a unique work of book art in which Marisol’s monumental pop-art sculptures face the blocks of Creeley’s prose poems. The new introduction by Creeley scholar Stephen Fredman describes how the poet’s autobiographical prose poetry arose in conversation with images of Marisol’s equally autobiographical sculptures. In addition to the introduction, this edition features an appendix of newly discovered material, much of it found in Creeley’s own copy of the original edition of Presences. These include postcards and letters from Marisol, designer William Katz (who brought the poet and artist together), Mexican poet Octavio Paz, and several university professors. The material in the appendix allows the editor to reveal the genesis of Presences as a collaborative work of art involving three creators: artist, designer, and poet.
This anthology of essays, poetry and photography offers an intimate view of this iconic Rust Belt city—“one of the best books about Buffalo ever created” (Buffalo News). Buffalo, New York, embodies a rich and varied history encompassing power, disappointment, artistic flair, racial injustice, and spicy chicken wings—all with Niagara Falls in its backyard. Told through the eyes of more than sixty-five artists, writers, and residents, Right Here, Right Now offer an unblinking, personal portrait of this often-overlooked city, capturing both its good and bad sides. Edited by Jody K. Biehl, contributions from Wolf Blitzer, Lauren Belfer, Marv Levy, John Lombardo, Mary Ramsey, Robby Takac, and many more show why so many people love calling Buffalo home. Here, you’ll encounter: Frederick Law Olmstead’s impact on the city’s early design The pain and joy of biking through Lake Effect snow Racism in a gentrifying city and city planning initiatives The rise and fall of the Buffalo mafia A trip to a Western New York meat raffle.
Author, columnist, freelance author and radio host Tom Waters unloads both barrels with his eighth collection and his first book comprised of nothing but high octane rants! No fluff, no filler, just controversial cringe comedy at it's finest. For first-time readers, Slapstick is the perfect introduction to Waters' bibliography. For those already initiated, it's a welcome addition. Slapstick & Superego aims for the funny bone, breaks it and keeps delivering.
The Collaborative Artist's Book offers a rare glimpse into collaborations between poets and painters from 1945 to the present, and highlights how the artist's book became a critical form for experimental American artists in the twentieth and twenty-first centuries. Alexandra Gold provides a broad overview of the artist's book form and the many ongoing debates and challenges, from the disciplinary to the institutional, that these forms continue to pose.
Poetic Community examines the relationship between poetry and community formation in the decades after the Second World War. In four detailed case studies (of Black Mountain College in North Carolina, the Caribbean Artists Movement in London, the Women's Liberation Movement at sites throughout the US, and the Toronto Research Group in Canada) the book documents and compares a diverse group of social models, small press networks, and cultural coalitions informing literary practice during the Cold War era. Drawing on a wealth of unpublished archival materials, Stephen Voyce offers new and insightful comparative analysis of poets such as John Cage, Charles Olson, Adrienne Rich, Kamau Brathwaite, and bpNichol. In contrast with prevailing critical tendencies that read mid-century poetry in terms of expressive modes of individualism, Poetic Community demonstrates that the most important literary innovations of the post-war period were the results of intensive collaboration and social action opposing the Cold War's ideological enclosures.
By any measure—international reputation, influence upon fellow writers and later generations, number of books published, scholarly and critical attention—Robert Creeley (1926–2005) is a literary giant, an outstanding, irreplaceable poet. For many decades readers have remarked upon the almost harrowing emotional nakedness of Creeley’s writing. In the years since his death, it may be that the disappearance of the writer allows that nakedness to be observed more readily and without embarrassment. Written by the foremost critics of his poetry, Form, Power, and Person in Robert Creeley’s Life and Work is the first book to treat Creeley’s career as a whole. Masterfully edited by Stephe...
Comrades We is the story of the adventures of six friends as they grow up together, learn magic, encounter bad stuff, and try to fight their way out of trouble. This is a fantasy novel. There is magic. There are swords. There are mysterious and cryptic gods. There are some really bad guys and there are good guys who are mostly ordinary and trying to do their best with what they've got. And if needed, there is always tea.
Beyond Maximus shows how field poetics influenced the construction of the public voices of five Black Mountain poets (Charles Olson, Robert Creeley, Robert Duncan, Denise Levertov, and Ed Dorn) in order to explain their association in the 1950s and 60s as well as their break-up as a result of the political and poetic crises of the Vietnam War era.
Western fashion has been widely appreciated and consumed in Tokyo for decades, but since the mid-1990s Japanese youth have been playing a crucial role in forming their own unique fashion communities and producing creative styles which have had a major impact on fashion globally. Geographically and stylistically defined, subcultures such as Lolita in Harajuku, Gyaru and Gyaru-o in Shibuya, Age-jo in Shinjuku, and Mori Girl in Kouenji, reflect the affiliation and identities of their members, and have often blurred the boundary between professionals and amateurs for models, photographers, merchandisers and designers. Based on insightful ethnographic fieldwork in Tokyo, Fashioning Japanese Subcultures is the first theoretical and analytical study on Japan's contemporary youth subcultures and their stylistic expressions. It is essential reading for students, scholars and anyone interested in fashion, sociology and subcultures.