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A House Divided
This book examines the intersection between religious belief, dynastic ambitions, and late Renaissance court culture within the main branches of Germany's most storied ruling house, the Wittelsbach dynasty. Their influence touched many shores from the "coast" of Bohemia to Boston.
Embodiments of Power
The period of the baroque (late sixteenth to mid-eighteenth centuries) saw extensive reconfiguration of European cities and their public spaces. Yet, this transformation cannot be limited merely to signifying a style of art, architecture, and decor. Rather, the dynamism, emotionality, and potential for grandeur that were inherent in the baroque style developed in close interaction with the need and desire of post-Reformation Europeans to find visual expression for the new political, confessional, and societal realities. Highly illustrated, this volume examines these complex interrelationships among architecture and art, power, religion, and society from a wide range of viewpoints and localities. From Krakow to Madrid and from Naples to Dresden, cities were reconfigured visually as well as politically and socially. Power, in both its political and architectural guises, had to be negotiated among constituents ranging from monarchs and high churchmen to ordinary citizens. Within this process, both rulers and ruled were transformed: Europe left behind the last vestiges of the medieval and arrived on the threshold of the modern.
Orthodoxies and Heterodoxies in Early Modern German Culture
This interdisciplinary collection of essays about early modern Germany addresses the tensions, both fruitful and destructive, between normative systems of order on the one hand, and a growing diversity of practices on the other. Individual essays address crucial struggles over religious orthodoxy after the Reformation, the transformation of political loyalties through propaganda and literature, and efforts to redefine both canonical forms and new challenges to them in literature, music, and the arts. Bringing together the most exciting papers from the 2005 conference of Frühe Neuzeit Interdisziplinär, an international research and conference group, the collection offers fresh comparative insights into the terrifying as well as exhilarating predicaments that the people of the Holy Roman Empire faced between the Reformation and the Enlightenment. Contributors include: Claudia Benthien, Robert von Friedeburg, Markus Friedrich, Claire Gantet, Susan Lewis Hammond, Thomas Kaufmann, Hildegard Elisabeth Keller, Benjamin Marschke, Nathan Baruch Rein, and Ashley West.
Spirits in Transcultural Skies
The volume investigates the visualization of both ritual and decorative aspects of auspiciousness and protection in the form of celestial characters in art and architecture. In doing so, it covers more than two and a half millennia and a broad geographical area, documenting a practice found in nearly every corner of the world. Its transcultural approach aims at gaining insights into cultural dynamics and consistent networks and defining new historical mindmaps; it examines reciprocal effects and aspects of interwovenness in art and architecture with a view to reconceptualizing their established realms. The collection opens a window on a phenomenon in the history of art and architecture that has never before been considered from this perspective. The book focuses on a transcultural iconography of aerial spirits, goddesses and gods in art history, pursuing a methodologically innovative approach in order to redefine and develop the practice of identification and classification of motifs as a means to understanding meaning, and attempting to challenge the categories defined by academic disciplines.
The Anthropomorphic Lens
Anthropomorphism – the projection of the human form onto the every aspect of the world – closely relates to early modern notions of analogy and microcosm. What had been construed in Antiquity as a ready metaphor for the order of creation was reworked into a complex system relating the human body to the body of the world. Numerous books and images - cosmological diagrams, illustrated treatises of botany and zoology, maps, alphabets, collections of ornaments, architectural essays – are entirely constructed on the anthropomorphic analogy. Exploring the complexities inherent in such work, the interdisciplinary essays in this volume address how the anthropomorphic model is fraught with contradictions and tensions, between magical and rational, speculative and practical thought. Contributors include Pamela Brekka, Anne-Laure van Bruaene, Ralph Dekoninck, Agnès Guiderdoni, Christopher P. Heuer, Sarah Kyle, Walter S. Melion, Christina Normore, Elizabeth Petcu, Bertrand Prevost, Bret Rothstein, Paul Smith, Miya Tokumitsu, Michel Weemans, and Elke Werner.
Hidden Faces: Covered Portraits of the Renaissance
Many small Renaissance portraits were richly adorned with covers or backs bearing allegorical figures, mythological scenes, or emblems that celebrated the sitter and invited the viewer to decipher their meaning. Hidden Faces includes seventy objects, ranging in format from covered paintings to miniature boxes, that illuminate the symbiotic relationship between the portrait and its pair. Texts by thirteen distinguished scholars vividly illustrate that the other “faces” of these portraits represent some of the most innovative images of the Renaissance, created by masters such as Hans Memling and Titian. Uniting works that have in some cases been separated for centuries, this fascinating volume shows how the multifaceted format unveiled the sitter’s identity, both by physically revealing the portrait and reading the significance behind its cover.
Changing Perceptions of the Public Sphere
Initially propounded by the philosopher Jürgen Habermas in 1962 in order to describe the realm of social discourse between the state on one hand, and the private sphere of the market and the family on the other, the concept of a bourgeois public sphere quickly became a central point of reference in the humanities and social sciences. This volume reassesses the validity and reach of Habermas’s concept beyond political theory by exploring concrete literary and cultural manifestations in early modern and modern Europe. The contributors ask whether, and in what forms, a social formation that rightfully can be called the “public sphere” really existed at particular historical junctures, and consider the senses in which the “public sphere” should rather be replaced by a multitude of interacting cultural and social “publics.” This volume offers insights into the current status of the “public sphere” within the disciplinary formation of the humanities and social sciences at the beginning of the twenty-first century.
Trust and Proof
Translators’ contribution to the vitality of textual production in the Renaissance is still often vastly underestimated. Drawing on a wide variety of sources published in Spanish, Portuguese, Italian, Latin, German, English, and Zapotec, this volume brings a global perspective to the history of translators, and the printed book. Together the essays point out the extent to which particular language cultures were liable to shift, overlap, shrink, and expand during one of the most defining periods in the history of print culture. Interdisciplinary in approach, Trust and Proof investigates translators’ role in the diffusion of discourse about languages and ancient knowledge, as well as changing etiquettes of reading and writing.
Aspects of Violence in Renaissance Europe
Interest in the history of violence has increased dramatically over the last ten years and recent studies have demonstrated the productive potential for further inquiry in this field. The early modern period is particularly ripe for further investigation because of the pervasiveness of violence. Certain countries may have witnessed a drop in the number of recorded homicides during this period, yet homicide is not the only marker of a violent society. This volume presents a range of contributions that look at various aspects of violence from the fourteenth to the seventeenth centuries, from student violence and misbehaviour in fifteenth-century Oxford and Paris to the depiction of war wounds ...
Krise und Kontinent
Aus dem Befund einer kontinentalen Krise formiert sich in der Frühen Neuzeit ein neues Europaverständnis. Erstmals werden die politischen Konflikte des europäischen Erdteils in der medialen Öffentlichkeit diskutiert, erstmals Vorschläge zur Konföderalisierung der europäischen Länder unterbreitet; erstmals wird der Kontinent personifiziert und sein Kriegszustand mit poetischen Mitteln beklagt, erstmals europäische Lebensweisen mit dem imaginierten Blick des Fremden betrachtet. Das vorliegende Buch zeigt auf breiter Quellengrundlage, wie die Kommunikationsrevolution des Nachrichtenwesens um 1600 ein Bewusstsein europäischer Zeitgenossenschaft erzeugt, das in den Europa-Schauspielen, -Gedichten und -Romanen des 17. und frühen 18. Jahrhunderts an Kontur gewinnt. Im Spiegel der Literatur wandelt Europa sich vom Ereignisraum der Gegenwart zum kritisch beäugten Kontinent der Moderne.
