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Engaging Humor
Exploring the structure, motives, and meanings of humor in everyday life In Engaging Humor, Elliott Oring asks essential questions concerning humorous expression in contemporary society, examining how humor works, why it is employed, and what its messages might be. This provocative book is filled with examples of jokes and riddles that reveal humor to be a meaningful--even significant--form of expression. Oring scrutinizes classic Jewish jokes, frontier humor, racist cartoons, blonde jokes, and Internet humor. He provides alternate ways of thinking about humorous expressions by examining their contexts--not just their contents. He also shows how the incongruity and absurdity essential to the...
Jokes and Their Relations
Almost everyone tells and appreciates jokes. Yet the nature of jokes has proved elusive. When asked what they really mean, people tend to laugh off the question, dismissing jokes as meaningless or too obvious to require explanation. Of those who have seriously sought to understand humor, most have explained jokes as expressions of aggression- a socially acceptable way of showing contempt and displaying superiority. Elliott Oring offers a fresh perspective on jokes and related forms of humor. Criticizing and modifying traditional concepts and methods of analysis, he delineates an approach that can explain the peculiarities of a wide variety of humorous expression. Written in an accessible and...
Israeli Humor
Derived from the Arabic word for "lie," the word "chizbat" was chosen by members of the Palmah to designate the particular form of narrative joke exchanged by these volunteer defenders of Jewish settlements in Israel during the uncertain years 1941—48. Elliott Oring concentrates his attention on how the chizbat represents the expression of a distinctly Israeli identity and the disparate elements of this identity: sabra/European, Arab/Israeli, East/West. He shows how chizbat humor depends, not so much on novelty or punch line, as on displaying these incongruities of Israeli identity. Oring also discusses the sociocultural context in which the chizbat developed and examines how various theories of humor apply to understanding the chizbat. In an appendix invaluable for the folklorist, Oring has translated hundreds of chizbat into English. some are from written sources and others are verbal accounts he obtained during his months of research in Israel.
Joking Asides
About the Author -- Index
Just Folklore
Just Folklore is a remarkable collection of essays on the forms and concepts of folklore. Jokes, legends, beliefs, ballads, rituals, routines, and material objects are dissected to reveal the ways they are constructed and the meanings they can convey. Tradition, transmission, symbol, group, identity, and other key concepts in the field are scrutinized to expose hidden problems and to suggest directions that folklore studies might fruitfully explore. Although originally written for folklorists, these essays are accessible to serious students new to the field. They will provoke discussion and debate. Students can find in these essays provocative and compelling models for the analysis and interpretation of the arts and traditions of everyday life.
The Jokes of Sigmund Freud
The Jokes of Sigmund Freud unravels the intimate connections between Sigmund Freud and his Jewish identity. Author Elliott Oring observes that Freud frequently identified with the characters in the jokes he told, and that there was a strong relationship between these jokes and his own psychological and social state. This analysis offers novel insights into the enigmatic character of Freud and a fresh perspective on the nature of the science that he founded.
The First Book of Jewish Jokes
Works on Jewish humor and Jewish jokes abound today, but what formed the basis for our contemporary notions of Jewish jokes? How and when did these perceptions develop? In this groundbreaking study and translation, noted humor and folklore scholar Elliott Oring introduces us to the joke collections of Lippmann Moses Büschenthal, an enlightened rabbi, and an unknown author writing as "Judas Ascher." Originally published in German in 1812 and 1810, these books include jokes and anecdotes that play on stereotypes. The jokes depict Jews dealing with Gentiles who are bent on their conversion, Jews encountering government officials and institutions, newly propertied Jews attempting to demonstrate...
Folklore Concepts
By defining folklore as artistic communication in small groups, Dan Ben-Amos led the discipline of Folklore in new directions. In Folklore Concepts, Henry Glassie and Elliott Oring have curated a selection of Ben-Amos's groundbreaking essays that explore folklore as a category in cultural communication and as a subject of scholarly research. Ben-Amos's work is well-known for sparking lively debate that often centers on why his definition intrinsically acknowledges tradition rather than expresses its connection forthright. Without tradition among people, there would be no art or communication, and tradition cannot accomplish anything on its own—only people can. Ben-Amos's focus on creative ...
Good Humor, Bad Taste
This is an updated edition of Good Humor, Bad Taste: A Sociology of the Joke, published in 2006. Using a combination of interview materials, survey data, and historical materials, it explores the relationship between humor and gender, age, social class, and national differences in the Netherlands and the United States. This edition includes new developments and research findings in the field of humor studies.
Folk Culture in the Digital Age
Smart phones, tablets, Facebook, Twitter, and wireless Internet connections are the latest technologies to have become entrenched in our culture. Although traditionalists have argued that computer-mediated communication and cyberspace are incongruent with the study of folklore, Trevor J. Blank sees the digital world as fully capable of generating, transmitting, performing, and archiving vernacular culture. Folklore in the Digital Age documents the emergent cultural scenes and expressive folkloric communications made possible by digital “new media” technologies. New media is changing the ways in which people learn, share, participate, and engage with others as they adopt technologies to c...
