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Elsie B. Michie here provides insightful readings of novels by Mary Shelley, Emily and Charlotte Brontë, Elizabeth Gaskell, and George Eliot, writers who confronted definitions of femininity which denied them full participation in literary culture. Exploring a series of abhorrent images, Michie traces the links between the Victorian definition of femininity and other forms of cultural exclusion such as race and class distinctions.
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The Integrated Foundations of Pharmacy series is for those at the start of their journey to become a pharmacist. It helps students understand how a drug molecule is made and then turned into a medicine; the role they will have when dispensing; and how the medicine works in the body. Most importantly, it shows how all of these aspects come together.
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Cover -- Half Title -- Title Page -- Copyright Page -- Contents -- List of figures -- Introduction -- PART I: Devouring didacticism: Feeding young minds -- 1 Sweet poison: Food adulteration, fiction and the young glutton -- 2 Onions and honey, roast spiders and chutney: Unusual appetites and disorderly consumption in Edward Lear's nonsense verse -- PART II: An appetite for change: Hunger and nineteenth-century society -- 3 The rhetoric of taste: Reform, hunger and consumption in Elizabeth Gaskell's Mary Barton -- 4 Feeding the vampire: the ravenous hunger of the fin de siècle -- PART III: The power of the printed word: Advertising and markets -- 5 'A change comes over the spirit of your vision': Champagne in Britain, 1860-1914 -- 6 The language of advertising: Fashioning health food consumers at the fin de siècle -- PART IV: Into the twentieth century: Legacies and memories -- 7 'Yes, we had no bananas': Sharing memories of the Second World War -- 8 Meeting Mrs Beeton: the personal is political in the recipe book -- Conclusion: 'All else is vain, but eating is real': Gustatory bodies -- List of contributors -- Index
First published in 1979, this book looks at every aspect of the life and work of Elizabeth Gaskell, including her lesser known novels and writings ¿ especially those concerning life in the industrial north of Victorian England. It shows how her work springs from a culture and society which pervades all she thought and wrote. An opening chapter explores her religion, culture, friendships and family. The major works are considered in turn and background material relevant to the novels¿ industrial scenes is presented. The process of literary creation is charted in material drawn from letters and by examination of the manuscripts. Her short stories, journalism and letters are also considered.
For much of her own century, Elizabeth Gaskell was recognized as a voice of Victorian convention—-the loyal wife, good mother, and respected writer—-a reputation that led to her steady decline in the view of twentieth-century literary critics. Recent scholars, however, have begun to recognize that Mrs. Gaskell's high standing in Victorian society allowed her to effect change in conventional ideology. Linda K. Hughes and Michael Lund focus this reevaluation on issues pertaining to the Victorian literary marketplace. Victorian Publishing and Mrs. Gaskell's Work portrays an elusive and self-aware writer whose refusal to grant authority to a single perspective even while she recirculated the...
Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- Acknowledgements -- Introduction -- Bibliography -- Abbreviations -- A Tale of Manchester Life -- 'Two Lectures on the Lancashire Dialect' -- Appendix A -- Appendix B -- Explanatory Notes -- Textual Notes
Elizabeth Cleghorn Gaskell, nee Stevenson (29 September 1810 - 12 November 1865), often referred to simply as Mrs Gaskell, was a British novelist and short story writer during the Victorian era. Her novels offer a detailed portrait of the lives of many strata of society, including the very poor, and are of interest to social historians as well as lovers of literature. Gaskell was also the first to write a biography of Charlotte Bronte, The Life of Charlotte Bronte, which was published in 1857. Mrs Gaskell's first novel, Mary Barton, was published anonymously in 1848. The best-known of her remaining novels are North and South (1854), and Wives and Daughters (1865). In this book: Ruth Sylvia's Lovers -- Complete Cousin Phillis My Lady Ludlow Curious, if True, Strange Tales"