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In 1927, a Russian political exile, Klim Rogov furtively returns to the Soviet Union to find his missing wife. Unexpectedly, he becomes an "American journalist," and this gives him countless privileges, along with the "privilege" to face the espionage charge fabricated by Stalin's secret service.
Some call the city the 'Splendor of the East'; others the 'Whore of Asia'. A melting pot of different nations, fused by war and commerce, this is the Shanghai of the 1920s. The Great Powers are greedily exploiting China for its cheap labor and reaping the cruel rewards of the booming opium trade. When a flotilla of ships carries the remnants of the defeated White Army on entry to Shanghai, the fragile balance of this international marketplace comes under threat. Among the refugees is Klim Rogov, an emigre journalist whose life and marriage have been claimed by the Russian Revolution. All he has left are his quick wits and keen worldliness that come in quite handy in navigating the lawless jungle of Shanghai. He finds work as a reporter at a British-run newspaper, rubbing shoulders with international gangsters while defying webbed intrigues of sinister communist agents. Amidst the survival frenzy all that keeps him going is the hope that someday he'll be reunited with his beloved wife Nina."
Women’s prose writing has exploded on the literary scene in Ukraine just prior to and following Ukrainian independence in 1991. Over the past two decades scores of fascinating new women authors have emerged. These authors write in a wide variety of styles and genres including short stories, novels, essays, and new journalism. In the collection you will find: realism, magical realism, surrealism, the fantastic, deeply intellectual writing, newly discovered feminist perspectives, philosophical prose, psychological mysteries, confessional prose, and much more.
Sarabande is a novel presented mostly through the rapid-fire interactions of the characters in one-on-one situations or in small groups. Most of the novel revolves around the male protagonist, the journalist Pavlo Dudnyk, who takes his schoolhood friend Sara Polonsky as his second wife. Sara, who blossomed from an inconspicuous overweight adolescent into a vivacious woman, used to mock him in school with the nickname “Underbutt” for his bony derriere that always needed padding on the classroom chairs. When Pavlo marries Sara, he doesn’t realize at first that he’s also married into her extended family, Sara’s band of Polonskys, with their myriad quirks and manifestations of peculiar behavior.
Sergei Shargunov’s A Book Without Photographs follows the young journalist and activist through selected snapshots from different periods of his remarkable life. Through memories both sharp and vague, we see scenes from Shargunov’s Soviet childhood, his upbringing in the family of a priest; his experience of growing up during the fall of empire and studying journalism at Moscow State University; his trip to war-torn Chechnya and Kyrgyzstan during the revolution; his first steps towards a fledgling political career. The book reflects the vast social and cultural transformations that colour Russia's recent history and mirrors the experience of an entire generation of Russians whose lives and feelings are inextricably intertwined with the fate of their homeland. Shortlisted for the National Bestseller Prize and a contender for The Big Book Award, A Book Without Photographs showcases the talents of one of the country’s brightest lights; a key player in a generation at the forefront of change in contemporary Russia.
On June 3, 1943 at the Stone Bridge in Moscow a tragedy took place that shocked the political elite of that time and became the starting point of an investigation into other historical and political facts. Nina Umanskaya, the daughter of a Soviet diplomat, was murdered by her classmate and admirer, Volodya Shakhurin, son of a People's Commissar. After that the young man shot himself. The search for truth of the Stone Bridge incident requires the reader’s patience: the historical authenticity of this work is supported by testimonies of witnesses trying to avoid an uncomfortable interrogation, supported by illustrations, documents and chronicles.
Ptushkina's plays reflect her keen interest in constructing multidimensional characters that reflect the myriad ways people are affected by today's turbulent world. Often writing strong female roles, she does not shy away from exploring the sometimes tragic implications that lie behind her comical, almost farcical scenes. Ptushkina questions the nature of love, and explores the boundaries between the spiritual and the base, the constructive and the destructive, that lie within every human being. Her writing questions the relationship between ideals and reality, and between truth and deception. In this new translation, western readers have a chance to discover why Ptushkina's work holds such ...
Lee Mandel’s historical novel Moryak revolves around the story of Lieutenant Stephen Morrison, a naval officer sent by President Theodore Roosevelt on a top-secret mission in 1905. Morrison’s assignment is to work with British agent Sidney Reilly to kidnap Tsar Nicholas II and remove him from Russia before he can sabotage the upcoming Portsmouth Peace conference. The mission goes awry and Morrison is captured and sentenced to death. Through a quirk of fate, he is instead sent to the infamous Russian prison on Solovetsky Island. He soon catches the attention of the Bolshevik prisoners and their growing interactions come to have devastating effects on the evolving revolution in Russia, as well as the Allied war effort as the world descends into the chaos of World War I. As events unfold and secrets are unveiled in an uncanny political intrigue, Moryak in fact tells the life story of one man’s struggle for acceptance, him finding his place and finding himself.
The Vital Needs of the Dead is a tender coming-of-age story set in the provinces of the Soviet Union during the second half of the 20th century. At the center of this story, praised by Russian critics for its blend of realism and lyrical sensibility, lies the relationship of young Gosha Sidelnikov with his alluring and mysterious grandmother Rosa, who becomes his caregiver when he is virtually abandoned by his busy and distant parents. This relationship colors Sidelnikov’s subsequent forays into first love and sexual awakening. Even after her death, memories of Rosa accompany him into his adventures and misadventures as a provincial student. Then, one miserably cold winter night, her voice commands him to immediately depart for a place he’s never been before, precipitating a mysterious chain of events.