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The Sarabande of Sara’s Band
Sarabande is a novel presented mostly through the rapid-fire interactions of the characters in one-on-one situations or in small groups. Most of the novel revolves around the male protagonist, the journalist Pavlo Dudnyk, who takes his schoolhood friend Sara Polonsky as his second wife. Sara, who blossomed from an inconspicuous overweight adolescent into a vivacious woman, used to mock him in school with the nickname “Underbutt” for his bony derriere that always needed padding on the classroom chairs. When Pavlo marries Sara, he doesn’t realize at first that he’s also married into her extended family, Sara’s band of Polonskys, with their myriad quirks and manifestations of peculiar behavior.
UCRANIA EN SU HISTORIA Y SUS HISTORIAS
Hasta hace muy poco, en nuestro debate era una rara avis poder escuchar a ucranianos hablar en primera persona de sus experiencias y compartir sus perspectivas, sus anhelos, como el sujeto histórico que conforman. Este libro, anterior a la invasión rusa a gran escala de 2022, surgió en gran medida en respuesta a ello. Era necesario entonces y sigue siéndolo ahora: el futuro de Ucrania como país europeo libre e independiente, un país normal, con una vida digna, sigue desgraciadamente en cuestión. Que se haya traducido al español un libro así, es muy buena noticia: en nuestra lengua y contexto cultural, es aún enorme el vacío de conocimiento sobre Ucrania - y más aún contada por intelectuales ucranianos.Así que por favor lean a estos autores y autoras ucranianas con calma, sin prejuicios ni ideas preconcebidas: escúchenles, tienen mucho que decir, que contar. Quién sabe, quizás se animen después a coger un avión y un tren - esos magníficos trenes ucranianos que me inspiraron a escribir allí - para conocer de primera mano las historias o, mejor aún, experiencias históricas vivas y personajes vivos que fluyen a través de estas páginas.
Conversations before Silence
An avid reader of English-language poets such as William Carlos Williams and Stanley Kunitz, Ilchenko is one of the best Ukrainian poets writing in free verse today. His poetry is associative, flitting, and fragmentary. At times he does not form complete sentences in his poems and links words together into phrases before shifting into another thought or idea. The language of his poetry has a tendency to collapse into itself, often forcing the reader to reevaluate a word or line, to reread a previous word to focus on the poet’s inner logic. This fragmentary incompleteness and permeability mimics much the way human consciousness works without the filter of the written communicative conventio...
Tefil
In Rafał Wojasiński’s new engaging masterpiece Tefil, we come across a curious – and eerie – situation. A young man named Rozmaryn finds a photograph depicting his mother in the company of a stranger. He lost both his parents at an early age, and never even knew his mother. So he sets off in search of that stranger, and this leads him to one of the most articulate, yet unsettling and possibly mentally handicapped characters as can be found anywhere in literature: Tefil. A balding and somewhat odiferous inhabitant of a garret flat in a sleepy town somewhere in Poland, never married, Tefil, who spent his working years as a village factotum, now exists as something of a self-interested ...
Slavdom
‘Why do you whimper and wail, O Tatra streams and rivers, who carry your plaintive lament resounding to the sea?’ asks the narrator toward the end of The Slovaks, in Ancient Days, and Now. They respond: ‘Because our human compatriots do not join together in memory, as we our waters mix with our origin, and because their lives do not resound booming, but roll on unconsciously, like hidden streams, silently to the sea of the life of the nations, young man!’ This quotation from the most famous prose work of Ľudovít Štúr (1815 – 1856) might be set as a motto to the literary career of Slovakia’s greatest Romantic poet, publicist, and political activist. For all of Štúr’s writi...
Robinson
Robinson is the first book by Aram Pachyan, which earned him the highest governmental award in Armenia, The Presidential Prize for Literature. The volume is made up of 16 short stories; each story is like a small but sharp painting of various characters. The faces in these paintings look very familiar, like someone you know, or someone hiding deep inside you. An inescapable loneliness of people in the modern world is the main topic of the stories by Pachyan. This book was published with the support of the Ministry of Culture of the Republic of Armenia under the “Armenian Literature in Translation” Program.
Herstories. An Anthology of New Ukrainian Women Prose Writers
Women’s prose writing has exploded on the literary scene in Ukraine just prior to and following Ukrainian independence in 1991. Over the past two decades scores of fascinating new women authors have emerged. These authors write in a wide variety of styles and genres including short stories, novels, essays, and new journalism. In the collection you will find: realism, magical realism, surrealism, the fantastic, deeply intellectual writing, newly discovered feminist perspectives, philosophical prose, psychological mysteries, confessional prose, and much more.
Andrei Tarkovsky
Andrei Tarkovsky died in a Paris hospital in 1986, aged just 54. An internationally acclaimed icon of the film industry, the legacy Tarkovsky left for his fans included Andrei Rublev, Stalker, Nostalgia and a host of other brilliant works. In the Soviet Union, however, Tarkovsky was a persona non grata. Longing to be accepted in his homeland, Tarkovsky distanced himself from all forms of political and social engagement, yet endured one fiasco after another in his relations with the Soviet regime. The Soviet authorities regarded the law-abiding, ideologically moderate Tarkovsky as an outsider and a nuisance, due to his impenetrable personal nature. The documentary novel A Life on the Cross provides a unique insight into the life of Andrey Tarkovsky, the infamous film director and a man whose life was by no means free of unedifying behaviour and errors of judgement. Lyudmila Boyadzhieva sets out to reveal his innate talent, and explain why the cost of such talent can sometimes be life itself.
A Brown Man in Russia
A Brown Man in Russia describes the fantastical travels of a young, colored American traveler as he backpacks across Russia in the middle of winter via the Trans-Siberian. The book is a hybrid between the curmudgeonly travelogues of Paul Theroux and the philosophical works of Robert Pirsig. Styled in the vein of Hofstadter, the author lays out a series of absurd, but true stories followed by a deeper rumination on what they mean and why they matter. Each chapter presents a vivid anecdote from the perspective of the fumbling traveler and concludes with a deeper lesson to be gleaned. For those who recognize the discordant nature of our world in a time ripe for demagoguery and for those who want to make it better, the book is an all too welcome antidote. It explores the current global climate of despair over differences and outputs a very different message – one of hope and shared understanding. At times surreal, at times inappropriate, at times hilarious, and at times deeply human, A Brown Man in Russia is a reminder to those who feel marginalized, hopeless, or endlessly divided that harmony is achievable even in the most unlikely of places.
