Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Vital Needs Of The Dead
The Vital Needs of the Dead is a tender coming-of-age story set in the provinces of the Soviet Union during the second half of the 20th century. At the center of this story, praised by Russian critics for its blend of realism and lyrical sensibility, lies the relationship of young Gosha Sidelnikov with his alluring and mysterious grandmother Rosa, who becomes his caregiver when he is virtually abandoned by his busy and distant parents. This relationship colors Sidelnikov’s subsequent forays into first love and sexual awakening. Even after her death, memories of Rosa accompany him into his adventures and misadventures as a provincial student. Then, one miserably cold winter night, her voice commands him to immediately depart for a place he’s never been before, precipitating a mysterious chain of events.
Depeche Mode
In 1993, tragic turbulence takes over Ukraine in the post-communist spin-off. As if in somnambulism, Soviet war veterans and upstart businessmen listen to an American preacher of whose type there were plenty at the time in the post-Soviet territory. In Kharkiv, the young communist headquarters is now an advertising agency, and a youth radio station brings Western music, with Depeche Mode in the lead, into homes of ordinary people. In the middle of this craze three friends, an anti-Semitic Jew Dogg Pavlov, an unfortunate entrepreneur Vasia the Communist and the narrator Zhadan, nineteen years of age and unemployed, seek to find their old pal Sasha Carburetor to tell him that his step-father shot himself dead. Characters confront elements of their reality, and, tainted with traumatic survival fever, embark on a sad, dramatic and a bit grotesque adventure.
An English Queen and Stalingrad
The author traces the Queen Mother’s formative years, her family life in the palace environment, her growing adoration and ascension to the British throne, how she arranged aid to Stalingrad and was ultimately named an honorary citizen of that city, and other little-known details from the life of the Queen and her circle. With a foreword by Yuri Fokin, Russia’s ambassador to the UK in the period 1997–2000, who was personally acquainted with the Queen Mother, the book will undoubtedly appeal to the British public and to anyone interested in Russian-British relations and the two countries’ World War II history. Illustrated with photographs from private collections and from the Battle of Stalingrad Museum, some of which readers will see for the first time. Published with the support of the Institute for Literary Translation, Russia.
The Nuremberg Trials
Postwar Nuremberg is set to host a historically unprecedented trial of the leaders of the defeated Third Reich. The whole world is awaiting a just verdict, but it is here where Soviet counterintelligence must wage a secret war against forces that seek to prevent that from happening at any cost. Nuremberg, having been nearly wiped from the face of the earth during the harsh fighting, becomes an arena for ruthless struggles in both hidden and overt operations. Nazis are still operating underground, spies weave their intrigues, politicians and diplomats make bargains, and movie stars dazzle the public. The enormous efforts led by the USSR’s chief prosecutor Roman Rudenko to expose the Nazi at...
The Battle of the Sexes Russian Style
Ptushkina's plays reflect her keen interest in constructing multidimensional characters that reflect the myriad ways people are affected by today's turbulent world. Often writing strong female roles, she does not shy away from exploring the sometimes tragic implications that lie behind her comical, almost farcical scenes. Ptushkina questions the nature of love, and explores the boundaries between the spiritual and the base, the constructive and the destructive, that lie within every human being. Her writing questions the relationship between ideals and reality, and between truth and deception. In this new translation, western readers have a chance to discover why Ptushkina's work holds such ...
disUNITY
The two novels included in this book are works of Russian magic realism. In the first novel, Shadowplay on a Sunless Day, Anatoly Kudryavitsky writes about life in modern-day Moscow and about an emigrant’s life in Germany. The novel deals with problems of self-identification, national identity and the crises of the generation of “new Europeans”. In the second novel, A Parade of Mirrors and Reflection, the writer turns his attention to human cloning, an issue very much at the centre of current scientific debate. He looks at the philosophical aspects of creating artificial personalities who lack emotions and experience of everyday human life through a story about secret cloning experiments being carried out in an underground laboratory on the outskirts of Moscow. Most of the clones find themselves in Grodno, Belarus, a city that, due to its geographical location, has always been an important crossroads in Eastern Europe. Each clone is a featureless person looking for their own identity; however, only one of them has a chance to succeed.
Mirror Sand
Edited, translated, and introduced by Anatoly Kudryavitsky, this bilingual anthology presents Russian short poems of the last half-century. It showcases thirty poets from Russia, and displays a variety of works by authors who all come from different backgrounds. Some of them are well-known not only locally but also internationally due to festival appearances and translations into European languages; among them are Gennady Aigi, Gennady Alexeyev, Vladimir Aristov, Sergey Biryukov, Konstantin Kedrov, Igor Kholin, Viktor Krivulin, Vsevolod Nekrasov, Genrikh Sapgir, and Sergey Stratanovsky. The next Russian poetic generation also features prominently in the collection. Such poets as Tatyana Grauz, Dmitri Grigoriev, Alexander Makarov-Krotkov, Yuri Milorava, Asya Shneiderman and Alina Vitukhnovskaya are the ones Russians like to read today. This anthology shows Russia looking back at itself, and reveals the post-World-War Russian reality from the perspective of some of the best Russian creative minds. Here we find a poetry of dissent and of quiet observation, of fierce emotions, and of deep inner thoughts.
I Want a Baby and Other Plays
When Sergei Tretyakov’s ground-breaking play, I Want a Baby, was banned by Stalin’s censor in 1927, it was a signal that the radical and innovative theatre of the early Soviet years was to be brought to an end. A glittering, unblinking exploration of the realities of post-revolutionary Soviet life, I Want a Baby marks a high point in modernist experimental drama. Tretyakov’s plays are notable for their formal originality and their revolutionary content. The World Upside Down, which was staged by Vsevolod Meyerhold in 1923, concerns a failed agrarian revolution. A Wise Man, originally directed by the great film director and Tretyakov’s friend, Sergei Eisenstein, is a clown show set in...
Khatyn
It is a quiet place, with lush green grass covering the location of the former Belarusian village. A village that was burned to the ground with its inhabitants in 1943. Anyone familiar with this small corner of Eastern Europe is chilled to the bone by the events that transpired there, and the village’s name Khatyn has now come to embody a horrific national tragedy. But tragedy is not all this name embodies, for it also reminds people of the tremendous courage of those who fought for the life and freedom of their country. It is the story of this village and the events that surround its annihilation that are the focus of Ales Adamovich’s novel Khatyn, which was written on the basis of hist...
Combustions
Srđan Srdić’s collection of short stories, Combustions, establishes this author’s position as one of the best prose writers in Serbia and across the region. This book consists of nine stories in which the author brings the reader face to face with the seamy side of everyday life, where, somewhere in the province, hopelessness and despair of the endless Balkan transition meet one another in the most radical way. Devoid of illusions of social engagement and narrative tricks, Srdić linguistically demolishes the present and its numerous platitudes, either liberal or conservative, with which we have been overwhelmed for years, to the extent that we can no longer discern the depth of the tw...
