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He was hailed as one of the world’s great writers and intellectuals, with novels like The Painted Bird and Being There. He was acclaimed as a heroic survivor and witness of the Holocaust. He won high literary awards, made the bestseller lists, taught and lectured in prestigious universities, was feted in high society, and became an intimate of the rich and famous in a jet-set world of glitter and glamour. Then, in an expose that sent shock waves throughout the intellectual community, he was denounced as a C.I.A. tool, a supreme con man, and a literary fraud, igniting a firestorm of controversy that consumed his reputation and culminated in his headline-making suicide. Now this compelling b...
Examining the controversies that have accompanied the publication of novels representing the Holocaust, this compelling book explores such literature to analyze their violently mixed receptions and what this says about the ethics and practice of millennial Holocaust literature. The novels examined, including some for the first time, are: * Time's Arrow by Martin Amis * The White Hotel by D.M. Thomas * The Painted Bird by Jerzy Kosinski * Schindler's List by Thomas Keneally * Sophie's Choice by William Styron * The Hand that Signed the Paper by Helen Darville. Taking issue with the idea that the Holocaust should only be represented factually, this compelling book argues that Holocaust fiction is not only legitimate, but an important genre that it is essential to accept. In a growing area of interest, Sue Vice adds a new, intelligent and contentious voice to the key debates within Holocaust studies.
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