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This book contains 42 chapters variously exploring the literary polemics of Emeka Nwabueze. It provides practical, conceptual and theoretical insights for clearer understanding of dramatic compositions and trajectories of Nwabueze which will be useful in exploring similar creative literature by other playwrights.
Investigates what literary strategies African writers adopt to convey the impact of climate transformation and environmental change.
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Co-Whites discusses race and gender politics and traces the role of women in Western and non-Western political systems. Aniagolu examines the dynamics of race and gender in the United States, starting from the colonial and antebellum periods, leading up to the American Civil War and Reconstruction, through the Civil Rights era of the 1960s, to the present day. The work explores how white American women, in their search and struggle for gender equality in the United States, related to three principal streams in America's socioeconomic and political history: white supremacy, women of color-especially African American women, and the freedom and civil rights struggle for racial equality. The Uni...
In 2005, Tony Perman attended a ceremony alongside the living and the dead. His visit to a Zimbabwe farm brought him into contact with the madhlozi, outsider spirits that Ndau people rely upon for guidance, protection, and their collective prosperity. Perman's encounters with the spirits, the mediums who bring them back, and the accompanying rituals form the heart of his ethnographic account of how the Ndau experience ceremonial musicking. As Perman witnessed other ceremonies, he discovered that music and dancing shape the emotional lives of Ndau individuals by inviting them to experience life's milestones or cope with its misfortunes as a group. Signs of the Spirit explores the historical, spiritual, and social roots of ceremonial action and details how that action influences the Ndau's collective approach to their future. The result is a vivid ethnomusicological journey that delves into the immediacy of musical experience and the forces that transform ceremonial performance into emotions and community.
The volume demonstrates the suitability of the theory of social constructivism in portraying and analyzing the diversity of the phenomenon of corruption. The approach of social constructivism taken in this volume is able to reconstruct the 'construction of corruption' both from a societal perspective, by assessing it as generally accepted or tolerated behaviour in more or less standardized rule-governed social situations, and from the perspective of actors who perceive corrupt behaviour as problem solving in everyday life. The volume proves the usefulness of a social construction perspective for empirical research. It contains case studies of social definitions of corruption in eleven European countries that contribute in different ways to establishing a grounded theory of the phenomenon of corruption.