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Emilio Sanchez in New York and Latin America
This book focuses on the life and artistic activities of Emilio Sanchez (1921–1999) in New York, and Latin America in the 1940s and 1950s. More specifically, the book will consider Sanchez in the wider context of mid-century Cuban artists, and cross-cultural exchange between New York, Cuba, and the Caribbean. The book reflects on why Sanchez chose to be a mobile observer of the American and Caribbean vernacular at a time when such an approach seemed at odds with the mainstream avant-garde. The book includes a foreword by Dr. Ann Koll, former Executive Director/Curator of the Emilio Sanchez Foundation, and an introduction by Dr. Nathan J. Timpano, University of Miami Department of Art and Art History. This book will be of interest to scholars in modern art, Caribbean studies, architectural history, and Latin American and Hispanic studies.
Emilio Sanchez
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Emilio Sanchez
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Emilio Sanchez
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Our America
Explores how one group of Latin American artists express their relationship to American art, history and culture.
Hard Light
Although barely acknowledged in his native country in the aftermath of the Cuban Revolution, Emilio Sanchez dedicated much of his career to recreating the effects of Cuba's sun-soaked colours onto canvas. This prismatic presentation gives readers a fresh look at this unique artist's vision.
The Book of Boy
The year is 1350. Boy, a hunchbacked and sweet-natured goatherder, is content with his quiet country life. But when a shadowy pilgrim with a dangerous past arrives on the farm, his world is turned upside down. Secundus is a man on a mission, and upon first sight of Boy, enlists him as his servant, ripping him away from tranquility and plunging them both into a perilous medieval treasure hunt… but there is more to the pilgrim’s quest than meets the eye.
Emilio Sanchez
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Archival Collections Guide
"MoMA Library's Survey of Latino and Latin American Art aims to document the archives of New York Latino institutions and establish a network of repositories."--P. [2].
