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People with bipolar disorder are particularly vulnerable to anxiety and intrusive mental imagery, which can contribute to mood swings and a heightened risk for relapse. This book presents a novel brief treatment that focuses on working with mental images to reduce distress and enhance mood stability. Grounded in cognitive-behavioral therapy (CBT), the book provides therapists with tested techniques for formulating individualized treatment targets, using metacognitive strategies to reduce the power of images, rescripting problematic images, and building adaptive positive images. User-friendly instructions for assessment and intervention include case examples, sample scripts, and troubleshooting tips. In a large-size format for easy photocopying, the book includes 19 reproducible handouts and session agendas. Purchasers get access to a Web page where they can download and print the reproducible materials.
In a prose form as startling as its content, ?"The Shutter of Snow"?portrays the post-partum psychosis of Marthe Gail, who after giving birth to her son, is committed to an insane asylum. Believing herself to be God, she maneuvers through an institutional world that is both sad and terrifying, echoing the worlds of?"One Flew Over the Cuckoo's Nest"?and?"The Snake Pit." Based upon the author's own experience after the birth of her son in 1924, "The Shutter of Snow" retains all the energy it had when first published in 1930.
Imagery is one of the new, exciting frontiers in cognitive therapy. From the outset of cognitive therapy, its founder Dr. Aaron T. Beck recognised the importance of imagery in the understanding and treatment of patient's problems. However, despite Beck's prescience, clinical research on imagery, and the integration of imagery interventions into clinical practice, developed slowly. It is only in the past 10 years that most writing and research on imagery in cognitive therapy has been conducted. The Oxford Guide to Imagery in Cognitive Therapy is a landmark book, which will play an important role in the next phase of cognitive therapy's development. Clinicians and researchers are starting to r...
Flesh Made Word is a fresh, inclusive theology of the incarnation.
This volume brings together leading experts to explore the state of the art of cognitive clinical assessment and identify cutting-edge approaches of interest to clinicians and researchers. The book highlights fundamental problems concerning the validity of assessments that are widely used in cognitive-behavioral therapy (CBT). Key directions for further research and development are identified. Updated cognitive assessment methods are described in detail, with particular attention to transdiagnostic treatment, evidence-based practice, cognitive case formulation, and imagery-based techniques.
Women's theology has traditionally been pushed to the margins; it is "spirituality" or "mysticism" rather than theology proper. Theology from women has been transmitted orally, recorded by men as sayings or in hagiographies, or passed on as "stealth theology" in poems, hymns, or practices. In the past forty years, women have claimed theology for themselves and others as womanists, feminists, mujeristas, Asian, third-world, disabled, and queer women. Yet in most academic and ecclesial theology, the contributions of women skirt the borders of the written tradition. This unique volume asks about the conditions of women writing theology. How have women historically justified their writing practices? What internal and external constraints shape their capacity to write? What counts as theology, and who qualifies as a theologian? And what does it mean for women to enter a tradition that has been based, in part, on their exclusion? These essays explore such questions through historical investigations, theoretical analyses, and contemporary constructions.
Rough Draft: The Modernist Diaries of Emily Holmes Coleman, 1929-1937 is an edited selection, published here for the first time, of the diaries kept by American poet and novelist Coleman during her years as an expatriate in the modernist hubs of France and England. During her time abroad, Coleman developed as a surrealist writer, publishing a novel, The Shutter of Snow, and poems in little magazines like transition. She also began her life’s work, her diary, which was sustained for over four decades. This portion of the diary is set against the cultural, social, and political milieu of the early twentieth century in the throes of industrialization, commercialization, and modernization. It ...
Introduced by Claire-Louise Bennett, experience one new mother's psychological journey in this lost 1930 foremother of Sylvia Plath's The Bell Jar. 'Astonishing and moving. A pretty amazing book.' Tessa Hadley 'Extraordinary. A fascinating and unexpected delight.' Lucy Ellmann 'Haunting and evocative, this is a timeless portrayal of madness.' Catherine Cho 'A startling, luminous and magnetic novel about the complexity of motherhood.' Yiyun Li 'With its deep musicality, Coleman's unforgettable voice was years ahead of its time.' Sinéad Gleeson The only thing to do is to put hammers in the porridge and when there are enough hammers we shall break down the windows and all of us shall dance in ...
Poetry. Explains Janet Holmes: "If you write out 'The Poems of Emily Dickinson' and erase some of the letters very neatly and precisely, you can get to THE MS OF M Y KIN—the manuscript of my kin, as it were; the manuscript of my family. It might also be said to be the manuscript of my kind." "If Ronald Johnson had an epic (Paradise Lost) to erase in creating his masterwork, RADI OS, then Janet Holmes has chosen a more difficult task, namely that of erasing from the most compressed poetry there is. Emily Dickinson's poems come to us so nearly pre-erased that their further erasure by Holmes dramatically frees instances of prophecy, voices from 1861-62 rediscovered in contemporary political discourse. It seems that the best of the embeds in Iraq was Emily Dickinson; read her reports from the (af)front here"—Susan M. Schultz.
The book highlights important new research using current state-of-the-art approaches by prominent researchers in the field of depression. A broad range of topics is covered, beginning with a description of the phenotypic features of clinical depression, followed by chapters on the cellular and molecular basis, functional neuroimaging correlates and information-processing accounts. Finally, existing and novel treatment approaches are covered. In this way the volume brings together the key disciplines involved in the neurobiological understanding of depression to provide an update of the field and outlook to the future. Together, the volume chapters provide focused and critical reviews that span a broad range of topics suitable for both students and established investigators interested in the present state of depression research.