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From the postapocalyptic world of "Blade Runner" to the""James Cameron mega-hit "Terminator, " tech-noir has emerged as a distinct genre, with roots in both the Promethean myth and the earlier popular traditions of gothic, detective, and science fiction. In this new volume, many well-known film and literary works including "The Matrix, RoboCop, " and Mary Shelley s "Frankenstein" are discussed with reference to their relationship to tech-noir and one another. Featuring an extensive, clearly indexed filmography, "Tech-Noir Film "will be of great interest to anyone wishing to learn more about the development of this new and highly innovative genre."
The pagan mythology of the Vikings offers a rich metaphor for consciousness. This book presents the cosmography of Norse mythology as a landscape of human inner life. Each of the nine worlds of this cosmography is viewed as a symbol of a distinct type of consciousness that is emblematic of a particular perspective or way of relating to others. Individual gods and goddesses are considered nuanced personifications of their worlds. The philosophy of pagan mythology is explored by comparing and contrasting the Sayings of Odin from the Norse Edda with the Christian Ten Commandments.
Tarot in Culture (ed. Emily E. Auger) is a well-illustrated (260 illus.) two-volume multi-author anthology of papers on Tarot with a foreword by Rachel Pollack. Contributions range from original, in-depth, thoroughly documented studies of Tarot history, art, and literature to artists' statements and other primary source documents. Volume One (416 pp) contributors include Michael Dummett, Helen S. Farley, Mary K. Greer, Richard Kaczynski, Marcus Katz, June Leavitt, Paul Mountfort, and Robert Place. Tarot in Culture is both accessible to the Tarot student and of interest to scholars of other fields, including historians and theorists of art, esotericism, literature, the occult, and popular culture and genres.
In the first book-length study of Tarot cards on the silver screen, Emily E. Auger contextualizes cartomancy--the practice of fortune telling via playing cards--and dives deep into its invention and promulgation in film. After providing an introduction to divination and cartomancy, Auger offers detailed descriptions and analyses of the roles that cartomancy and Tarot cards play in films. The book features an abbreviated filmography--including nearly 200 films--detailing their relationships to cartomancy. As Tarot communities continue to grow worldwide, Cartomancy and Tarot in Film will be of interest to scholars of esoteric studies, film, folklore, playing cards, popular culture, and religion, as well as diviners the world over.
Traces the story of how ancient cultures envisioned artificial life, automata, self-moving devices and human enhancements, sharing insights into how the mythologies of the past related to and shaped ancient machine innovations.
Inuit art, both ancient and contemporary, has inspired the interest of scholars, collectors and art lovers around the globe. This book examines Inuit art from prehistory to the present with special attention to methodology and aesthetics, exploring the ways in which it has been influenced by and has influenced non-Inuit artists and scholars. Part One gives the history of the main art-producing prehistoric traditions in the North American arctic, concentrating on the Dorset who once flourished in the Canadian region. It also demonstrates the influence of theories such as evolutionism, diffusionism, ethnographic comparison, and shamanism on the interpretation of prehistoric Inuit art. Part Two...
In this pioneering scholarly work on occult symbols in literature, the reader is offered a vivid look into how W.B. Yeats, T.S. Eliot, and Franz Kafka--three masters of symbolic expression--utilized Tarot cards in their poetry and prose. Focusing on the Tarot's ancient associations with divine knowledge, its pictorial representation of both the Jewish and Christian Cabala, and the Tarot's more recent pedestrian affiliation with the occult, June Leavitt skillfully demonstrates how Yeats, Eliot, and Kafka align themselves in their uniquely individual ways with the Tarot symbols' mapping of reality. Paying close attention to the mystical nuances of the Tarot, Ms. Leavitt shows how Tarot symbols allow for radically new readings of the texts in which they are situated, and play a transformative role in the three writers' search for God. This search remained indecisive for Kafka, resulted in Eliot's conversion to Anglo-Catholicism, and went hand in hand with Yeats' passion for pagan gods and angels. Visit the author's website at http: //www.spiritualityteaching.com.
Arthur E. Waite and artist Pamela Colman Smith's Rider-Waite Tarot (1909) is the most popular Tarot in the world. Today, it is affectionately referred to as the Rider-Waite-Smith Tarot in recognition of the high quality of Smith's contributions. Waite and Smith's deck has become the gold standard for identifying and analyzing contemporary Tarot and other meditation decks based on archetypes. Developments in both visual and literary history and theory have influenced Tarot since its fifteenth-century invention as a game and subsequent adaptations for esotericism, cartomancy, and meditation. This analysis consider Tarot in relation to established modern and postmodern art movements, such as Sy...
The legend of King Arthur is embedded in British and American culture. Contemporary America, in particular, is a rich breeding ground for the Arthurian mythos, not only in films, novels, short stories, and fantasy and science fiction, but in other areas of popular and mass culture as well. This work is a collection of 18 previously unpublished essays that demonstrate the impressive extent to which the Arthurian legend continues to permeate contemporary culture beyond film and literature. The essays cover the Arthurian legend in economics, ethics, education, entertainment, music, fun and games, the Internet, and esoterica. Instructors considering this book for use in a course may request an examination copy here.
A visually rich sourcebook featuring eclectic artwork (from the late-nineteenth century to today) inspired and informed by the mystical, esoteric and occult.