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Attributions of Authorship in the Gentleman's Magazine
Features the online publication "Attributions of Authorship in the Gentleman's Magazine" by Emily Lorraine de Montluzin. Offers access to "Studies in Bibliography," a publication of the Bibliographical Society of the University of Virginia. Contains supplements to the items catalogued by James M. Kuist from "Gentleman's Magazine."
Romantik
The articles in this second issue of Romantik: Journal for the Study of Romanticisms demonstrate the crucial role of emergent regionalism and nationalism within the Romantic movement. However, the contributors also explore how the transmission of ideas and inspiration took place across national as well as linguistic boundaries, and how knowledge was transferred from one domain of knowledge to another. The articles provide a new map of such cultural exchanges in the Romantic era and the multiplicity of agencies that made them possible. Romantik continues to locate the plurality of European Romanticisms within a comprehensive and multilingual context.
A Clubbable Man
Samuel Johnson famously referred to his future biographer, the unsociable magistrate Sir John Hawkins, as “a most unclubbable man." Conversely, this celebratory volume gathers distinguished eighteenth-century studies scholars to honor the achievements, professional generosity, and sociability of Greg Clingham, taking as its theme textual and social group formations. Here, Philip Smallwood examines the “mirrored minds” of Johnson and Shakespeare, while David Hopkins parses intersections of the general and particular in three key eighteenth-century figures. Aaron Hanlon draws parallels between instances of physical rambling and rhetorical strategies in Johnson’s Rambler, while Cedric D. Reverand dissects the intertextual strands uniting Dryden and Pope. Contributors take up other topics significant to the field, including post-feminism, travel, and seismology. Whether discussing cultural exchange or textual reciprocities, each piece extends the theme, building on the trope of relationship to organize and express its findings. Rounding out this collection are tributes from Clingham’s former students and colleagues, including original poetry.
Victorian Poetry and the Culture of Evaluation
Demonstrates how periodicals, newspapers, and annuals influenced Victorian poetry and offers fresh interpretations of central Victorian poets including Tennyson, Barrett Browning, Browning, Arnold, Landon, and Clough.
The Oxford Handbook of British Poetry, 1660-1800
In the most comprehensive, up-to-date account of the poetry published in Britain between the Restoration and the end of the eighteenth century, a team of leading experts surveys the poetry of the age in all its richness and diversity. They provide a systematic overview, and restore these poetic works to a position of centrality in modern criticism.
The Idea of Being Free
Mary Hays (1759-1843) is often best remembered for her early revolutionary novels The Memoirs of Emma Courtney and The Victim of Prejudice. In this collection, however, Gina Luria Walker reveals the extraordinary range of Hays’s oeuvre. The selections are mainly from Hays’s non-fiction writings, including letters, life-writing, political commentary, and essays. The extracts demonstrate her importance as an advanced and innovative thinker, philosophical commentator, and writer of deliberately experimental fiction. This Broadview edition includes a critical introduction and full annotation. Texts by numerous other writers are interleaved chronologically with Hays’s writings to illustrate her idiosyncratic intellectual genealogy, how her understanding modulated over time, and the multiple ways in which she influenced and was influenced by the most significant issues and figures of her age.
Textual Studies and the Enlarged Eighteenth Century
Textual Studies and the Enlarged Eighteenth Century scrutinizes the culture and sometimes the cult of electronic and other technology-assisted scholarship with respect to eighteenth-century studies.
New Critical Studies on Early Quaker Women, 1650-1800
New Critical Studies on Early Quaker Women, 1650-1800 takes a fresh look at archival and printed sources from England and America, elucidating why women were instrumental to the Quaker movement from its inception to its establishment as a transatlantic religious body. This authoritative volume, the first collection to focus entirely on the contributions of women, is a landmark study of their distinctive religious and gendered identities. The chapters connect three richly woven threads of Quaker women's livesRevolutions, Disruptions and Networksby tying gendered experience to ruptures in religion across this radical, volatile period of history. Includes a Foreword by Elaine Hobby.
The Reformist Ideas of Samuel Johnson
This book explores what remains an under-studied aspect of Samuel Johnson’s profile as a person and writer – namely, his attitude to social improvement. The interpretive framework provided here is cross-disciplinary, and applies perspectives from social and cultural history, legal history, architectural history and, of course, English literature. This allows Johnson’s writings to be read against the peculiarities of their historical milieu, and reveals Johnson in a new light – as an advocate of social improvement for human betterment. Considering the multiplicity of narrative modes that have been employed, the book points to the blurred boundaries and overlapping between history, testimony and fiction, and argues that a future biography of Samuel Johnson has to recognise that throughout his life he valued the utilitarian aspect of his manifesto as a writer to impart a more charitable attitude in the pursuit of a more caring society.
Byron and Bob
Byron and Bob is the first book ever to be dedicated to the most important literary relationship in Byron’s career – that with the Poet Laureate, Robert Southey, whom he hated, and to whom he “dedicated” his most important poem, Don Juan. Drawing on much unseen manuscript material, Peter Cochran shows that although Byron’s antipathy towards Southey was at first a normal literary distaste, it became, the more he ingested his private image of Southey, a projected self-distrust, a dislike of everything in himself with which he was unhappy. The book has as appendix a double edition of the two Visions of Judgement, firstly Southey’s original, and then Byron’s travesty, in which he has succeeded in rendering his enemy ridiculous to all succeeding generations. These two important works have not been published together for many years.
