Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Architecture, Politics, and Identity in Divided Berlin
On August 13, 1961, under the cover of darkness, East German authorities sealed the border between East and West Berlin using a hastily constructed barbed wire fence. Over the next twenty-eight years of the Cold War, the Berlin Wall grew to become an ever-present physical and psychological divider in this capital city and a powerful symbol of Cold War tensions. Similarly, stark polarities arose in nearly every aspect of public and private life, including the built environment. In Architecture, Politics, and Identity in Divided Berlin Emily Pugh provides an original comparative analysis of selected works of architecture and urban planning in both halves of Berlin during the Wall era, revealin...
The Alcalde
As the magazine of the Texas Exes, The Alcalde has united alumni and friends of The University of Texas at Austin for nearly 100 years. The Alcalde serves as an intellectual crossroads where UT's luminaries - artists, engineers, executives, musicians, attorneys, journalists, lawmakers, and professors among them - meet bimonthly to exchange ideas. Its pages also offer a place for Texas Exes to swap stories and share memories of Austin and their alma mater. The magazine's unique name is Spanish for "mayor" or "chief magistrate"; the nickname of the governor who signed UT into existence was "The Old Alcalde."
Amnesiopolis
Amnesiopolis explores the construction of Marzahn, the largest prefabricated housing project in East Germany, built on the outskirts of East Berlin in the 1970s and 1980s, and touted by the regime as the future of socialism. It focuses particularly on the experience of East Germans who moved, often from crumbling slums left over as a legacy of the nineteenth century, into this radically new place - one defined by pure functionality and rationality - a material manifestation of the utopian promise of socialism. Eli Rubin employs methodologies from critical geography, urban history, architectural history, environmental history, and everyday life history to ask whether their experience was a ra...
The School Inspection
School inspections are no laughing matter, until one comes to Milton Court Primary School, where nine-year-old Max is a pupil. He unwittingly causes major problems for his recently appointed head teacher, Mrs. Pugh, who has aspirations of becoming an inspector in the near future. The obstacles Max puts in her way are never deliberate. He just happens to be in the wrong place at the wrong time all too often. His best friend in the world is his great-grandmother, commonly known to all as Granny, who becomes public enemy number one to Mrs. Pugh. Somehow, between them, Max and Granny succeed in thwarting all Mrs. Pugh's plans for recognition, while only harbouring the best of intentions. When Mrs. Pugh receives a letter advising her of a forthcoming week-long school inspection, she sees it as the perfect opportunity to show the world her readiness to move on to greater things. But from day one, very little goes right.
Paradigm City
Materially grounded analysis of contemporary film, literature, and music in Hong Kong that resists the superficial stereotypes of the global city. Hong Kong is often cast in the role of the paradigmatic global city, epitomizing postmodernism and globalization, and representing a vision of a cosmopolitan global and capitalist future. In Paradigm City, Janet Ng takes us past the obsession with 1997the year of Hong Kongs return to Chinato focus on the complex uses and meanings of urban space in Hong Kong in the period following that transfer. She demonstrates how the design and ordering of the citys space and the practices it supports inculcates a particular civic aesthetic amon...
Documenting Socialism
More than 30 years after the collapse of the German Democratic Republic, its cinema continues to attract scholarly attention. Documenting Socialism moves beyond the traditionally analyzed "feature film production" and places East Germany's documentary cinema at the center of history behind the Iron Curtain. Between questions of gender, race and sexuality and the complexities of diversity under the political and cultural environments of socialism, the specialist contributions in this volume cohere into an introductory milestone on documentary film production in the GDR.
Berlin Divided City, 1945-1989
A great deal of attention continues to focus on Berlin’s cultural and political landscape after the fall of the Berlin Wall, but as yet, no single volume looks at the divided city through an interdisciplinary analysis. This volume examines how the city was conceived, perceived, and represented during the four decades preceding reunification and thereby offers a unique perspective on divided Berlin’s identities. German historians, art historians, architectural historians, and literary and cultural studies scholars explore the divisions and antagonisms that defined East and West Berlin; and by tracing the little studied similarities and extensive exchanges that occurred despite the presence of the Berlin Wall, they present an indispensible study on the politics and culture of the Cold War.
The Future Is Present
A critical history of the pioneering art and technology group Mobile Image and their prescient work in communications, networking, and information systems. In The Future Is Present, Philip Glahn and Cary Levine tell the fascinating history of the visionary art group Mobile Image—founded by Kit Galloway and Sherrie Rabinowitz in 1977—which appropriated emerging technologies, from satellites to electronic message platforms. Based in Los Angeles, this under-studied collective worked amid urban crisis, a techno-boom, consolidating media power, and ascendant neoliberal politics. Mobile Image challenged fundamental conventions of the public sphere, democracy, communication, and political parti...
Ladies' Night at Finbar's Hotel
Each story stands alone but also makes up the vivid picture of life in Dublin's newly refurbished Finbar's Hotel . . . funny and poignant' Sunday Mirror 'Finbar's Hotel is back, this time with a stellar cast of women writers and a lick of paint . . . But what's it all about? Well, it would be all too easy to give the game away, so let's just say that there's a hilarious reworking of the old immaculate conception theme, a bittersweet confrontation between a daughter and her loopy father, a poignant encounter involving a long-married couple, and a cracking finish . . . it doesn't matter who wrote what: together they've produced a playful, light, highly entertaining book' Irish Times 'Beneath the humour, whimsy and outright craziness, Ladies' Night at Finbar's Hotel hits at the shallowness of current social pretensions and offers a cautious optimism about women's lives today' Times Literary Supplement
