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Perhrghueeiy
Presenting fifty projects from French-born, New York-based contemporary artist Pierre Huyghe's twenty-year career, this richly illustrated book provides an overview of his work across film, installation art, and live event. Since the 1990s, Huyghe's work has challenged the status of the exhibition format. With projects like the One Year Celebration and the foundation in 1995 of the collaborative Association of Freed Time, Huyghe developed a particular interest in the relationship between time and memory--an interest that has carried through to his works, Untilled and the three-part The Host and the Cloud. Most recently, his projects include an untitled piece for the Documenta 13 in Kassel, G...
Before the Storm
Selections from a recent group show exploring the effects of the climate crisis on seasonal cycles This exhibition catalog accompanies a show at the Pinault Collection at the Bourse de Commerce that explores the changing seasons, mutated by climate change. Artists include: Tacita Dean, Robert Gober, Daniel Steegman Mangrané and Anicka Yi.
Icons: Images in Resonance
Statement of responsibility taken from colophon recto.
Architecture and Choreography
Architecture and Choreography: Collaborations in Dance, Space and Time examines the field of archi-choreographic experiments—unique interdisciplinary encounters and performed events generated through collaborations between architects and choreographers. Forty case studies spanning four decades give evidence of the range of motivations for embarking on these creative endeavors and diverse conceptual underpinnings, generative methods, objects of inquiry, and outcomes. Architecture and Choreography builds histories and theories through which to examine these works, the contexts within, and processes through which the works emerged, and the critical questions they raise about ways to work toge...
Dominique Gonzalez-Foerster, 1887-2058
Dominique Gonzalez-Foerster says she is a "prisoner of literature." In her installations, videoprojections and "apparitions" (performances) she tells amazing stories and uses a remarkable range of formal possibilities. This richly illustrated volume not only documents a new work by the French exceptional artist - a labyrinth of spatial installations that leads the viewer to an inner journey through time, the world of cinema, literature and science - but also marks her extraordinary career, from the sensational exhibition in the Tate Modern turbines to her bookstores at the Hispanic Society of America in New York. A number of essays by leading art experts address Gonzalez-Foerster's use of film, architecture and music as a means of self-exploration and artistic expression. An impressive and at the same time very personal portrait of an artist and her confrontation with time and literature, identity and narration.
Une Seconde D'Éternité
Spatial interventions from 19 artists in dialogue with the architecture of the Bourse de Commerce This volume accompanies a group show that gathers works from 19 artists exploring the materiality of space and time. Artists include: Larry Bell, Marcel Broodthaers, Miriam Cahn, Felix Gonzalez-Torres, Roni Horn, Rudolf Stingel, Wolfgang Tillmans and Carrie Mae Weems.
TRAVERSEES
From 12 October 2019 to 19 January 2020, the South Korean artist Kimsooja will surround the City of Poitiers on the occasion of the first edition of Traversées, a new international artistic and cultural event, closely linked to the destiny of a major building, the Palace of the Dukes of Aquitaine, and its neighbourhood, historical and heritage heart of the city.0Kimsooja welcomes other artists, with whom her work resonates, and invites them to look at the city and create new perspectives. From India to Morocco, via South Korea, Peru or Japan, 'Traversées / Kimsooja' is an invitation to a kaleidoscopic trip around the world, punctuated by installations, concerts and performances.00Exhibition: Palais des Ducs d'Aquitaine, Poitiers, France (12.10.2019 - 19.01.2020).
Rebecca Horn
Referencing mythical, historical, literary and spiritual imagery, Horn invokes these bodily concerns with such objects as violins, ladders, pianos, feather fans, metronomes and drawing machines. She is best known for such works as "Pencil Mask" (1972), which looks like an instrument of torture, but which actually transforms the wearer's head into an instrument for drawing.
The Choreographic
An investigation of dance and choreography that views them not only as artistic strategies but also as intrinsically theoretical and critical practices. The choreographic stages a conversation in which artwork is not only looked at but looks back; it is about contact that touches even across distance. The choreographic moves between the corporeal and cerebral to tell the stories of these encounters as dance trespasses into the discourse and disciplines of visual art and philosophy through a series of stutters, steps, trembles, and spasms. In The Choreographic, Jenn Joy examines dance and choreography not only as artistic strategies and disciplines but also as intrinsically theoretical and cr...
