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Eneas
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Romance
"Often derided as an inferior form of literature, "romance" as a literary mode or genre defies satisfactory definition, dividing critics, scholars and readers alike." "Romance is a clear and wide-ranging introduction for students of literary history, comparative literature and modern literary forms. It is also a convincing case for a literary concept too often set to one side."--BOOK JACKET.
One Heart One Mind
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Eneas
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The Roman de Thebes and The Roman D'Eneas
The two romances translated in this volume, the Roman de Thèbes and the Roman d'Eneas, form, along with the Roman de Troie by Benoît de Sainte-Maure, a group of texts that are of considerable importance within French and European literature and culture. Composed between c. 1150 and c. 1165, these romances create a bridge between classical tales (the Thèbes is based on the Thebaid of Statius, the Eneas on the Aeneid of Virgil) and the burgeoning vernacular romances, represented especially by Chrétien de Troyes. As a group, these three works are frequently known as the romances of antiquity (romans d'antiquité) and they introduce into French literature the dominant contemporary themes of ...
Gender and Romance in Chaucer's Canterbury Tales
In this fresh look at Chaucer's relation to English and French romances of the late Middle Ages, Crane shows that Chaucer's depictions of masculinity and femininity constitute an extensive and sympathetic response to the genre. For Chaucer, she proposes, gender is the defining concern of romance. As the foundational narratives of courtship, romances participate in the late medieval elaboration of new meanings around heterosexual identity. Crane draws on feminist and genre theory to argue that Chaucer's profound interest in the cultural construction of masculinity and femininity arises in large part from his experience of romance. In depicting the maturation of young women and men, romances s...
Violent Passions
This book re-evaluates the perception of "courtly love" in Old French verse. Adams traces how these verses explore the emotional trials of amour and propose coping methods for the lovelorn.
The Forest of Medieval Romance
Corinne J. Saunders's exploration of the topos of the forest, a familiar and ubiquitous motif in the literature of the middle ages, is a broad study embracing a range of medieval and Elizabethan exts from the twelft to the sixteenth centuries: the roman d'antiquite, Breton lay and courtly romance, the hagiographical tradition of the Vita Merlini and the Queste del Saint Graal, Spenser and Shakespeare. Saunders identifies the forest as a primary romance landscape, as a place of adventure, love, and spiritual vision... offers a pleasurable overview of the narrative function of the forest as a literary landscape. Based on a close comparative and theoretically non-partisan] reading of a broad ra...
The Cambridge Companion to Medieval Romance
This Companion presents fifteen original and engaging essays by leading scholars on one of the most influential genres of Western literature. Chapters describe the origins of early verse romance in twelfth-century French and Anglo-Norman courts and analyze the evolution of verse and prose romance in France, Germany, England, Italy, and Spain throughout the Middle Ages. The volume introduces a rich array of traditions and texts and offers fresh perspectives on the manuscript context of romance, the relationship of romance to other genres, popular romance in urban contexts, romance as mirror of familiar and social tensions, and the representation of courtly love, chivalry, 'other' worlds and gender roles. Together the essays demonstrate that European romances not only helped to promulgate the ideals of elite societies in formation, but also held those values up for questioning. An introduction, a chronology and a bibliography of texts and translations complete this lively, useful overview.
