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The Shape of Stories
How were narratives composed in the ancient Near East? What patterns and principles, constraints and considerations guided the shaping of cuneiform stories? The study of narrative structures has emerged as a promising approach to the textual heritage of the cuneiform world. Engaging with practically any ancient text—whether literary, historical, or religious—requires some understanding of the narrative forms that shaped their content. This volume gives researchers the tools to better understand those form, illustrating each approach to narrative analysis with a case study from the cultures of the ancient Near East: Sumerian, Babylonian, Assyrian, and Hittite.
Art of the First Cities
Catalog of an exhibition being held at the Metropolitan Museum of Art from May 8 to Aug. 17, 2003.
Gender, Sainthood, and Everyday Practice in South Asian Shi’ism
In this study of devotional hagiographical texts and contemporary ritual performances of the Shi'a of Hyderabad, India, Karen Ruffle demonstrates how traditions of sainthood and localized cultural values shape gender roles. Ruffle focuses on the annual mourning assemblies held on 7 Muharram to commemorate the battlefield wedding of Fatimah Kubra and her warrior-bridegroom Qasem, who was martyred in 680 C.E. at the battle of Karbala, Iraq, before their marriage was consummated. Ruffle argues that hagiography, an important textual tradition in Islam, plays a dynamic role in constructing the memory, piety, and social sensibilities of a Shi'i community. Through the Hyderabadi rituals that ideali...
Gudea and His Dynasty
This volume of RIM focuses on the Second Dynasty of Lagas, and concentrates mainly on the inscriptions of Cylinders A and B of the most important king of that dynasty, Gudea.
Art and Immortality in the Ancient Near East
Far from being a Judeo-Christian invention, apocalyptic thought had its roots in the ancient Near East and was expressed in its art.
A Companion to the Archaeology of Religion in the Ancient World
A Companion to the Archaeology of Religion in the Ancient World presents a comprehensive overview of a wide range of topics relating to the practices, expressions, and interactions of religion in antiquity, primarily in the Greco-Roman world. • Features readings that focus on religious experience and expression in the ancient world rather than solely on religious belief • Places a strong emphasis on domestic and individual religious practice • Represents the first time that the concept of “lived religion” is applied to the ancient history of religion and archaeology of religion • Includes cutting-edge data taken from top contemporary researchers and theorists in the field • Examines a large variety of themes and religious traditions across a wide geographical area and chronological span • Written to appeal equally to archaeologists and historians of religion
The Origins of Midrash: From Teaching to Text
In The Origins of Midrash: From Teaching to Text, Paul Mandel presents a comprehensive study of the words darash and midrash from the Bible until the early rabbinic periods (3rd century CE). In contrast to current understandings in which the words are identified with modes of analysis of the biblical text, Mandel claims that they refer to instruction in law and not to an interpretation of text. Mandel traces the use of these words as they are associated with the scribe (sofer), the doresh ha-torah in the Dead Sea scrolls, the “exegetes of the laws” in the writings of Josephus and the rabbinic “sage” (ḥakham), showing the development of the uses of midrash as a form of instruction throughout these periods.
The Lives of Sumerian Sculpture
This book examines the sculptures created during the Early Dynastic period (2900-2350 BC) of Sumer, a region corresponding to present-day southern Iraq. Featured almost exclusively in temple complexes, some 550 Early Dynastic stone statues of human figures carved in an abstract style have survived. Chronicling the intellectual history of ancient Near Eastern art history and archaeology at the intersection of sculpture and aesthetics, this book argues that the early modern reception of Sumer still influences ideas about these sculptures. Engaging also with the archaeology of the Early Dynastic temple, the book ultimately considers what a stone statue of a human figure has signified, both in modern times and in antiquity.
Images, Perceptions and Productions in and of Antiquity
This book provides access to new and exclusive research in several Antiquity and Antiquity-related fields and subjects. Revolving around four general subjects (Ancient Egypt, the Ancient Near and Middle East, the Classical World, and the Reception of Antiquity), it will provide access to new works spanning from archaeology, literature, art, reception studies, among others, allowing the reader to gain insights into some of the most current subjects of investigation in modern academia.
Testing the Canon of Ancient Near Eastern Art and Archaeology
This volume addresses and problematizes the formation and transformation of the ancient Near Eastern art historical and archaeological canon. The 'canon' is defined as an established list of objects, monuments, buildings, and sites that are considered to be most representative of the ancient Near East. In "testing" this canon, this project takes stock of the current canon, its origins, endurance, and prospects. Boundaries and typologies are examined, technologies of canon production are investigated, and heritage perspectives on contemporary culture offer a key to the future.
