You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
A look into the poor-white world of one of the South's spellbinding storytellers
Essays in Rough South, Rural South describe and discuss the work of southern writers who began their careers in the late twentieth and early twenty-first centuries. They fall into two categories. Some, born into the working class, strove to become writers and learned without benefit of higher education, such writers as Larry Brown and William Gay. Others came from lower- or middle-class backgrounds and became writers through practice and education: Dorothy Allison, Tom Franklin, Tim Gautreaux, Clyde Edgerton, Kaye Gibbons, Silas House, Jill McCorkle, Chris Offutt, Ron Rash, Lee Smith, Brad Watson, Daniel Woodrell, and Steve Yarbrough. Their twenty-first-century colleagues are Wiley Cash, Pet...
Stressed out? Swimming in a sea of screens? Worried about our beloved, endangered earth yet uncertain how to work for change? If this sounds familiar, you're not alone. In this intelligent guide to mindfulness in the digital age, writer and teacher Amy Weldon describes how practicing life as an artist can help you wake yourself up and take back control of your attention, your money, your time, and the health of our society and our planet. Traveling from farm to protest march to classroom, and engaging a range of thinkers from Hannah Arendt to George Orwell, John Keats, and Henry David Thoreau, The Hands-On Life is a book for students and for everyone who dreams of building a better world.
Loving offers a sharp focus of the man who is generally considered America's greatest poet. This splendid work reveals him as fully as anything can, except his poems.
The very best literary interviews from fifty years of scholarly inquiry
In this reflective volume, breakthrough scholarship revises the biography of Mark Twain and presents important new information and new interpretations about the last decade of his life.
Most critics have considered Caldwell to be only a minor southern writer, often associating him with his worst writing. Yet Saul Bellow suggested he deserved the Nobel Prize, and William Faulkner once characterized him as one of the five best writers of his time, alongside himself, Thomas Wolfe, Ernest Hemingway, and John Dos Passos.
In this candid view of the hardships and rewards of the writer's life, Erskine Caldwell recalls his first thirty years as a writer, with special emphasis on his long and hard apprenticeship before he emerged as one of the most widely read and controversial authors of his time. All the while conveying the enormous amount of drive and dedication with which he pursued his calling, Caldwell tells of his struggles to find his own voice, his travels, and his various jobs, which ranged from backbreaking manual labor to much sought-after positions in radio, film, and journalism. Including a self-interview, Call It Experience offers a wealth of insights into Caldwell's imagination and his writing habits, as well as his views on critics and reviewers, publishers, and booksellers. It is a source of information and inspiration to aspiring writers.
In this text, the author describes what qualitative research techniques are designed to do and how they aid in uncovering insights useful for advertising strategy development, creative development, and concurrent and post-campaign evaluation.
Class, Whiteness, and Southern Literature explores the role that representations of poor white people play in shaping both middle-class American identity and major American literary movements and genres across the long twentieth century. Jolene Hubbs reveals that, more often than not, poor white characters imagined by middle-class writers embody what better-off people are anxious to distance themselves from in a given moment. Poor white southerners are cast as social climbers during the status-conscious Gilded Age, country rubes in the modern era, racist obstacles to progress during the civil rights struggle, and junk food devotees in the health-conscious 1990s. Hubbs illuminates how Charles Chesnutt, William Faulkner, Flannery O'Connor, Dorothy Allison, and Barbara Robinette Moss swam against these tides, pioneering formal innovations with an eye to representing poor white characters in new ways.