Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Call it Experience
In this candid view of the hardships and rewards of the writer's life, Erskine Caldwell recalls his first thirty years as a writer, with special emphasis on his long and hard apprenticeship before he emerged as one of the most widely read and controversial authors of his time. All the while conveying the enormous amount of drive and dedication with which he pursued his calling, Caldwell tells of his struggles to find his own voice, his travels, and his various jobs, which ranged from backbreaking manual labor to much sought-after positions in radio, film, and journalism. Including a self-interview, Call It Experience offers a wealth of insights into Caldwell's imagination and his writing habits, as well as his views on critics and reviewers, publishers, and booksellers. It is a source of information and inspiration to aspiring writers.
Autobiography and Black Identity Politics
Why has autobiography been central to African American political speech throughout the twentieth century? What is it about the racialization process that persistently places African Americans in the position of speaking from personal experience? In Autobiography and Black Identity Politics: Racialization in Twentieth-Century America, Kenneth Mostern illustrates the relationship between narrative and racial categories such as 'colored', 'Negro', 'black' or 'African American' in the work of writers such as W. E. B. Du Bois, Zora Neale Hurston, Malcom X, Martin Luther King, Paul Robeson, Angela Davis and bell hooks. Mostern shows how these autobiographical narratives attempt to construct and transform the political meanings of blackness. The relationship between a black masculine identity that emerged during the 1960s, and the counter-movement of black feminism since the 1970s, is also discussed. This wide-ranging study will interest all those working in African American studies, cultural studies and literary theory.
Do-Good Boy
In 1960, at age 18, future bestselling author Jerry Bledsoe ("Bitter Blood" & "The Angel Doll") told an Army recruiter that he wanted to be an artist. This was his lucky day, the recruiter informed him. The Army had the best art school in the world. But after being sworn in, Bledsoe was pulled aside by a major and informed that no Army art school existed. He was being assigned instead to Information School.Although Bledsoe, who had flunked high school English for failure to write book reports and term papers, had no idea what this unexpected decision entailed, it would set the direction for the rest of his life.Bledsoe limits this warm, deeply personal and often humorous memoir to the turbul...
Rough South, Rural South
Essays in Rough South, Rural South describe and discuss the work of southern writers who began their careers in the late twentieth and early twenty-first centuries. They fall into two categories. Some, born into the working class, strove to become writers and learned without benefit of higher education, such writers as Larry Brown and William Gay. Others came from lower- or middle-class backgrounds and became writers through practice and education: Dorothy Allison, Tom Franklin, Tim Gautreaux, Clyde Edgerton, Kaye Gibbons, Silas House, Jill McCorkle, Chris Offutt, Ron Rash, Lee Smith, Brad Watson, Daniel Woodrell, and Steve Yarbrough. Their twenty-first-century colleagues are Wiley Cash, Pet...
Psychology and Selfhood in the Segregated South
In the American South at the turn of the twentieth century, the legal segregation of the races and psychological sciences focused on selfhood emerged simultaneously. The two developments presented conflicting views of human nature. American psychiatry and psychology were optimistic about personality growth guided by the new mental sciences. Segregation, in contrast, placed racial traits said to be natural and fixed at the forefront of identity. In a society built on racial differences, raising questions about human potential, as psychology did, was unsettling. As Anne Rose lays out with sophistication and nuance, the introduction of psychological thinking into the Jim Crow South produced nei...
Away Down South
From the seventeenth century Cavaliers and Uncle Tom's Cabin to Civil Rights museums and today's conflicts over the Confederate flag, here is a brilliant portrait of southern identity, served in an engaging blend of history, literature, and popular culture. In this insightful book, written with dry wit and sharp insight, James C. Cobb explains how the South first came to be seen--and then came to see itself--as a region apart from the rest of America. As Cobb demonstrates, the legend of the aristocratic Cavalier origins of southern planter society was nurtured by both northern and southern writers, only to be challenged by abolitionist critics, black and white. After the Civil War, defeated ...
Passed On
A personal and historical account of the particular place of death and funerals in African American life.
Art as a Way of Life
"Examines the rewards, joys, and challenges of the creative life through the words of artists, writers, poets, and musicians"--Provided by publisher.
The Postsouthern Sense of Place in Contemporary Fiction
For generations, southern novelists and critics have grappled with a concept that is widely seen as a trademark of their literature: a strong attachment to geography, or a "sense of place." In the 1930s, the Agrarians accorded special meaning to rural life, particularly the farm, in their definitions of southern identity. For them, the South seemed an organic and rooted region in contrast to the North, where real estate development and urban sprawl evoked a faceless, raw capitalism. By the end of the twentieth century, however, economic and social forces had converged to create a modernized South. How have writers responded to this phenomenon? Is there still a sense of place in the South, or...
