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A groundbreaking exposé about the alarming use of rap lyrics as criminal evidence to convict and incarcerate young men of color Should Johnny Cash have been charged with murder after he sang, "I shot a man in Reno just to watch him die"? Few would seriously subscribe to this notion of justice. Yet in 2001, a rapper named Mac whose music had gained national recognition was convicted of manslaughter after the prosecutor quoted liberally from his album Shell Shocked. Mac was sentenced to thirty years in prison, where he remains. And his case is just one of many nationwide. Over the last three decades, as rap became increasingly popular, prosecutors saw an opportunity: they could present the so...
Featuring a foreword by Tricia Rose and an Afterword by Cathy J. Cohen Barack Obama flipped the script on more than three decades of conventional wisdom when he openly embraced hip hop--often regarded as politically radioactive--in his presidential campaigns. Just as important was the extent to which hip hop artists and activists embraced him in return. This new relationship fundamentally altered the dynamics between popular culture, race, youth, and national politics. But what does this relationship look like now, and what will it look like in the decades to come? The Hip Hop & Obama Reader attempts to answer these questions by offering the first systematic analysis of hip hop and politics ...
From Bill Clinton playing his saxophone on The Arsenio Hall Show to Barack Obama referencing Jay-Z’s song “Dirt Off Your Shoulder,” politicians have used music not only to construct their personal presidential identities but to create the broader identity of the American presidency. Through music, candidates can appear relatable, show cultural competency, communicate values and ideas, or connect with a specific constituency. On a less explicit level, episodes such as Clinton’s sax-playing and Obama’s shoulder brush operate as aural and visual articulations of race and racial identity. But why do candidates choose to engage with race in this manner? And why do supporters and detract...
The past and future of Black history In this information-overloaded twenty-first century, it seems impossible to fully discern or explain how we know about the past. But two things are certain. Whether we are conscious of it or not, we all think historically on a routine basis. And our perceptions of history, including African American history, have not necessarily been shaped by professional historians. In this wide-reaching and timely book, Pero Gaglo Dagbovie argues that public knowledge and understanding of black history, including its historical icons, has been shaped by institutions and individuals outside academic ivory towers. Drawing on a range of compelling examples, Dagbovie explo...
Paul Butler was an ambitious federal prosecutor, a Harvard Law grad who gave up his corporate law salary to fight the good fight - until one day he was arrested on the street and charged with a crime he didnt commit. The Volokh Conspiracy calls Butlers account of his trial ''the most riveting first chapter I have ever read. In a book Harvard Law professor Charles Ogletree calls ''a must read, Butler looks at places where ordinary citizens meet the justice system - as jurors, witnesses, and in encounters with the police - and explores what ''doing the right thing means in a corrupt system. Since Lets Get Frees publication, Butler has become the go-to person for commentary on criminal justice ...
While the Arab revolutions have obviously triggered extensive social and political changes, the far-reaching consequences of the cultural and discursive changes have yet to be adequately considered. For activists, researchers and journalists, the revolution was primarily a revolution in language; a break with the linguistic oppression and the rigidity of the old regimes. This break was accompanied by the emergence of new languages, which made it possible to inform, tell and translate the ongoing events and transformations. This language of the revolution was carried out into the world by competing voices from Syria (by local and foreign researchers, activists, and journalists). The core of t...
Beyond Death and Jail: Anti-Blackness, Black Masculinity, and the Demonic Imagination calls for a complete reassessment and overhaul of ethical, political, and religious thinking with respect to anti-Blackness and Black masculinity in the United States. In light of the prison industrial complex and a decade of homicide (2012-2022) of Black men and Black boys which spawned the Movement for Black Lives, Ronald B. Neal calls attention to a crisis of imagination on the part of elite social activists and intellectuals. Neal questions more than four decades of academic theory concerned with justice which has and continues to inform the most popular expressions of Black American activism. Readers are asked to grapple with the dilemmas which plague Black men and Black boys as a starting point for a reinvigorated imagination including new theories of justice and new paradigms of action. Neal contends that we can do better in those efforts that seek to engage and overcome anti-Blackness in the United States.
This book explores an important aspect of hip-hop that is rarely considered: its deep entanglement with spiritual life. The world of hip-hop is saturated with religion, but rarely is that element given serious consideration. In Street Scriptures, Alejandro Nava focuses our attention on this aspect of the music and culture in a fresh way, combining his profound love of hip-hop, his passion for racial and social justice, and his deep theological knowledge. Street Scriptures offers a refreshingly earnest and beautifully written journey through hip-hop’s deep entanglement with the sacred. Nava reveals a largely unheard religious heartbeat in hip-hop, exploring crosscurrents of the sacred and p...
Though their primary concern, organizations in the creative industries don’t only succeed or fail based on the exercise of their creative resources. Their fortunes also depend on their understanding and approach to the problem of competition. In Strategic Analysis: A creative and cultural industries perspective, Jonathan Gander offers a much needed introduction to how the practice of strategic thinking and analysis can be applied to this diverse and dynamic field. The book employs a range of competitive scenarios and case studies in which to practically apply a recommended set of analytical frameworks and examine the strategic challenge facing the enterprise and the wider sector. This concise and practical text focuses on providing a clear series of steps through which to identify and tackle strategic issues facing an enterprise, making it perfect reading for students and practitioners in the creative sector who seek a strategic understanding of the competition they are involved in.
The Edinburgh Companion to Charles Dickens and the Arts explores Dickens's rich and complex relationships with a myriad of art forms and the far-reaching resonance of his works across the arts overall. This volume reassesses Dickens's prescient philosophy of art, both through a historical and a present-day lens and in the context of debates about the cultural value of the arts. Across thirty-three original essays, it outlines the ways in which Dickens broke down oppositions between high and low art, money and the aesthetic, the extraordinary and the ordinary, and art for its own sake and the social good. In doing so, it considers how Dickens prefigured the arts of the future, including rap music, television, fanfiction and global cinema.