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O Cadoiro
Rooted in medieval Galician-Portuguese cantigas, most untranslated before now, Erin Mour 's poems take off from the title phrase, literally "the place where falling is made." Also a word for waterfall, O Cadoiro opens the "falling-place" that humans inhabit, where poems help heal without necessarily resolving anything. Where many poets tend to disdain the lyric form, Mour embraces it -- returning to its roots, reveling in its beauty, and exposing its surprising modernity.
Planetary Noise
Planetary Noise: Selected Poetry of Erín Moure gathers four decades of poetry from a celebrated Canadian poet and translator who has persistently reconfigured the linguistic and material relations of English. Moure's poems and networked sequences are hybrid and often polylingual; they work with contradiction, paradox, and verbal detritus— linguistic hics and blips often too quickly dismissed as noise—to create new conditions for thought and pleasure. From postdramatic theatre to queer and feminist theory, from the politics of citizenship and genocide to the minutiae of digital poetics, from the clamor of love to the shadows of grief and memory, Moure has joyously toppled hierarchies of meaning and parasited dominant discourses to create poetry that crosses borders, embracing hope, not war. This volume, edited by poet and literary scholar Shannon Maguire, also features an extensive introduction to Moure's poetry, a section of poetry by others translated by Moure, and an afterword on translation by the poet. An online reader's companion is available at wesleyan.edu/wespress/readerscompanions. Hardcover is un-jacketed.
O Resplandor
Here is inventive new poetry from one of our most original and admired poets: Erin Moure, two-time winner of the Governor General's Literary Award for Poetry, winner of the Pat Lowther Memorial Award, and a finalist for the prestigious Griffin Poetry Prize.Moure's brilliant collection explores the idea that the act of reading contains all the experiences of the body itself: love, splendour, travel, doubling, loss. The "resplandor" of the title refers to the radiance of the body when the language of the book flows into ears and eyes. In unexpected ways -- through impossible translation, anachronistic journeys, and a fictional mystery that involves a search for a translator who exists only in the future beyond the book itself - O Resplandor confounds notions of authorship and translation, all while conveying the clamour over love and loss. Richly challenging and charged with Erin Moure's distinctive energy, O Resplandor is a work about the powerful light contained in the human body, in translation, and in poetry - even as it shows how these are all one and the same in the end: inventions.
The Unmemntioable
Shortlisted for the Kobzar Literary Award. The Unmemntioable joins letters that should not be joined. There is, in this word, an act of force. Of devastation. The unmentionable is love, of course. But in Moure's poems, love is bound to a duty: to comprehend what it was that the immigrants would not speak of. Now they are dead; their children and grandchildren know but an anecdotal pastiche of Ukrainian history. On Saskatoon Mountain in Alberta where they settled, only the chatter of the leaves remains of their presence. What was not spoken is sealed over, unmemntioable. There is no one left to contact in the Old Country. Can the unmemntioable retain its silence, yet be eased into words? Can experience still be spoken?
Camouflage
Poetry. Women's Studies. Translation. Translated by Erín Moure. CAMOUFLAGE is a new collection of poems by the Galician poet and journalist Lupe Gómez. The poems in CAMOUFLAGE are sharp, tender elegies for a mother and for a rural village, its changing walks and ways and words. In CAMOUFLAGE, we see how one person can be "two sisters," with "two pasts." We learn about making cheeses, but also that "Death is a political project." Gómez's bold voice erases the line between the political and the domestic, the experimental and the sequential, and allows for celebratory insight. CAMOUFLAGE was published in Spain in 2017 and is Gómez's eleventh book of poetry but her first published in the United States. The poems were originally written in Galician, a language spoken by about 3 million people, primarily in Galicia, an "autonomous community" in the northwest of Spain. Translator and poet Erín Moure has translated the book into an intimate English with a vivid and tight "linguistic embrace." CAMOUFLAGE is a bilingual edition with a translator's introduction, and presents a new approach to designing work in translation.
This Radiant Life
"In this stunning long poem, Chantal Neveu draws from the lexicons of science, art, revolution, and corporeal movement to forge intense and extended rhythms that invoke the elements and spaces making up our world. This is poetry capable of holding life and death, solidarity, and love. Renewal. Breathing. In its brevity and persistence, This Radiant Life is a material call for action: it asks us to let go, even just a little bit, of our individuality in favour of mutuality, to arrive separately yet in unison at a radiance in which all living beings can thrive."--
Writing in the Feminine in French and English Canada
This important work considers the contemporary movement of "writing in the feminine", by examining the work of five women writers from French and English Canada and the dialogue therein with feminist and psychoanalytic theory and theories of ethics. Informing the author's interpretations are the ideas of French theorists Emmanuel Levinas, Paul Ricoeur, Luce Irigaray, and Julia Kristeva, as well as American feminists Kelly Oliver and Jessica Benjamin. Marie Carrière explores the unfolding, complex questions of sexual difference, female subjectivity, and mother-daughter relations. She also uncovers and examines the occasional breakdown of the feminist ethics postulated by Nicole Brossard, Fra...
Furious
"The poetry in Furious is charged with Mours characteristic energy and wit as she explores the limits of pure reason and the language of power. There is, too, a fresh and often celebratory look at love, and, in an unusual finale, The Acts, Mour challenges us to explore a feminist aesthetic: of thinking, of the page, of working life, and the possibility of poetry."
The Elements
The Elements is a family book, a thinker’s biography in poetry, and a polylingual homage. Poems about and for Moure’s late father — accepting his dementia as a real way of thinking “world” and “self” in a struggle against invasive powers — are braced alongside poems invoking the struggle of Galician peasants against the invasion of the armies of Napoleon. It is a book about tenderness, and about The Good, in the face of destructions. By celebrating our ability to think and to revolt, it defends the human pull toward happiness and sovereignty, toward life, toward living. “The infinitely transmissible,” it says, “demands this polyvalent body.”
White Piano
"White Piano holds an acute sense of what poetry is, its danger. . . . Brossard knows well that 'life is only good for living' and that living is incarnated in the material of language, that sounds, those carriers of sense, can propel it in front of the world."—Le Devoir Between the verbs quivering and streaming, White Piano unfolds its variations like musical scores. Pronouns and persons, poetry and prose: White Piano, superbly translated from the French, narrates a constellation of questions and offers a "language that cultivates its own craters of fire and savoir-vie." Nicole Brossard is one of North America's foremost practitioners of innovative writing.
