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Ragged but Right
The commercial explosion of ragtime in the early twentieth century created previously unimagined opportunities for black performers. However, every prospect was mitigated by systemic racism. The biggest hits of the ragtime era weren't Scott Joplin's stately piano rags. “Coon songs,” with their ugly name, defined ragtime for the masses, and played a transitional role in the commercial ascendancy of blues and jazz. In Ragged but Right, Lynn Abbott and Doug Seroff investigate black musical comedy productions, sideshow bands, and itinerant tented minstrel shows. Ragtime history is crowned by the “big shows,” the stunning musical comedy successes of Williams and Walker, Bob Cole, and Erne...
High Aztech
HIGH AZTECH, the underground cult classic, is back and ready to blow your mind wide open. "A high-energy adventure peppered with great ideas, well-imagined unusual settings, outlandish characters, and a wicked sense of fun.'. -Locus In mid 21st century Mexico, Tenochtitlan, the metropolis formerly known as Mexico City, is the most exciting place on Earth. Stainless steel pyramids pierce the smoggy sky. Human sacrifice is coming back into fashion, especially on the new Aztechan TV channels, and everyone wants an artificial heart. Xolotl Zapata, celebrated poet, skeptic and trmrhsfr journalistr, starts receiving death threats from a cult he's lampooned in a comic book. But soon he will have mu...
Smoking Mirror Blues
AN ANCIENT GOD & Tezcatlipoca, the Mirror that Smokes, warrior/wizard god of the Aztecs. Western Civilization thought it wiped him out centuries ago... A NEW TECHNOLOGY & With the help of silly-bio nanochips, Beto Orozco creates an artificial intelligence version of Tezcatlipoca. The result is a computerized resurrection... THE FUTURE WILL NEVER BE THE SAME & So Tezcatlipoca hijacks Beto's body, and runs wild through futuristic Hollywood. The trickster adapts well to the brave, new world, and gets back to his old business of creating chaos and taking control... -- Cover page 4.
Every Step a Struggle
This book pays tribute to the sacrifices and achievements of seven individuals who made difficult and controversial choices to insure that black Americans shared in the evolution of the nation's cultural heritage. Transcriptions and analyses of never-before published uncensored conversations with Lorenzo Tucker, Lillian Gish, King Vidor, Clarence Muse, Woody Strode, Charles Gordone, and Frederick Douglass O'Neal reveal many of the reasons and rationalizations behind a racist screen imagery in the first three-quarters of the twentieth century. This primary source, replete with pictures, documentation, and extensive annotations, recounts through the words of important participants what happene...
The Ghost Walks
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Black Cat Weekly #24
Welcome to Black Cat Weekly #24—another great issue packed with new and classic mystery, fantasy, and science fiction. Here are: Mystery and Suspense: THE ADVENTURE OF THE CURIOUS CUBE, by A.L. Sirois A JAR FULL OF CHARITY, by Hal Charles THE SLEEPER CAPER, by Richard S. Prather WHERE THE STRANGE ONES GO, by Steve Hockensmith IT NEVER GOT INTO THE PAPERS, by Hulbert Footner WON BY MAGIC, by Nicholas Carter Science Fiction and Fantasy: PANCHO VILLA’S FLYING CIRCUS, by Ernest Hogan THE ENGINEER, by Frederik Pohl and C.M. Kornbluth THE DATE, by Larry Tritten TRAUMEREI, by Charles Beaumont KING OF THE HILL, by James Blish THE OLD ONES HEAR, by Malcolm Jameson
Music Cultures in the United States
Music Cultures in the United States is a basic textbook for an Introduction to American Music course. Taking a new, fresh approach to the study of American music, it is divided into three parts. In the first part, historical, social, and cultural issues are discussed, including how music history is studied; issues of musical and social identity; and institutions and processes affecting music in the U.S. The heart of the book is devoted to American musical cultures: American Indian; European; African American; Latin American; and Asian American. Each cultural section has a basic introductory article, followed by case studies of specific musical cultures. Finally, global musics are addressed, including Classical Musics and Popular Musics, as they have been performed in the U.S.. Each article is written by an expert in the field, offering in-depth, knowledgeable, yet accessible writing for the student. The accompanying CD offers musical examples tied to each article. Pedagogic material includes chapter overviews, questions for study, and a chronoloogy of key musical events in American music and definitions in the margins.
A Companion to the Harlem Renaissance
A Companion to the Harlem Renaissance presents a comprehensive collection of original essays that address the literature and culture of the Harlem Renaissance from the end of World War I to the middle of the 1930s. Represents the most comprehensive coverage of themes and unique new perspectives on the Harlem Renaissance available Features original contributions from both emerging scholars of the Harlem Renaissance and established academic “stars” in the field Offers a variety of interdisciplinary features, such as the section on visual and expressive arts, that emphasize the collaborative nature of the era Includes “Spotlight Readings” featuring lesser known figures of the Harlem Renaissance and newly discovered or undervalued writings by canonical figures
The Sage of Tawawa
Gomez-Jefferson offers Ransom as a symbol of an era and a larger movement and recalls him to be a man of deep faith and conviction.".
