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Magic
Though his work was little known outside Italian intellectual circles for most of the twentieth century, anthropologist and historian of religions Ernesto de Martino is now recognized as one of the most original thinkers in the field. This book is testament to de Martino’s innovation and engagement with Hegelian historicism and phenomenology—a work of ethnographic theory way ahead of its time. This new translation of Sud e Magia, his 1959 study of ceremonial magic and witchcraft in southern Italy, shows how De Martino is not interested in the question of whether magic is rational or irrational but rather in why it came to be perceived as a problem of knowledge in the first place. Setting...
Ernesto De Martino on Religion
Ernesto de Martino was a major critical thinker in the study of vernacular religions, producing innovative analyses of key concepts such as 'folklore', 'magic' and 'ritual'. His methodology stemmed from his training under the philosopher Benedetto Croce whilst his philosophical approach to anthropology borrowed from Marx and Gramsci. Widely celebrated in continental Europe, de Martino's contribution to the study of religion has not been fully understood in the Anglophone world though some of his works - 'Primitive Magic: the Psychic Powers of Shamans and Sorcerers' and 'The Land of Remorse: a Study of Southern Italian Tarantism' - have been translated. This volume presents a comprehensive overview of de Martino's life and work, the thinkers and theories which informed his writings, his contribution to the study of religions and the potential of his methodology for contemporary scholarship.
Primitive Magic
Describes societies where magic is a way of life, where sorcerers, shamans, diviners and fire-walkers form powerful bonds with the psychic realities of nature. This is a thorough study that is both scholarly and readable.
The Land of Remorse
Anthropological view of the phenomenon of tarantism in Southern Italy ; dance, music and colours combined in a ritual to exorcise the victim of a mythical tarantula.
Brill's Companion to Classics and Early Anthropology
The chapters in Brill’s Companion to Classics and Early Anthropology explore key points of interaction between classics and anthropology from the eighteenth to the mid-twentieth century. Ancient Greece and Rome played varying roles in early anthropological thinking, from the observations of colonial officials and missionaries, through the ethnography and evolutionary ethnology of the late nineteenth century, and into the professionalized social sciences of the twentieth century. The chapters illuminate these roles and uncover an intellectual history of fission and fusion, exposing common interests and opposing methodologies, shared theories and conflicting datasets, close collaborations and adversarial estrangements. In augmenting and reevaluating this history, the volume offers a new and nuanced picture of the early formative relationship between the two disciplines.
The Life and Work of Ernesto De Martino
In The Life and Work of Ernesto de Martino: Italian Perspectives on Apocalypse and Rebirth in the Modern Study of Religion, Flavio A. Geisshuesler offers a comprehensive study of one of Italy’s most colorful historians of religions. The book inserts de Martino’s dramatic life trajectory within the intellectual climate and the socio-political context of his age in order to offer a fresh perspective on the evolution of the discipline of religious studies during the 20th century. Demonstrating that scholarship on religion was animated by moments of fear of the apocalypse, it brings de Martino’s perspective into conversation with Mircea Eliade, Claude Lévi-Strauss, and Clifford Geertz in order to recover an Italian approach that promises to redeem religious studies as a relevant and revitalizing field of research in the contemporary climate of crisis.
Ritual, Rapture and Remorse
This book was awarded a Special Mention Citation in the 2010 competition for the 'de la Torre Bueno Prize' by The Society of Dance History Scholars. In the region of Salento in Southern Italy, the music and dance of the pizzica has been used in the ritual of tarantism for many centuries as a means to cure someone bitten by the taranta spider. This book, a historical and ethnographic study of tarantism and pizzica, draws upon seven hundred years of writings about the ritual contributed by medical practitioners, scientists, travel writers and others. It also investigates the contemporary revival of interest in pizzica music and dance as part of the 'neo-tarantism' movement, where pizzica and the history of tarantism form a complex web of place, culture and identity for Salentines today. This is one of the first books in English to explore this fascinating ritual practice and its contemporary resurgence. It uses an interdisciplinary framework based in performance studies to ask wider questions about the experience of the body in performance, and the potential of music and dance to create a sense of personal and collective transformation and efficacy.
Ethnography
This volume presents both a historical exploration of ethnography and a thematic discussion of major trends that, over different periods, have oriented and re-oriented research practice. As it overviews ethnography from different geographic and thematic perspectives, it further explores new lines of ethnographic research, including as feminist ethnography and visual research, that uncover non-traditional routes to anthropological knowledge. As the great ethnographer E. E. Evans-Pritchard wrote, “Anyone who is not a complete idiot can do fieldwork... but will [his contribution] be to theoretical, or just to factual knowledge?” As Evans-Pritchard highlights and as this book argues, successful ethnography must be connected to a sophisticated theoretical reflection rooted in social and cultural anthropology.
Italy's Margins
Five case studies show how different people and places were marginalized and socially excluded as the Italian nation-state was formed.
Déjà Vu and the End of History
This book places two key notions up against each other to imagine a new way of conceptualizing historical time. How do the experience of dj vu and the idea 'End of History' relate to one another? Through thinkers like Bergson, Kojve and Nietzsche, Virno explores these constructs of memory and the passage of time. In showing how the experience of time becomes historical, Virno considers two fundamental concepts from Western philosophy: Power and The Act, reinterpreting these with respect to time. Through these, he elegantly constructs a radical new theory of historical temporality.
