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Imagining the Open Range
In the first comprehensive biography of Smith, Byron Price has drawn on Smith's archives and the history of southwestern ranch life in the early twentieth century. Imagining the Open Range is extensively illustrated with Smith's compelling photographs.--Publisher description
Life on the Texas Range
First published in 1953, this photographic record of the real life and work of cowboys remains a perennial favorite. Erwin E. Smith was the outstanding cowboy photographer of the West, and these eighty photographs were among those he chose for an exhibit of his best work at the 1936 Texas Centennial. The text by J. Evetts Haley, a noted historian of the range, skillfully complements Smith's visual record of a vanishing way of life.
Judge Me, Dear Reader
New Cover; Oh, be careful as you judge Emma, dear reader! Few characters in Church history are as misunderstood as Emma Smith. a member of the Church from the beginning and a staunch supporter of her husband through his trials and eventual death, Emma lived a difficult life, yet many wonder how she could have turned her back on the beliefs that she held so strongly and suffered so much for. Judge Me, Dear Reader is the story of Emma, one of the greatest champions - and most criticized members - of the Church of Jesus Christ of Latter-day Saints. By showing Emma in a more sympathetic light, the author reminds each of us that Emma - and everyone else - will be judged according to the desires of their heart by the only one who can see things clearly: the Lord. While presiding over the Nauvoo mission, Erwin E. Wirkus developed an interest in Emma's story. He writes, I find few women who were asked to go through as such hardship, heartache, and tragedy as did Emma Smith. with his unique understanding, Wirkus wrote this historical novel from Emma's perspective to give readers a clearer picture of the joys and sorrows she experienced throughout her life.
The Texas Cowboy Kitchen
Originally published: Austin, Tex.: Texas Monthly Custom Publishing, 2003.
Acting Out
Cabinet cards were America’s main format for photographic portraiture throughout the last quarter of the nineteenth century. Standardized at 6½ x 4¼ inches, they were just large enough to reveal extensive detail, leading to the incorporation of elaborate poses, backdrops, and props. Inexpensive and sold by the dozen, they transformed getting one’s portrait made from a formal event taken up once or twice in a lifetime into a commonplace practice shared with friends. The cards reinforced middle-class Americans’ sense of family. They allowed people to show off their material achievements and comforts, and the best cards projected an informal immediacy that encouraged viewers to feel emo...
An American Collection
"Amon G. Carter (1879-1955) is one of the legendary men of Texas history. Born in a log cabin, he was self-made, becoming Fort Worth's leading citizen and champion. He developed an interest in the art of Frederic Remington and Charles M. Russell through his friendship with Will Rogers. Carter's will provided for the establishment of a museum in Fort Worth devoted to the art of the American West. While the museum holds the most significant collection anywhere of works by Remington and Russell and is a pioneer in the field of western studies, it has evolved into one of the great museums of American art as a whole, focusing on artists working on successive frontiers, aesthetic as well as geogra...
Folklife Center News
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If I Can Do It Horseback
John Hendrix drew upon his own varied experiences for this panoramic view of West Texas ranch life, presented here in an integral compilation of flavorful articles written originally for The Cattleman. Touching upon virtually every facet of the cattle industry, they examine economic influences and technological changes as well as the personal and emotional aspects of range life. Here are accurate, detailed, fascinating descriptions of the day-to-day life of the cowboy, the chuck-wagon cook, the range boss: narratives rich in human interest, in pathos, comedy, drama. Some tell of the organization and operation of the cow camp: the activities of the men, their duties and their entertainments, ...
"The Whorehouse Bells Were Ringing" and Other Songs Cowboys Sing
"One of the finest works to come out in recent years on cowboy songs, in addition to being the first good collection of the cowboy's bawdy material. . . . A must for anyone who is a student of cowboy music--or anyone who just likes the sound of dirty subject matter rhyming." -- Hal Cannon, Journal of Country Music "A brave and honest step toward increasing our understanding of what cowboys really sing." -- Bob Bovee, Old Time Herald "A thorough piece of scholarship and collectanea and a valuable, welcome addition to cowboy song literature." -- Keith Cunningham, Mid-America Folklore "Logsdon has written the book with a scholar's attention to detail. But what shows through the scholarship is the collector's enthusiasm for the material. . . . A superb job in a difficult area." -- Angus Kress Gillespie, Journal of American History "A major contribution to the folklore and popular culture, history, and social psychology of American cowboy culture." -- Kenneth S. Goldstein, former president, American Folklore Society
Charlie Siringo's West
Charlie Siringo (1855-1928) lived the quintessential life of adventure on the American frontier as a cowboy, Pinkerton detective, writer, and later as a consultant for early western films. Siringo was one of the most attractive, bold, and original characters to live and flourish in the final decades of the Wild West. His love of the cattle business and of cowboy life were so great that in 1885 he published A Texas Cowboy, or Fifteen Years on the Hurricane Deck of a Spanish Pony--Taken From Real Life, which Will Rogers dubbed the "Cowboy's Bible." Howard R. Lamar's biography deftly shares Siringo's story within seventy-five pivotal years of western history. Siringo was not a mere observer but a participant in major historical events including the Coeur d'Alene mining strikes of the 1890s and Big Bill Haywood's trial in 1907. Lamar focuses on Siringo's youthful struggles to employ his abundant athleticism and ambitions and how Siringo's varied experiences helped develop the compelling national myth of the cowboy.
