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This study charts Wolfgang Borchert's development from a rebellious teenager with a passion for acting, via his service in the Wehrmacht and his imprisonment by the Nazis, to his brief, but intense career as an important postwar dramatist and writer of short stories.
Death still comes to Everyman, but this study of three twentieth-century German plays shows the harder challenge of living without salvation in an age of war and unprecedented mass destruction. Death comes to everyone, and in the late-medieval morality play of Everyman the familiar skeleton forces the universalized central figure to come to terms with this. Only his inner resources, in the forms of Good Deeds and Knowledge, ensure that he repents and is redeemed. Three important twentieth-century German plays echo Everyman - Toller's Hinkemann, Borchert's The Man Outside, and Frisch's The Arsonists/Firebugs - but the unprecedented scale of killing in the First and Second World Wars changed t...
In May of 1945, the American army, along with those of its Allies, occupied the cities and towns of Hitler’s Third Reich. While most American soldiers wondered how Germany’s citizens were going to feed and shelter themselves, this volume introduces the reader to another group of men who were concerned about a different form of starvation. The men of what was to become the Information Control Division (ICD) in the American Zone were preparing an antidote to 12 years of National Socialist propaganda, which was to be a steady diet of carefully selected bits of information that were calculated to change the way the German people understood the world. It was designed to transform the Germans ...
This collection of essays by Carol A. Newsom explores the indispensable role that rhetoric and hermeneutics play in the production and reception of biblical and Second Temple literature. Some of the essays are methodological and programmatic, while others provide extended case studies. Because rhetoric is, as Kenneth Burke put it, "a strategy for encompassing a situation," the analysis of rhetoric illumines the ways in which texts engage particular historical moments, shape and reshape communities, and even construct new models of self and agency. The essays in this book not only explore how ancient texts hermeneutically engage existing traditions but also how they themselves have become the objects of hermeneutical transformation in contexts ranging from ancient sectarian Judaism to the politics of post-World War I and II Germany and America to modern film criticism and feminist re-reading.
Prompted by recent challenges to and debates about the relative public silence concerning the effects of the Allied air war over Europe during World War II, this collection of essays examines literary, visual (film and photography), and institutional (museums) representations of the bombing of civilian targets, predominantly in Germany. The authors examine narrative strategies of both well-known and relatively little known works as well as the moral and ideological presuppositions of the varied representations of the depredations of total war. The introduction and afterword by the editors invite the readers to expand the contours and historical context of the debates about the German public discourse on the bombing war beyond the narrow confines of perpetrators and victims. The volume will be of interest to literary scholars, historians, and the general reading public interested in warfare and its effects on civilian populations.
John Werner was a storyteller. A Mennonite immigrant in southern Manitoba, he captivated his audiences with tales of adventure and perseverance. With every telling he constructed and reconstructed the memories of his life. John Werner was a survivor. Born in the Soviet Union just after the Bolshevik Revolution, he was named Hans and grew up in a German-speaking Mennonite community in Siberia. As a young man in Stalinist Russia, he became Ivan and fought as a Red Army soldier in the Second World War. Captured by Germans, he was resettled in occupied Poland where he became Johann, was naturalized and drafted into Hitler’s German army where he served until captured and placed in an American POW camp. He was eventually released and then immigrated to Canada where he became John. The Constructed Mennonite is a unique account of a life shaped by Stalinism, Nazism, migration, famine, and war. It investigates the tenuous spaces where individual experiences inform and become public history; it studies the ways in which memory shapes identity, and reveals how context and audience shape autobiographical narratives.
Under Bolshevik and Nazi rule, nearly one-third of all Soviet Mennonites – including more than half of all adult men – perished, while a large number were exiled to the east and the north by the Soviet secret police (NKVD). Others fled westward on long treks, seeking refuge in Germany during the Second World War. However, at war’s end, the majority of the USSR refugees living in Germany were sent to the Soviet Gulag, where many died. Paths of Thorns is the story of Jacob Abramovich Neufeld (1895–1960), a prominent Soviet Mennonite leader and writer, as well as one of these Mennonites sent to the Gulag. Consisting of three parts – a Gulag memoir, a memoir-history, and a long letter from Neufeld to his wife – this volume mirrors the life and suffering of Neufeld’s generation of Soviet Mennonites. In the words of editor and translator Harvey L. Dyck, “Neufeld’s writings elevate a simple story of terror and survival into a remarkable chronicle and analysis of the cataclysm that swept away his small but significant ethno-religious community.”
Explores how religious migrants engage with the phenomenon of nationalism, through two groups of German-speaking Mennonites.
The first century of airpower has ended, yet few critics have addressed the literature that chronicles its human toll. Airpower in Literature: Interrogating the Clean War, 1915-2015 offers fresh insight into this airpower century by placing literature of five major wars in conversation with the clean war discourse. Kimberly Dougherty examines the paradoxical representation of aerial warfare that has allowed extensive airstrikes on cities and civilians while promising a “cleaner” method of waging war. First suggested by early military theorists, the notion of a clean air war—one that would save lives through its speed and precision— proved seductive in the twentieth century and contin...
Prompted by recent challenges to and debates about the relative public silence concerning the effects of the Allied air war over Europe during World War II, this collection of essays examines literary, visual (film and photography), and institutional (museums) representations of the bombing of civilian targets, predominantly in Germany. The authors examine narrative strategies of both well-known and relatively little known works as well as the moral and ideological presuppositions of the varied representations of the depredations of total war. The introduction and afterword by the editors invite the readers to expand the contours and historical context of the debates about the German public discourse on the bombing war beyond the narrow confines of perpetrators and victims. The volume will be of interest to literary scholars, historians, and the general reading public interested in warfare and its effects on civilian populations.