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Litany for the Long Moment
Literary Nonfiction. Asian & Asian American Studies. The orphan at the center of LITANY FOR THE LONG MOMENT is without homeland and without language. In three linked lyric essays, Arnold attempts to claim her own linguistic, cultural, and aesthetic lineage. Born in Korea and adopted to the US as a child, she explores the interconnectedness of language and identity through the lens of migration and cultural rupture. Invoking artists, writers, and thinkers--Theresa Hak Kyung Cha, Francesca Woodman, Susan Sontag, among others--LITANY FOR THE LONG MOMENT interweaves personal documents, images, and critical texts as a means to examine loss and longing.
The War Requiem
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There Was Nothing Left But Gold
Written from the mouth of the Willa Cather Memorial Prairie, THERE WAS NOTHING LEFT BUT GOLD wanders the grassland setting of Cather's imagination and Hagler's own upbringing. Following her decision to sever ties with her mother, Hagler drives toward her childhood home, detouring in the landscape of Cather's Nebraska fiction. These essays - composed of travel narrative, ghost theory, and bits of literary criticism found in gift shops and estate sales - dig into dispossession, unearthing the boundaries of forgiveness, the impact of inherited narratives, and the ways in which the living also haunt.
Groundswell
Literary Nonfiction. Jewish Studies. GROUNDSWELL is a collection of border narratives, rituals, and biographies of Grenzgaenger. Inside the narrator's dream to return home, we encounter the living archive of walls and ruins. Along Germany's former east-west division or the southwest borderlands of the US and Mexico, the ground begins to swarm with stories. The multivocal text, composed from oral histories and memories, presents voices at the crossroads who weave a map between teller and listener, site and onlooker, the dead and the living as well as the walking body and earth itself.
How the Essay Film Thinks
Today, the essay film has become a key cultural reference point. This book shows how the essay film's disjunctive method comes to be realized at the level of medium, montage, genre, temporality, sound, narration, and framing. It situates the essayistic urge within processes of filmic thinking that thrive in gaps.
Of Sphere
Literary Nonfiction. Women's Studies. A lyric meditation on affect, relationality, and environment, OF SPHERE conjures a self and world that both bloom and fall apart. Given this continually unfastening attempt to make a cosmos--to equip, adorn, dress, ornament--what is it to know, and love, and be? In constellation with the experimental prose of writers such as H�l�ne Cixous, Clarice Lispector, and H.D., the book investigates ways a woman, aware she's always becoming gendered, might resist sealing into a character according to cultural norms. How to be wind through goldenrod. Clarity streaked with berry juice.
Of Colour
"Literary Nonfiction. Poetry. Art. OF COLOUR is an experimental essay about color, hybridity, and art-making. It is a memoir of Agyemaa Agard's coming to North America and encountering binaries of black and white within global anti-blackness. It is a manifesto for an experience of color that embraces change: the prismatic, the perverse, and that which is wholly beyond categorization."--Amazon.com.
The Chinese Essay
This anthology presents as selection of Chinese prose compositions from the 3rd century AD to the present. The essays start from the early masters of the form, Lu Xun and Zhou Zuoren, take in the stalwarts of the middle generations, like Ye Shengtao, Zhu Ziqing, Feng Zikai, Liang Shiqiu and Liang Yuchun, and conclude with living writers who publish in Taiwan and the mainland.
Experiments in Life-Writing
This volume examines innovative intersections of life-writing and experimental fiction in the 20th and 21st centuries, bringing together scholars and practicing biographers from several disciplines (Modern Languages, English and Comparative Literature, Creative Writing). It covers a broad range of biographical, autobiographical, and hybrid practices in a variety of national literatures, among them many recent works: texts that test the ground between fact and fiction, that are marked by impressionist, self-reflexive and intermedial methods, by their recourse to myth, folklore, poetry, or drama as they tell a historical character’s story. Between them, the essays shed light on the broad range of auto/biographical experimentation in modern Europe and will appeal to readers with an interest in the history and politics of form in life-writing: in the ways in which departures from traditional generic paradigms are intricately linked with specific views of subjectivity, with questions of personal, communal, and national identity. The Introduction of this book is open access under a CC BY 4.0 license via link.springer.com.
On Boredom
What do we mean when we say that we are bored? Or when we find a subject boring? Contributors to On Boredom: Essays in art and writing, which include artists, art historians, psychoanalysts and a novelist, examine boredom in its manifold and uncertain reality. Each part of the book takes up a crucial moment in the history of boredom and presents it in a new light, taking the reader from the trials of the consulting room to the experience of hysteria in the nineteenth century. The book pays particular attention to boredom’s relationship with the sudden and rapid advances in technology that have occurred in recent decades, specifically technologies of communication, surveillance and automati...
