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As the twentieth century draws to a close, Ireland in Writing: Interviews with Writers and Academics focuses on the textual mapping of the country over the century through the creative energies and intellectual reflections of a selection of writers and educators at the tertiary level. The volume is a collection of eleven interviews held by three university teachers and a research assistant, all resident in Spain. The interviews with both male and female writers and academics, who hail from Northern Ireland and the Republic, have been conducted over the 1990s. The writers were quizzed about their own writing: how it came into being, who or what they have looked to as inspirational and how their novels, short stories, poetry and plays relate to Ireland past and present. The academics express views on their critical theories and practices, on particular areas of interest, on English and Irish in Ireland, on contemporary writing and cultural dynamics: from Friel to Telefís Éireann, passing through Field Day, the Abbey and the question of a hybrid Irish identity.
This book represents an attempt to tackle questions related to fragmented and often conflicting ideologies within Irish studies. Although a collective outcome, with contributions in English and Spanish, its unifying concern has been the appliance of postcolonial and gender perspectives to the analysis of Irish literature (prose, drama and verse) and cinema, as well as to the aesthetic production of both the Republic of Ireland and Northern Ireland. Along the volume, while some authors have chosen to delve into the broad theoretical debate concerning the position of Irish studies within postcolonial and feminist theories, others offer detailed examinations of specific literary pieces and authors that fit in this panorama. All in all, the chapters are wide and diverse enough to trace a spatial and temporal map of the evolution of these paradigms within contemporary Irish studies, North and South of the border.
This book presents a series of essays on some of the most challenging issues which are facing Irish Studies scholars in the twenty-first century. It aims to provide a variety of views on topics such as gender, media, the North and the revision of traditional approaches to Irish studies as seen by a number of scholars at the end of the first decade of the third millennium. The breadth of scope is justified by the dynamic growth of the field over the last decade and points to the diverse academic and national backgrounds of the authors of the chapters and the enthusiasm with which the cultural concerns of the island of Ireland are tackled in other countries. Writers from Austria, Brazil, Canad...
A great deal of stimulating and valuable discussion (as well as some indignation and hot air) has been stimulated by Edward Said, whose provocative study of Orientalism: Western Conceptions of the Orient appeared twenty years ago. This present book will, we believe, be recognized as a worthy addition to the many attempts that have since been made to sift the intrinsic and ingrained attitudes of West to East. The fifteen articles in Oriental Prospects: Western Literature and the Lure of the East cover literature from the Renaissance through the eighteenth and nineteenth centuries to the modern period, some in pragmatic accounts of responses to and uses of experiences of the Orient and its cul...
James Joyce is located between, and constructed within, two worlds: the national and international, the political and cultural systems of colonialism and postcolonialism. Joyce's political project is to construct a postcolonial contra-modernity: to write the incommensurable differences of colonial, postcolonial, and gendered subjectivities, and, in doing so, to reorient the axis of power and knowledge. What Joyce dramatizes in his hybrid writing is the political and cultural remainder of imperial history or patriarchal canons: a remainder that resists assimilation into the totalizing narratives of modernity. Through this remainder - of both politics and the psyche - Joyce reveals how a minor...
The Bartonellas and Peruvian Medicine explores the events surrounding the discovery of the etio-pathogenic agent of the Oroya Fever, also known as Peruvian Verruga or Carrión’s disease (an endemic infectious disease in South America’s Andean regions) by Dr. Alberto Leonardo Barton. Graciela S. Alarcón and Renato D. Alarcón recount Barton’s persistent work against skepticism, obstacles, and limitations imposed by members of Peru’s medical elites of the time, as well as his eventual successful scientific career and the delayed but well-deserved global recognition of his contributions. The book is the result of intense bibliographic research and of original documents aimed not just at the examination of Barton’s life and work, but also the examination of today’s perspectives and future work in the field of infectious and “neglected” diseases. The authors address current scientific information on the relevant bacteria Bartonella bacilliformis, besides current research and clinical status of the other Bartonellas, making it a useful and practical text for those studying infectious diseases.
This two-volume publication explores the key factors determining the course and outcome of war in Late Antiquity. Volume 8.1 includes a detailed review of strategic and tactical issues and eight comprehensive bibliographic essays, which provide an overview of the literature. In Volume 8.2, thematic papers examine strategy and intelligence, fortifications and siege warfare, weaponry and equipment, literary sources and topography, and civil war, while papers focused on particular geographic regions home in on war and warfare in the West Roman Empire in the 4th and 5th centuries, and the Balkans and the Eastern frontier in the 4th to 7th centuries AD. Contributors are Susannah Belcher, Neil Christie, Ian Colvin, John Conyard, Jon Coulston, Jim Crow, Florin Curta, Hugh Elton, James Howard-Johnston, Jordi Galbany, Jordi Guàrdia, John Haldon, Michel Kazanski, Maria Kouroumali, Michael Kulikowski, Christopher Lillington-Martin, Marta Maragall, Oriol Mercadal, Jordi Nadal, Oriol Olesti, Alexander Sarantis, Conor Whately, Michael Whitby and John Wilkes.
John McGahern was the most admired Irish novelist of the past fifty years. His accessible fiction won him a wide readership throughout Ireland, but the accomplishment of his craft ensured that he also became known as a writer's writer. He set his novels in places he knew intimately-Dublin, London, and the West of Ireland, where he grew up-and became known for the intimacy and honesty of his mapping of home truths of Irish life. His first novel, The Barracks, was widely hailed as a classic on publication in 1963, and his later work, including Amongst Women and That They May Face the Rising Sun, and, indeed, Memoir, is built on the stylistic foundation of that novel. The first ten years of McG...
The author of such works as Lamb, Cal, and Grace Notes, Bernard MacLaverty is one of Northern Ireland's leading-and most prolific-contemporary writers. Bringing together leading scholars from a full range of critical perspectives, this is a comprehensive survey of contemporary scholarship on MacLaverty. Covering all of his novels and many of his short stories, the book explores the ways in which the author has grappled with such themes as The Troubles, the Holocaust, Catholicism, and music. Bernard MacLaverty: Critical Readings also includes coverage of the film adaptations of his work.