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The story of Orpheus's tragic quest into the underworld to rescue his true love Eurydice back from the dead is one that has haunted the western imagination for over 2,000 years through many tellings, re-tellings, appropriations and adaptations. A unique coming together of poetry, art and criticism, Orpheus and Eurydice explores the myth's impact through a graphic-poetic reconstruction of the story. Including critical reflections from leading thinkers, writers and critics, this is a compelling exploration of the enduring power of this tale.
This fascinating study shows how the minor Greek story of Orpheus and Eurydice came to have a more persistent and varied impact on Western culture than any other Greek myth. In the last 2,000 years, it has captivated the imagination of successive ages. Writers and other artists have turned to it to explore unexpectedly diverse concerns, from classical philosophy, through Christian values, to challenges involving individual psychology and societal well-being. Dawson’s study of the mythic imagination traces how these concerns unfold in poems, plays, novels, films, paintings, operas, ballets, and sculptures. It charts a history of responses to the experience of loss and longing and the need to grow in self-awareness. And it illustrates how responses to this myth anticipate many of the claims associated with analytical psychology. This book will be of interest to analysts, scholars, and students working with Jung’s ideas, and to all those interested in adaptations of myth and the implications they harbour.
Grade level: 4, 5, 6, e, i.
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Eurydice (the wife of Amyntas III, the mother of Philip II, and grandmother of Alexander the Great) was the first royal Macedonian woman who played a role in the public life of ancient Macedonia. This study examines the nature of her role and the factors that contributed to its expansion.
“Eurydice is a luminous retelling of the Orpheus myth from his beloved wife’s point of view. Watching it, we enter a singular, surreal world, as lush and limpid as a dream—an anxiety dream of love and loss—where both author and audience swim in the magical, sometimes menacing, and always thrilling flow of the unconscious… Ruhl’s theatrical voice is reticent and daring, accurate and outlandish.” —John Lahr, New Yorker A reimagining of the classic myth of Orpheus through the eyes of its heroine. Dying too young on her wedding day, Eurydice journeys to the underworld, where she reunites with her beloved father and struggles to recover lost memories of her husband and the world she left behind.
How can I celebrate love/ now that I know what it does? So begins this booklength lyric sequence which reinhabits and modernizes the story of Orpheus, the mythic master of the lyre (and father of lyric poetry) and Eurydice, his lover who died and whom Orpheus tried to rescue from Hades. Gregory Orr uses as his touchstone the assertion that myths attempt to narrate a whole human experience, while at the same time serving a purpose which resists explanation. Through poems of passionate and obsessive erotic love, Orr has dramatized the anguished intersection of infinite longings and finite lives and, in the process, explores the very sources of poetry. When Eurydice saw him huddled in a thick c...
This volume is the first publication of Sarah Ruhl, ''a playwright with a unique comic voice, perspective and sense of theater,'' (Variety) who is fast leaving her mark on the American stage. In the award-winning Clean House-a play of uncommon romance and uncommon comedy-a maid who hates cleaning dreams about creating the perfect joke, while a doctor who treats cancer leaves his heart inside one of his patients. This volume also includes Eurydice, Ruhl's reinvention of the tragic Greek tale of love and loss; Late, a cowboy song and Melancholy Play