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Introduction : Nước : archipelogics and land/water politics -- Archipelagic history : Vietnam, Palestine, Guam, 1967-75 -- The "new frontier" : settler imperial prefigurations and afterlives of America's war in Vietnam -- Operation New Life : Vietnamese refugees and U.S. settler militarism in Guam -- Refugees in a state of refuge : Vietnamese Israelis and the question of Palestine -- The politics of staying : the permanent/transient temporality of settler militarism in Guam -- The politics of translation : competing rhetorics of return in Israel-Palestine and Vietnam -- Afterword : floating islands : refugee futurities and decolonial horizons.
Empire and Environment argues that histories of imperialism, colonialism, militarism, and global capitalism are integral to understanding environmental violence in the transpacific region. The collection draws its rationale from the imbrication of imperialism and global environmental crisis, but its inspiration from the ecological work of activists, artists, and intellectuals across the transpacific region. Taking a postcolonial, ecocritical approach to confronting ecological ruin in an age of ecological crises and environmental catastrophes on a global scale, the collection demonstrates how Asian North American, Asian diasporic, and Indigenous Pacific Island cultural expressions critique a de-historicized sense of place, attachment, and belonging. In addition to its thirteen chapters from scholars who span the Pacific, each part of this volume begins with a poem by Craig Santos Perez. The volume also features a foreword by Macarena Gómez-Barris and an afterword by Priscilla Wald.
In A Displaced Nation, Phi-Van Nguyen argues that the displacement of eighty thousand mostly Roman Catholic evacuees from North Vietnam in 1954 had a profound impact on the war opposing Saigon on both Hanoi and on the evacuees themselves. Assisting with the transportation, emergency relief, and resettlement of the evacuees allowed diverse organizations and the United States to support Saigon. This transnational mobilization also convinced the evacuees the "free world" would never let Vietnam remain divided. Many people see the Vietnam wars spanning from 1945 to 1989 as separate conflicts. But Nguyen demonstrates that the evacuees experienced a continuous civil war. A Displaced Nation shows the evacuees felt so validated by transnational support that they thought they could use this external help to return one day to the north. This belief was not constant nor were the strategies to achieve it the same for all, but through their political activism and action the evacuees showed they were willing to seize any opportunity to oppose Hanoi during the subsequent decades, even once established overseas.
The new edition of Travel Writing is an accessible and interdisciplinary guide to this prolific and popular literary genre. Carl Thompson offers a clear and concise overview of the long history of travel writing from the ancient world to the present day. Considering a wide range of primary sources from Sir Walter Raleigh to Jenny Diski, the extensively updated second edition: introduces the genre and outlines key debates within the field, such as gender, sexuality, postcolonial studies, and visual culture; explores the genre’s autobiographical dimensions and different approaches for depicting the self; surveys a range of canonical and more marginal works, featuring new discussion of refuge...
Diaspora is an ancient term that gained broad new significance in the twentieth century. At its simplest, diaspora refers to the geographic dispersion of a people from a common originary space to other sites. It pulls together ideas of people, movement, memory, and home, but also troubles them. In this volume, established and newer scholars provide fresh explorations of diaspora for twenty-first century literary studies. The volume re-examines major diaspora origin stories, theorizes diaspora through its conceptual intimacies and entanglements, and analyzes literary and visual-cultural texts to reimagine the genres, genders, and genealogies of diaspora. Literary mappings move across Africa, the Americas, Middle East, Asia, Europe, and Pacific Islands, and through Atlantic, Pacific, Mediterranean, Gulf, and Indian waters. Chapters reflect on diaspora as a key concept for migration, postcolonial, global comparative race, environmental, gender, and queer studies. The volume is thus an accessible and provocative account of diaspora as a vital resource for literary studies in a bordered world.
A Finalist for the 2019 Kirkus Prize in Nonfiction "Nayeri combines her own experience with those of refugees she meets as an adult, telling their stories with tenderness and reverence.” —The New York Times Book Review "Nayeri weaves her empowering personal story with those of the ‘feared swarms’ . . . Her family’s escape from Isfahan to Oklahoma, which involved waiting in Dubai and Italy, is wildly fascinating . . . Using energetic prose, Nayeri is an excellent conduit for these heart–rending stories, eschewing judgment and employing care in threading the stories in with her own . . . This is a memoir laced with stimulus and plenty of heart at a time when the latter has grown el...
This Handbook presents a transnational and interdisciplinary study of refugee narratives, broadly defined. Interrogating who can be considered a refugee and what constitutes a narrative, the thirty-eight chapters included in this collection encompass a range of forcibly displaced subjects, a mix of geographical and historical contexts, and a variety of storytelling modalities. Analyzing novels, poetry, memoirs, comics, films, photography, music, social media, data, graffiti, letters, reports, eco-design, video games, archival remnants, and ethnography, the individual chapters counter dominant representations of refugees as voiceless victims. Addressing key characteristics and thematics of refugee narratives, this Handbook examines how refugee cultural productions are shaped by and in turn shape socio-political landscapes. It will be of interest to researchers, teachers, students, and practitioners committed to engaging refugee narratives in the contemporary moment. The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license.
The first and only book to gather the voices and perspectives of Vietnamese diasporic authors from across the globe. Edited by Isabelle Thuy Pelaud, Lan P. Duong, and Pulitzer Prize-winning author Viet Thanh Nguyen, The Cleaving brings together Vietnamese artists and writers from around the world in conversation about their craft and how their work has been shaped and received by mainstream culture and their own communities. This collection highlights how Vietnamese diasporic writers speak about having been cleaved--a condition in which they have been separated from, yet still hew to, the country that they have left behind. Composed of eighteen dialogues among thirty-seven writers from Franc...
There are few grand narratives that loom over Asian Americans more than the "model minority." While many Asian Americanist scholars and activists are quick to disprove the model minority as "myth," author Takeo Rivera instead rethinks the model minority as cultural politics. Rather than disproving the model minority, Rivera instead argues that Asian Americans have formulated their racial and gendered subjectivities in relation to the model minority relation that Rivera terms "model minority masochism." With specific attention to hegemonic masculine Asian American cultural production, Rivera details two complementary forms of contemporary racial masochism: a self-subjugating masochism which embraces the model minority, and its opposite, a self-flagellating masochism that punishes oneself for having been associated with the model minority at all.
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. In a world increasingly shaped by displacement and migration, refuge is both a coveted right and an elusive promise for millions. While conventionally understood as legal protection, it also transcends judicial definitions. In Lived Refuge, Vinh Nguyen reconceptualizes refuge as an ongoing affective experience and lived relation rather than a fixed category with legitimacy derived from the state. Focusing on Southeast Asian diasporas in the wake of the Vietnam War, Nguyen examines three affective experiences—gratitude, resentment, and resilience—to reveal the actively lived dimensions of refuge. Through multifaceted analyses of literary and cultural productions, Nguyen argues that the meaning of refuge emerges from how displaced people negotiate the kinds of safety and protection that are offered to (and withheld from) them. In so doing, he lays the framework for an original and compelling understanding of contemporary refugee subjectivity.