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Women and Turkish Cinema
Since 2000, there has been a considerable effort in Turkish cinema to come to terms with the military's intervention in politics and subsequent national trauma. It has resulted in an outpouring of cinematic texts. This book focuses on women and Turkish cinema in the context of gender politics, cultural identity and representation. The central proposition of this book is that enforced depolticisation introduced after the coup is responsible for uniting feminism and film in 1980s Turkey. The feminist movement was able to flourish precisely because it was not perceived as political or politically significant. In a parallel move in the films of the 1980s there was an increased tendency to focus on the individual, on women's issues and lives, in order to avoid the overtly political. Women and Turkish Cinema provides a comprehensive view of cinema's approach to women in a country which straddles European and Middle Eastern cultural conceptions, identities and religious values and will be an invaluable resource for students and scholars of Film Studies, Gender Studies and Middle East Studies, amongst others.
Turkey
Since the 1990s, filmmakers in Turkey have increasingly explored notions of gender, genre, cultural memory, and national and transnational identity. Taking these themes as its starting point, this book the first English-language directory of Turkish films provides an extensive historical overview the country s cinema since the early 1920s.In chapters organized by genre such as fantasy and science fiction, contemporary blockbusters, women s films, Istanbul films, and transnational or accented cinema leading scholars of Turkish cinema offer reflections on the country s most important film movements and filmmakers. In the process, they illuminate the industrial, cultural, and political contexts in which the films they address were produced, exhibited, and circulated. The resulting volume, which includes a comprehensive filmography and recommendations for those interested in further exploration, will be an indispensible reference for scholars and students of Turkish cinema."
Female Silences, Turkey's Crises
In the mid-1990s Turkish cinema experienced a remarkable revival. However, what is particularly unusual about this revival is the emergence of a new representational form: silent, inaudible characters. Equally unusual is the fact that this new on-screen silence had a gender(ed/ing) aspect, since, for the most part, the mute(d) characters were female. This book focuses on these newly emergent silent female characters in the new cinema of Turkey, and explores the relationship between the ‘new’ female representational form, the ‘new’ cinema of Turkey, and the ‘new’ socio-political climate in Turkey after the September 12, 1980 military coup. It investigates two central questions: wh...
Factories of Memory: Cinematic Representations of the 12 September Military Coup
12 September 1980, the third successful military coup in the history of Turkey has had a debilitating impact on the social, political and cultural life of the country. This study examines the representations of the 12 September coup through the lens of film as memory. Based on the content analysis of the two films, Beynelmilel (2006) and Bu Son Olsun (2012), and their reception, this study examines the representations of the 12 September military coup by means of the concepts of cultural memory, communicative and material memory (memory of objects), and construes whether the reconstruction of this particular past event is challenged by the abovementioned cinematic products as a way to impinge upon the collective memories of this seminal event in Turkey.
The Guardian Postgraduate Guide
Is postgraduate study right for me? Will a second degree lead to more career opportunities? Which subject should I choose? How will I afford the fees - and my rent? Are there options for more flexible study if I want to stay in work? If you're thinking of applying to do a second degree, a PGCE, a PhD or an MBA, the chances are you've already thought of at least some of these questions, but where do you find the answers? From the team behind the perennially popular - not to mention indispensable - Guardian University Guide comes The Guardian Postgraduate Guide, packed full of useful information for everyone who's considering taking that next step on the education ladder. From detailed profile...
Social Trauma and Telecinematic Memory
This book explores responses to authoritarianism in Turkish society through popular culture by examining feature films and television serials produced between 1980 and 2010 about the 1980 coup. Envisioned as an interdisciplinary study in cultural studies rather than a disciplinary work on cinema, the book advocates for an understanding of popular culture in discerning emerging narratives of nationhood. Through feature films and television serials directly dealing with the coup of 1980, the book exposes tropes and discursive continuities such as “childhood” and “the child”. It argues that these conventional tropes enable popular debates on the modern nation’s history and its myths of identity.
The Routledge Companion to Cinema & Gender
Comprised of 43 innovative contributions, this companion is both an overview of, and intervention into the field of cinema and gender. The essays included here address a variety of geographical contexts, from an analysis of cinema. Islam and women and television under Eastern European socialism, to female audience reception in Nigeria, to changing class and race norms in Bollywood dance sequences. A special focus is on women directors in a global context that includes films and filmmakers from Asia, Africa, Australia, Europe, North and South America. The collection also offers a solid overview of feminist contributions to thinking on genre from the "chick flick" to the action or Western film...
What Political Science Can Learn from the Humanities
This book asks, ‘what are the implications of blurring genres for the discipline of Political Science, and for Area Studies?’ It argues novelists and playwrights provide a better guide for political scientists than the work of physicists. It restates the intrinsic value of the Humanities and Social Sciences and builds bridges between the two territories. The phrase blurring genres covers both genres of thought and of presentation. Genres of thought refers to such theoretical approaches as post structuralism, cultural studies, and especially interpretive thought. Part 1 explores genres of thought, focusing on the use of narratives. Specific examples include the narratives of post-truth po...
Whose City Is That? Culture, Design, Spectacle and Capital in Istanbul
Whose City is That? shows that Istanbul is produced not only by strong and systematic efforts, corporate influences and/or marketing activities, but also by individual contributions and coincidences. As such, the primary purpose of this book is to find the answer of to whom Istanbul does belong, presenting the reader with the richness of human experience and the practice of everyday life. The chapters in this book are therefore focused on the physical and economic dimensions, as well as the imaginary, fictional and hyper-real dimensions, expressing the concern of bringing the real and imaginary borders of the city together. The book provides an understanding that for each inhabitant there is...
