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Fresh Fly Flavor
Illustrations and photographs of the rap culture's coolest performers adorn a mock dictionary that attempts to bridge the generation gap with definitions of rap jargon from A to Z. Original.
Worn in New York
The boots a passenger had on when his plane landed on the Hudson River. The tank top Andy Warhol’s assistant wore to one of their nightclub outings together. The jacket a taxi driver put on to feel safe as he worked the night shift. — These and over sixty other clothing-inspired narratives make up Worn in New York, the latest volume from New York Times bestselling author Emily Spivack. In these first-person accounts, contributors in and out of the public eye share surprising, personal, wild, poignant, and funny stories behind a piece of clothing that reminds them of a significant moment of their New York lives. Worn in New York offers a contemporary cultural history of the city—its changing identity, temper, and tone, and its irrepressible vitality—by paying tribute to these well-loved clothes and the people who wore them. Includes contributions from: Adam Horovitz Amy Heckerling Andre Royo Anna Sui Aubrey Plaza Catherine Opie Coco Rocha Dick Cavett Eileen Myles Fab 5 Freddy Gay Talese Genesis Breyer P-Orridge JD Samson Jenji Kohan Jenna Lyons Kyp Malone Lena Dunham Pee Wee Kirkland Thelma Golden Timothy Greenfield-Sanders
Back in the Days
The ultimate document of the emerging Hip Hop scene from 1980-1989, before it became the multi-million dollar industry it is today. Back in the day, it involved rappers, DJs and painters, not gangsters and guns. The streets, not corporations, set the standards for style and Shabazz was on the scene, photographing people hangin' in Harlem, kickin' it in Queens and cold chillin' in Brooklyn. From Kangol caps to Gazelle glasses, gold rope chains and door knocker earrings, Back in the Days has it all for readers who know what 'keepin' it real' really means!
Art in the Streets
The most comprehensive book to survey the colorful history of graffiti and street art movements internationally. Forty years ago, graffiti in New York evolved from elementary mark-making into an important art form. By the end of the 1980s, it had been documented in books and films that were seen around the world, sparking an international graffiti movement. This original edition, now back in print after several years, considers the rise of New York graffiti and the international scenes it inspired--from Los Angeles to São Paulo to Paris to Tokyo--as well as earlier and parallel movements: the break dancing and rap music of hip-hop; the graffiti used by Chicano gangs to mark their territory; the skateboarding culture that began in Southern California. Expertly researched, beautifully illustrated, and featuring contributions by many of the most significant curators, writers, and artists involved in the graffiti world, this now classic volume is an in-depth examination of this seminal movement.
Contact High
ONE OF AMAZON'S BEST ART & PHOTOGRAPHY BOOKS 0F 2018 AN NPR AND PITCHFORK BEST MUSIC BOOK OF 2018 PICK ONE OF TIME'S 25 BEST PHOTOBOOKS OF 2018 NEW YORK TIMES, ASSOCIATED PRESS, WALLSTREET JOURNAL, ROLLING STONE, AND CHICAGO SUN HOLIDAY GIFT GUIDE PICK The perfect gift for music and photography fans, an inside look at the work of hip-hop photographers told through their most intimate diaries—their contact sheets. Featuring rare outtakes from over 100 photoshoots alongside interviews and essays from industry legends, Contact High: A Visual History of Hip-Hop takes readers on a chronological journey from old-school to alternative hip-hop and from analog to digital photography. The ultimate companion for music and photography enthusiasts, Contact High is the definitive history of hip-hop’s early days, celebrating the artists that shaped the iconic album covers, t-shirts and posters beloved by hip-hop fans today. With essays from BILL ADLER, RHEA L. COMBS, FAB 5 FREDDY, MICHAEL GONZALES, YOUNG GURU, DJ PREMIER, and RZA
Writing the Future
How hip-hop culture and graffiti electrified the art of Jean-Michel Basquiat and his contemporaries in 1980s New York In the early 1980s, art and writing labeled as graffiti began to transition from New York City walls and subway trains onto canvas and into art galleries. Young artists who freely sampled from their urban experiences and their largely Black, Latinx and immigrant histories infused the downtown art scene with expressionist, pop and graffiti-inspired compositions. Jean-Michel Basquiat (1960-88) became the galvanizing, iconic frontrunner of this transformational and insurgent movement in contemporary American art, which resulted in an unprecedented fusion of creative energies tha...
To Live and Defy in LA
How gangsta rap shocked America, made millions, and pulled back the curtain on an urban crisis. How is it that gangsta rap—so dystopian that it struck aspiring Brooklyn rapper and future superstar Jay-Z as “over the top”—was born in Los Angeles, the home of Hollywood, surf, and sun? In the Reagan era, hip-hop was understood to be the music of the inner city and, with rare exception, of New York. Rap was considered the poetry of the street, and it was thought to breed in close quarters, the product of dilapidated tenements, crime-infested housing projects, and graffiti-covered subway cars. To many in the industry, LA was certainly not hard-edged and urban enough to generate authentic ...
The Mudd Club
NYC's notorious where art and music intersect with sex, drugs and the slumming glittering elite.
Yes Yes Y'all
An account of the origins of hip-hop music as presented by its founders and stars traces the work of such performers as DJ Kool Herc, Grandmaster Flash, and DMC.
