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Chang Dai-Chien
Chang Dai-chien (1899-1983), one of the most celebrated Chinese painters of the twentieth century, is renowned for his stylistic variety and unparalleled productivity. This book explores three key artistic dimensions--Chang's early ink paintings emulating ancient Chinese styles, his lively portrayals of nature made while residing in Brazil and California, and the transcendent splashed-ink art of his later years. Stunning reproductions of masterworks and insightful texts come together to commemorate the 120th anniversary of Chang's birth and his lasting connection to the Asian Art Museum of San Francisco. See the Chang Dai-chien exhibit at the Asian Art Museum of San Francisco: November 26, 2019--April 26, 2020
Phoenix Kingdoms
"Featuring about 150 loans from China's Hubei Provincial Museum, this exhibition, set to open at the Asian Art Museum of San Francisco under the name Lost Kingdoms of Ancient China, examines the new finds of Zeng and Chu tombs together to explore the cultural landscape of the southern borderland of the Zhou dynasty. It also reveals the legendary rising story of the phoenix kingdom erased by the Qin, highlighting the importance of the middle Yangtze River region in forming a southern style in Chinese art. For a better understanding of the Zeng and Chu material, the exhibition catalogue consists of seven essays to elaborate the introduction to the remarkable art and culture of this region, with entries of about 150 works in six categories (jade, bronze ritual vessels, musical instruments and weapons, lacquerware for luxury and ceremony, funerary bronze and wood objects, and textiles and artefacts with designs). Seven contributors have written for this catalogue, including five outside scholars with expertise on different subjects"--
Royal Taste
Royal Taste offers a rare opportunity to examine more than a hundred objects from five museums in Hubei, China, including metal and porcelain work, jewellery, paintings and sculpture. Highlights include exciting archaeological finds from recently excavated royal tombs and state-commissioned Daoist statues from Mt Wudang that illustrate the luxurious life and religious practice of princely courts in early and mid-Ming China (1368-1644). With essays and entries from seven leading scholars, this beautifully illustrated catalogue offers fresh perspectives on the material culture of China at a time before Europe entered its great age of discovery. Major themes include the impact of state patronag...
Visual and Material Cultures in Middle Period China
Eight studies examine key features of Chinese visual and material cultures, ranging from tombs and ceramics to Buddhist paintings and colophons on calligraphies. The essays connect visual materials to funeral and religious practices, drama, poetry, literati life, travel, and trade.
Middle Imperial China, 900–1350
A highly readable and engaging survey of China's history from the tenth through the mid-fourteenth centuries.
Theater of the Dead
In eleventh-century China, both the living and the dead were treated to theatrical spectacles. Chambers designed for the deceased were ornamented with actors and theaters sculpted in stone, molded in clay, rendered in paint. Notably, the tombs were not commissioned for the scholars and officials who dominate the historical record of China but affluent farmers, merchants, clerics—people whose lives and deaths largely went unrecorded. Why did these elites furnish their burial chambers with vivid representations of actors and theatrical performances? Why did they pursue such distinctive tomb-making? In Theater of the Dead, Jeehee Hong maintains that the production and placement of these tomb ...
Longmen's Stone Buddhas and Cultural Heritage
This thoroughly researched book provides the first comprehensive history of how a UNESCO World Heritage site on the Central China Plain, Longmen’s caves and the Buddhist statuary of Luoyang, was rediscovered in the twentieth and twenty-first centuries. Drawing on original research and archival sources in Chinese, English, French, German, Japanese, and Swedish, as well as extensive fieldwork, Dong Wang traces the ties between cultural heritage and modernity, detailing how this historical monument has been understood from antiquity to the present. She highlights the manifold traffic and expanded contact between China and other countries as these nations were reorienting themselves in order to adapt their own cultural traditions to newly industrialized and industrializing societies. Unknown to much of the world, Longmen and its mesmerizing modern history takes readers to the heartland of China, known as “Chinese Babylon” a century ago. With remarkable depth and breadth, this book unravels both a bygone and a continuing human pursuit of artefacts—shared, spiritual, modern, and above all beautiful that have linked so many lives, Chinese and foreign.
The West in Asia and Asia in the West
This collection of new essays examines the "transnational turn" in cultural studies between Asia and the West. Drawing on literature, history, culture, film and media studies, scholars from a range of disciplines explore the constructs of "Asia" and "the West" and their cultural collision. Topics include the relationship between European and American writers and Asia, western travelers to the East and eastern travelers to the West, transnational historic figures, the deconstruction of Orientalism, new critical perspectives in transnational studies, the immigrant experience in literature, post-colonial studies, and teaching "the West" in Asia and "Asia" in the West.
The Art of the Chinese Picture-Scroll
The first extended history of the Chinese picture-scroll. The Chinese picture-scroll, a long, horizontal painting or calligraphic work, has been China’s pre-eminent aesthetic form throughout the last two millennia. This first history of the picture-scroll explores its extraordinary longevity and adaptability to social, political, and technological change. The book describes what the picture-scroll demands of a viewer, how China’s artists grappled with its cultural power, and how collectors and connoisseurs left their marks on scrolls for later generations to judge.
Mirroring China's Past
A lavishly illustrated book that offers an in-depth look at the cultural practices surrounding the tradition of collecting ancient bronzes in China during the 18th and 19th centuries In ancient China (2000–221 b.c.) elaborate bronze vessels were used for rituals involving cooking, drinking, and serving food. This fascinating book not only examines the cultural practices surrounding these objects in their original context, but it also provides the first in-depth study tracing the tradition of collecting these bronzes in China. Essays by international experts delve into the concerns of the specialized culture that developed around the vessels and the significant influence this culture, with its emphasis on the concept of antiquity, had on broader Chinese society. While focusing especially on bronze collections of the 18th and 19th centuries, this wide-ranging catalogue also touches on the ways in which contemporary artists continue to respond to the complex legacy of these objects. Packed with stunning photographs of exquisitely crafted vessels, Mirroring China’s Past is an enlightening investigation into how the role of ancient bronzes has evolved throughout Chinese history.
