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L'opera di Felice Montagnini
  • Language: it
  • Pages: 137

L'opera di Felice Montagnini

  • Type: Book
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  • Published: 2013
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  • Publisher: Unknown

None

Isaia
  • Language: it
  • Pages: 517

Isaia

  • Type: Book
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  • Published: 1998
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  • Publisher: Unknown

None

Manichaeism and Early Christianity
  • Language: en
  • Pages: 458

Manichaeism and Early Christianity

  • Type: Book
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  • Published: 2020-12-07
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  • Publisher: BRILL

Manichaeism and Early Christianity discusses where and how Gnostic Manichaeism interfered not only with other forms of Gnosticism, but above all with a number of writings and representatives of mainstream Christianity during the early centuries of our era.

Ephesians
  • Language: en
  • Pages: 960

Ephesians

Destined to become the definitive commentary on Ephesians, this resource combines detailed exegesis and extensive interaction with contemporary scholarship.

The Palgrave Handbook of Music in Comedy Cinema
  • Language: en
  • Pages: 792

The Palgrave Handbook of Music in Comedy Cinema

This handbook tackles the understudied relationship between music and comedy cinema by analysing the nature, perception, and function of music from fresh perspectives. Its approach is not only multidisciplinary, but also interdisciplinary in its close examination of how music and other cinematic devices interact in the creation of comedy. The volume addresses gender representation, national identities, stylistic strategies, and employs inputs from cultural studies, musicology, music theory, psychology, cognitivism, semiotics, formal and stylistic film analysis, and psychoanalysis. It is organised in four sections: general introductions, theoretical investigations, music and comedy within national cinemas, and exemplary case studies of films or authors.

Catalog of Copyright Entries
  • Language: en
  • Pages: 1730

Catalog of Copyright Entries

  • Type: Book
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  • Published: 1977
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  • Publisher: Unknown

None

On the Writing of New Testament Commentaries
  • Language: en
  • Pages: 532

On the Writing of New Testament Commentaries

  • Type: Book
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  • Published: 2012-09-28
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  • Publisher: BRILL

The essays in On the Writing of New Testament Commentaries survey relevant questions related to the writing of commentaries on the books of the New Testament.

Paul in Acts and Paul in His Letters
  • Language: en
  • Pages: 324

Paul in Acts and Paul in His Letters

The reception of Paul in the first century is a highly debated issue. Daniel Marguerat defends the position of a threefold reception of Paul in parallel ways: documentary, biographical and doctoral. Marguerat advocates that the value of the phenomena of reception be appreciated, in particular the figure of Paul in Acts. It should not systematically be compared to the apostle's writings, even though this image evolves from a Lukan reinterpretation. The essays concern the literary and theological construction of the book of Acts, focusing on the figure of Paul: his rapport with the Torah, the Socratic model, the Lukan character construction, the resurrection as central theme in Acts, the significance of meals. They also treat themes of Pauline theology: Paul the mystic, the justification by faith, imitating Paul as father and mother of the community, and the woman's veil in Corinth.

Polygenism and the Theology of Original Sin Today
  • Language: en
  • Pages: 222

Polygenism and the Theology of Original Sin Today

  • Type: Book
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  • Published: 1986
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  • Publisher: Unknown

None

The Routledge Companion to Global Film Music in the Early Sound Era
  • Language: en
  • Pages: 842

The Routledge Companion to Global Film Music in the Early Sound Era

In a major expansion of the conversation on music and film history, The Routledge Companion to Global Film Music in the Early Sound Era draws together a wide-ranging collection of scholarship on music in global cinema during the transition from silent to sound films (the late 1920s to the 1940s). Moving beyond the traditional focus on Hollywood, this Companion considers the vast range of cinema and music created in often-overlooked regions throughout the rest of the world, providing crucial global context to film music history. An extensive editorial Introduction and 50 chapters from an array of international experts connect the music and sound of these films to regional and transnational issues—culturally, historically, and aesthetically—across five parts: Western Europe and Scandinavia Central and Eastern Europe North Africa, The Middle East, Asia, and Australasia Latin America Soviet Russia Filling a major gap in the literature, The Routledge Companion to Global Film Music in the Early Sound Era offers an essential reference for scholars of music, film studies, and cultural history.