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Cats of Any Color
  • Language: en
  • Pages: 257

Cats of Any Color

Looks at the pervasiveness of racism in jazz's past and present--both the white racism that long ghettoized the music of talented African-American musicians, and what Lees maintains is an increasingly virulent reverse racism aimed at white jazz musicians.

The Jazz Age
  • Language: en
  • Pages: 361

The Jazz Age

F. Scott Fitzgerald named it, Louis Armstrong launched it, Paul Whiteman and Fletcher Henderson orchestrated it, and now Arnold Shaw chronicles this fabulous era in The Jazz Age. Spicing his account with lively anecdotes and inside stories, he describes the astonishing outpouring of significant musical innovations that emerged during the "Roaring Twenties"--including blues, jazz, band music, torch ballads, operettas and musicals--and sets them against the background of the Prohibition world of the Flapper.

Grand Canyon Suite
  • Language: en
  • Pages: 176

Grand Canyon Suite

Titles: * Grand Canyon Suite: Sunrise * Painted Desert * On the Trail * Sunset * Cloudburst

Billboard
  • Language: en
  • Pages: 136

Billboard

  • Type: Magazine
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  • Published: 1949-10-29
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  • Publisher: Unknown

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

The Musician
  • Language: en
  • Pages: 234

The Musician

  • Type: Book
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  • Published: 1939
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  • Publisher: Unknown

None

Jazz and Ragtime Records (1897-1942): L-Z, index
  • Language: en
  • Pages: 992

Jazz and Ragtime Records (1897-1942): L-Z, index

  • Type: Book
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  • Published: 2002
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  • Publisher: Unknown

None

My Way
  • Language: en
  • Pages: 318

My Way

I was encouraged by several foreign service colleagues and my children, as well as my older grandchildren. They all prodded me to write a memoir. I entered the foreign service by pure luck. It was only because I was at the right place at the right time and was the right age to fill a need discovered by Robert Kennedy shortly after his brother was elected president in 1961. The problem was that no one in the state department was doing anything about reaching out to the youth of the word. Under a new program the Kennedys created, I was invited to enter the foreign service of the US information Agency (USIA) as a student affairs grantee because I could be shipped overseas immediately to help fill this gap. I was selected because I had an advanced degree in sociology, I was athletically inclined, and most importantly, I was bilingual in Spanish.

Arranging Gershwin
  • Language: en
  • Pages: 233

Arranging Gershwin

  • Type: Book
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  • Published: 2014
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  • Publisher: Unknown

In Arranging Gershwin, author Ryan Bañagale approaches George Gershwin's iconic piece Rhapsody in Blue not as a composition but as an arrangement -- a status it has in many ways held since its inception in 1924, yet one unconsidered until now. Shifting emphasis away from the notion of the Rhapsody as a static work by a single composer, Bañagale posits a broad vision of the piece that acknowledges the efforts of a variety of collaborators who shaped the Rhapsody as we know it today. Arranging Gershwin sheds new light on familiar musicians such as Leonard Bernstein and Duke Ellington, introduces lesser-known figures such as Ferde Grofé and Larry Adler, and remaps the terrain of this emblema...

Music for Orchestra, Band and Large Ensemble
  • Language: en
  • Pages: 210
The Oxford Handbook of Music and the Middlebrow
  • Language: en
  • Pages: 633

The Oxford Handbook of Music and the Middlebrow

The Oxford Handbook of Music and the Middlebrow takes a fresh look at the history of nineteenth- and twentieth-century music. Offering an alternative to the traditional focus on either highbrow modernism on the one hand or lowbrow popular music on the other, its novel view centers on the wealth of previously overlooked products and practices that bridged the space between these cultural extremes. While seminal attempts to recover middlebrow culture came from literary critics and historians, middlebrow studies is now a burgeoning field within musicology. As the first essay collection on this topic, this handbook has two aims: first, it seeks to explore the middlebrow as a historical phenomeno...