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The First Congress
"The little known story of perhaps the most productive Congress in US history, the First Federal Congress of 1789-1791. The First Congress was the most important in US history, says prizewinning author and historian Fergus Bordewich, because it established how our government would actually function. Had it failed--as many at the time feared it would--it's possible that the United States as we know it would not exist today. The Constitution was a broad set of principles. It was left to the members of the First Congress and President George Washington to create the machinery that would make the government work. Fortunately, James Madison, John Adams, Alexander Hamilton, and others less well kn...
Congress at War
The story of how Congress helped win the Civil War-placing a dynamic House and Senate, rather than Lincoln, at the center of the conflict.
America's Great Debate
Chronicles the 1850s appeals of Western territories to join the Union as slave or free states, profiling period balances in the Senate, Henry Clay's attempts at compromise, and the border crisis between New Mexico and Texas.
My Mother's Ghost
A luminous memoir of how the author's involvement in his mother's accidental death reshaped the emotional landscape of his childhood and adult life. In 1962, at the age of fourteen, Fergus Bordewich's life was shattered as his mother attempted to jump off a runaway horse and fell calamitously under the galloping hooves of the horse Fergus was riding. Crouching beside her in a gathering pool of blood, he convinced himself that she would be fine. But an hour later, in the hospital waiting room, he and his father listened in shock as the doctor told them that she had been dead on arrival. At that moment, he thought to himself, I've killed my mother. So begins My Mother's Ghost, veteran reporter...
Washington
Washington, D.C., is home to the most influential power brokers in the world. But how did we come to call D.C.—a place once described as a mere swamp "producing nothing except myriads of toads and frogs (of enormous size)," and which was strategically indefensible, captive to the politics of slavery, and the target of unbridled land speculation—our nation's capital? In Washington, acclaimed, award-winning author Fergus M. Bordewich turns to the backroom deal-making and shifting alliances among our Founding Fathers to find out, and in doing so pulls back the curtain on the lives of the slaves who actually built the city. The answers revealed in this eye-opening book are not only surprising but also illuminate a story of unexpected triumph over a multitude of political and financial obstacles, including fraudulent real estate deals, overextended financiers, and management more apt for a banana republic than an emerging world power. In a page-turning work that reveals the hidden and unsavory side to the nation's beginnings, Bordewich once again brings his novelist's eye to a little-known chapter of American history.
Bound for Canaan
An important book of epic scope on America's first racially integrated, religiously inspired movement for change The civil war brought to a climax the country's bitter division. But the beginnings of slavery's denouement can be traced to a courageous band of ordinary Americans, black and white, slave and free, who joined forces to create what would come to be known as the Underground Railroad, a movement that occupies as romantic a place in the nation's imagination as the Lewis and Clark expedition. The true story of the Underground Railroad is much more morally complex and politically divisive than even the myths suggest. Against a backdrop of the country's westward expansion arose a fierce...
No Reservations
This collection of work by both Native and non-Native artists speaks of the complexity of Native American historical and cultural influences in contemporary culture. Rather than focusing on artists who attempt to maintain strict cultural practices, it brings together a group of artists who engage the larger contemporary art world and are not afraid to step beyond the bounds of tradition. Focusing on a group of 10 artists who came of age since the initial Native Rights movement of the 1960s and 70s, the book emphasizes art that does not so much "look Indian," but incorporates Native content in surprising and innovative ways that defy easy categorization. The Native artists featured here focus on the evolution of cultural traditions. The non-Native artists focus primarily on the history of European colonization in America. Artists include Matthew Buckingham, Lewis deSoto, Peter Edlund, Nicholas Galanin, Jeffrey Gibson, Rigo 23, Duane Slick, Marie Watt, Edie Winograde and Yoram Wolberger.
Killing the White Man's Indian
“Roll, scroll, flute and fringe your way to an exquisite design....Quill enchanting miniature plants and flowers, dangling earrings....Paper filigree makes excellent deco-rations for gift bags and cards....Simply overflowing with ideas!—Crafts. “The craft of paper quilling...is recaptured in a series of more than 70 projects.”—Booklist.
Cathay
Traveling through the chaotic landscape of modern China, Fergus M. Bordewich discovers the remains of an older world that Communism did its best to erase. “Mr. Bordewich, by searching so assiduously, so affectionately, and so understandingly for legacies of the Chinese past, may paradoxically be giving us some foretastes of a China yet to be.” —Jan Morris
Cathay
An exquisitely realized account of one man's pilgrimage in China's forbidden past. For Fergus Bordewich, entering the labyrinth that is China and finding vestiges of a rapidly vanishing world was the challenge of a lifetime, and his eye-opening revelations offer a China to tantalize the eye and the imagination.
