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Salamone Rossi (c.1570-c.1628) occupies a unique place in Renaissance music culture: he was the earliest outstanding Jewish composer to work in the European art music tradition. In the field of instrumental music, he established the trio sonata as a standard combination of voices for 17th-century chamber music and developed the sonata into a vehicle of virtuoso display. In his vocal works, he wrote music to texts of some of the most fashionable poets of his day, including Battista Guarini, Gabriello Chiabrera, and Ottavio Rinuccini. The mannerist poet Giovan Battista Marino particularly captured his attention: with 33 settings of Marino's verses, among them the remarkable Canzone de' baci in...
"Divine interiors" is een onderzoek naar de aankleding van Griekse en Romeinse heiligdommen met wandschilderingen. Machtige marmeren façades, beeldhouwwerken en schilderingen speelden een belangrijke rol in het aanzien van deze monumenten. Terwijl de officiële tempels, die met de steden of de staat waren verbonden, meestal een plechtige maar sobere uitstraling hadden, waren de gebouwen die gericht waren op meer volkse uitingen van religiositeit juist bont beschilderd. Scènes uit het leven van de vereerde godheid, aanhangers en beoefenaren van de cultus, planten en dieren konden de bezoekers van deze heiligdommen in hogere sferen brengen. Het valt op dat er in de uitgestrekte Grieks-Romeinse wereld veel overeenkomsten te vinden zijn tussen vaak ver van elkaar gelegen tempels. De muurschilderkunst kende net als andere kunstvormen stijl- en smaakveranderingen, maar die hadden wel overal dezelfde uitstraling.
This book explores the manner in which architectural settings and action contexts influenced the perception of decoration in the Roman world. Crucial to the relationship between ancient viewers and media was the concept of decor, a term employed by Vitruvius and other Roman authors to describe the appropriateness of particular decorative elements to the environment in which they were located. The papers in this volume examine a diverse range of decorated spaces, from press rooms to synagogues, through the lens of decor. In doing so, they shed new light on the decorative principles employed across Roman Italy and beyond.
Recently, research in the Humanities is showing an increasing interest in exactly how language and other semiotic resources support each other. The eighteen articles of this book focus on the interplay between spoken language and other modalities and address a spectrum of cross-modal resources and their functions. They also discuss how multimodal resources are exploited to increase communicative effectiveness and broaden accessibility to knowledge. This is illustrated with examples from discourse types including dramatic, literary and audiovisual texts, Facebook communication and chats, comics and audio-guides. The volume will be of interest to scholars of linguistics, translation studies, museology and education, and for readers interested in the wide array of possibilities that multimodal texts open up for meaning-making.
A fascinating insight into the life and music-making of the most documented musician of the seventeenth century, castrato Atto Melani.
Annually published since 1930, the International Bibliography of Historical Sciences (IBOHS) is an international bibliography of the most important historical monographs and periodical articles published throughout the world, which deal with history from the earliest to the most recent times. The IBOHS is thus currently the only continuous bibliography of its kind covering such a broad period of time, spectrum of subjects and geographical range. The works are arranged systematically according to period, region or historical discipline, and alphabetically according to authors names or, in the case of anonymous works, by the characteristic main title word. The bibliography contains a geographical index and indexes of persons and authors.
On the road : from Gades to Rome on the itinerary cups -- At the Games : charioteers and gladiators on spectacle cups -- On the border : Hadrian's wall on the Fort Pans -- By the sea : Baiae and Puteoli on the Bay Bottles.
A sweeping history of premodern architecture told through the material of stone Spanning almost five millennia, Painting in Stone tells a new history of premodern architecture through the material of precious stone. Lavishly illustrated examples include the synthetic gems used to simulate Sumerian and Egyptian heavens; the marble temples and mansions of Greece and Rome; the painted palaces and polychrome marble chapels of early modern Italy; and the multimedia revival in 19th-century England. Poetry, the lens for understanding costly marbles as an artistic medium, summoned a spectrum of imaginative associations and responses, from princes and patriarchs to the populace. Three salient themes sustained this “lithic imagination”: marbles as images of their own elemental substance according to premodern concepts of matter and geology; the perceived indwelling of astral light in earthly stones; and the enduring belief that colored marbles exhibited a form of natural—or divine—painting, thanks to their vivacious veining, rainbow palette, and chance images.
This book contains a case-based assessment of the Draft Common Frame of Reference carried out by the Common Core Evaluating Group, which gathers a number of well-established and younger scholars coming from Eastern and Western countries of the European Union using the working method of the research project "The Common Core of European Private Law" (www.common-core.org). The aim of the assessment is to test how the Draft Common Frame of Reference could work when applied in different national legal systems. To this end, a number of factual situations, i.e. hypothetical cases, have been drafted by the authors and solved through the application of both national rules and rules of the DCFR. Thereby, similarities and differences in the outcome of the cases have been analysed, together with difficulties - if any - in the application of the "Principles of European Law". The Common Core assessment has been carried out as part of the "Joint Network of European Private Law" Project (CoPECL), financed by the EU Commission.
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