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During the Middle Ages, female monasteries relied on priests to provide for their spiritual care, chiefly to celebrate Mass in their chapels but also to hear the confessions of their nuns and give last rites to their sick and dying. These men were essential to the flourishing of female monasticism during the eleventh and twelfth centuries, yet they rarely appear in scholarly accounts of the period. Medieval sources are hardly more forthcoming. Although medieval churchmen consistently acknowledged the necessity of male spiritual supervision in female monasteries, they also warned against the dangers to men of association with women. Nuns' Priests' Tales investigates gendered spiritual hierarc...
"Writing a book about one of the most complex books ever assembled is no easy task, yet Griffiths rises to the occasion. . . . This work will be widely and warmly received by medievalists everywhere."—Jeffrey Hamburger, Harvard University
This volume draws on emerging scholarship at the intersection of two already vibrant fields: medieval material culture and medieval sensory experience. The rich potential of medieval matter (most obviously manuscripts and visual imagery, but also liturgical objects, coins, textiles, architecture, graves, etc.) to complement and even transcend purely textual sources is by now well established in medieval scholarship across the disciplines. So, too, attention to medieval sensory experiences—most prominently emotion—has transformed our understanding of medieval religious life and spirituality, violence, power, and authority, friendship, and constructions of both the self and the other. Our purpose in this volume is to draw the two approaches together, plumbing medieval material sources for traces of sensory experience - above all ephemeral and physical experiences that, unlike emotion, are rarely fully described or articulated in texts.
Offers a new take on the identities and life histories of medieval people, in their multi-layered and sometimes contradictory dimensions.
A hanged man. A stolen painting. An impossible crime. A marine engineer is found hanged in a locked apartment. Some artwork is stolen, then mysteriously returned. And a security guard is found dead at the base of a Welsh cliff. When Fiona Griffiths is tasked to look through a stackload of cold cases, her bosses don't expect her to find anything of interest. But then she discovers that an impossible robbery really happened. That the supposed suicide was anything but. That the dead security guard was almost certainly murdered. Before long, Fiona is embroiled in what will become the most terrifying case of her career so far - one that forces her to enter the heart of darkness, and a journey tha...
Fiona Stafford offers intimate, detailed explorations of seventeen common trees, from ash and apple to pine, oak, cypress, and willow. Stafford discusses practical uses of wood past and present, tree diseases and environmental threats, and trees' potential contributions toward slowing global climate change
A serial killer to chill your bones A psychopath more frightening than Hannibal Lecter. He has planned well. He leads two lives. In one he's just like anyone else. But in the other he is the caretaker of his family's macabre museum. Now the time has come to add to his collection. He is ready to feed his obsession, and he is on the hunt. Jakey Frith and Clara Foyle have something in common. They have what he needs. What begins is a terrifying cat-and-mouse game between the sinister collector, Jakey's father and Etta Fitzroy, a troubled detective investigating a spate of abductions. Set in London's Blackheath, Rattle by Fiona Cummins explores the seam of darkness that runs through us all; the ...
The White Nuns considers Cistercian women and the women who were their patrons in a clear-eyed reading of narrative texts and administrative records. In rejecting long-accepted misogynies and misreadings, Constance Hoffman Berman offers a robust model for historians writing against received traditions.