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Tesori per l’aldilà
Collana Interventi d’Arte della Fondazione Paola Droghetti La pubblicazione di questo volume, il XVIII della Collana “INTERVENTI d’Arte sull’Arte” della Fondazione Paola Droghetti onlus, conclude un percorso iniziato nel mese di marzo 2015 quando, su indicazione della già Soprintendente per i Beni Archeologici dell’Etruria Meridionale Anna Maria Moretti Sgubini e della allora Direttrice del Museo Nazionale Etrusco di Villa Giulia, Marinella De Lucia, alle quali va un nostro particolare ringraziamento, ci interessammo al prezioso corredo funerario proveniente dalla Tomba degli Ori di Vulci, risalente all’VIII -VII secolo a.C. I rapporti avviati con la Soprintendente per l’Arc...
Marcelo Ramos Motta Lettera a un massone (brasiliano) .
Epistola di Marcelo Ramos Motta, dottore ed esoterista brasiliano, alla massoneria, dove espone la sua personale visione del cristianesimo e della dottrina di Thelema
Opera on Stage
The History of Italian Opera marks the first time a team of expert scholars has worked together to investigate the Italian operatic tradition in its entirety, rather than limiting its focus to individual eras or major composers and their masterworks. Including both musicologists and historians of other arts, the contributors approach opera not only as a distinctive musical genre but also as a form of extravagant theater and a complex social phenomenon-resulting in the sort of panoramic view critical to a deep and fruitful understanding of the art. Opera on Stage, the second book of this multi-volume work to be published in English-in an expanded and updated version-focuses on staging and vie...
Calabria
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Prison Notebooks
Based on the authoritative Italian edition of Gramsci's work, 'Quaderni del Carcere', this translation presents the intellectual as he ought to be read and understood.
Luigi Tansillo and Lyric Poetry in Sixteenth-century Naples
Luigi Tansillo is one of the most interesting and representative of the Petrarchist poets active in Naples during the mid-sixteenth century. This study reconsiders his substantial lyric corpus from a variety of perspectives, opening with a survey of the textual tradition and previous critical work on his verse. Four of Tansillo's lyric collections are examined in depth, and read from narrative and thematic points of view. Particular emphasis is placed on the evolution of the collections, by exploring the ways in which very different types of narrative implying different underlying poetics can be constructed using often identical poems. Parallel to this is a consideration of Tansillo's place within the broader literary historical context, and his use of verse as a political and ideological tool in the service of the Spanish viceroy of Naples. These detailed studies of individual poetic sequences are complemented by an analysis of Tansillo's poetic language within the context of Neapolitan reactions to the questione della lingua, and of his contribution to creating a fixed iconology for the representation of jealousy in the Renaissance and Baroque lyric.
