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Paul Rand
  • Language: en
  • Pages: 400

Paul Rand

Edited by Franc Nunoo-Quarcoo. Texts by Derek Birdsall, Ivan Chermayeff, Shigeo Fukuda, Milton Glaser, Diane Gromeala, Jessica Helfand, Steven Heller, Armin Hoffmann, Takenobu Igharashi, John Meada, Richard Sapper, Wolfgang Weingart and Massimo Vignelli.

Bruno Monguzzi
  • Language: en
  • Pages: 172

Bruno Monguzzi

  • Categories: Art

Artwork by Bruno Monguzzi. Edited by Maurice Berger, Franc Nunoo-Quarcoo.

So Called
  • Language: en
  • Pages: 63

So Called

  • Type: Book
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  • Published: 2014-03-13
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  • Publisher: Unknown

Exhibition Catalog

Why is that Art?
  • Language: en

Why is that Art?

Why is that art? Why is it in an art museum? Who says it's art? Why is it good? Author Terry Barrett addresses these questions about contemporary art using four key sources: a broad, diverse, and engaging sampling of works, the artists who created the works, philosophers of art, and art critics.Why Is That Art?introduces students to established theories of art through the presentation of contemporary works that include abstract and representational painting, monumental sculpture, performance art, video installations, films, and photographs. Ideal for courses in aesthetics, art theory, art criticism, and the philosophy of art, this unique book provides students with a newfound appreciation fo...

Jim Cogswell
  • Language: en

Jim Cogswell

This heavily illustrated book contains a full photographic documentation of the installation, as well as the artefacts that inspired it and preliminary studies, accompanied by essays and reactions to the work by artists, scholars and museum professionals. Cosmogony is typically defined as the scientific field of study dedicated to the exploration of the solar system's origins, but Cogswell embraces a broader use of the term, rooted in the kinds of human storytelling that shape our ethics, morals, and holistic understandings. With contributions by Gunalan Nadarajan, Terry Wilfong, Kathryn Huss, MaryAnn Wilkinson, Claire Zimmerman, Karl Daubman, Daniel Herwitz and Raymond Silverman.

Typography /[Wolfgang Weingart].
  • Language: en
  • Pages: 528

Typography /[Wolfgang Weingart].

Wolfgang Weingart's influence on the development of typography since the 1970s is unparalleled and his work has served as an inspiration to countless designers in both North America and Europe. In Typography, Weingart sums up an impressive lifework in 500 pages that describe his own development and the foundations of his teachings.

From Lascaux to Brooklyn
  • Language: en
  • Pages: 201

From Lascaux to Brooklyn

Illustrating his ideas with examples of his own stunning graphic work, as well as an eclectic collection of masterpieces, Rand discusses such topics as: the relation between art and business: the presentation of design ideas and sketches to prospective clients: the debate over typographic style; and the aesthetics of combinatorial geometry as applied to the grid. His book will engage and enlighten anyone interested in the practice or theory of graphic design.

Matisse Drawings
  • Language: en

Matisse Drawings

An insightful reflection on Henri Matisse's drawings from the perspective of modernist Ellsworth Kelly

Women, Writing, and the Industrial Revolution
  • Language: en
  • Pages: 348

Women, Writing, and the Industrial Revolution

  • Type: Book
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  • Published: 2001-02-21
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  • Publisher: JHU Press

Industrialization in the eighteenth and nineteenth centuries inspired deep fears and divisions throughout England. The era's emergent factory system disrupted traditional patterns and familiar ways of life. Male laborers feared the loss of meaningful work and status within their communities and families. Condemning these transformations, Britain's male writers looked longingly to an idealized past. Its women writers, however, were not so pessimistic about the future. As Susan Zlotnick argues in Women, Writing, and the Industrial Revolution, women writers foresaw in the industrial revolution the prospect of real improvements. Zlotnick also examines the poetry and fiction produced by working-class men and women. She includes texts written by the Chartists, the largest laboring-class movement in the early nineteenth century, as well as those of the dialect tradition, the popular, commercial literature of the industrial working class after mid-century.

For All the World to See
  • Language: en
  • Pages: 224

For All the World to See

"In collaboration with: Center for Art, Design and Visual Culture, University of Maryland Baltimore County, National Museum of African American History and Culture, Smithsonian Institution, Washington, D.C."