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The Travels Of Sir John Mandeville
"Embark on a medieval odyssey with 'The Travels of Sir John Mandeville.' This captivating work, believed to be a fictional travel narrative written in the 14th century, presents the adventures of an English knight as he journeys through distant lands. As Sir John Mandeville encounters mythical creatures, explores exotic cultures, and narrates fantastical tales, this literary travelogue offers readers a glimpse into the medieval imagination and the curiosity that fueled exploration during that era. Join Sir John Mandeville on this literary voyage where each page unfolds a new marvel, making 'The Travels of Sir John Mandeville' an essential read for those fascinated by medieval literature and the early spirit of exploration."
The Library of the Dukes of Burgundy
Formed under Philip the Bold and passed down to his successors, John the Fearless and Philip the Good, the Library of the Dukes of Burgundy comprised no less than nine hundred manuscripts copied and illuminated by the greatest artists of the Middle Ages by the time of Charles the Bold. This extraordinary and unique library included essential texts of medieval literature such as the works of Christine de Pizan, the Roman de la Rose by Jean de Meung and Guillaume de Lorris, the History of Charles Martel, as well as the Ethics and Politics of Aristotle. It was one of the largest collections of books of its time alongside those of the King of France Charles V, the Duke of Berry, the Medici and t...
Black
The story of the color black in art, fashion, and culture—from the beginning of history to the twenty-first century Black—favorite color of priests and penitents, artists and ascetics, fashion designers and fascists—has always stood for powerfully opposed ideas: authority and humility, sin and holiness, rebellion and conformity, wealth and poverty, good and bad. In this beautiful and richly illustrated book, the acclaimed author of Blue now tells the fascinating social history of the color black in Europe. In the beginning was black, Michel Pastoureau tells us. The archetypal color of darkness and death, black was associated in the early Christian period with hell and the devil but als...
Gasoline Alley
"Forty-plus years earlier, Walt Wallet found baby Skeezix in a basket on his doorstep and in the 1964-1966 strips reproduced in this volume. Skeezix is now middle-aged and has a family of his own. For the first time since they appeared in newspapers fifty years ago, readers can enjoy these classic strips featuring Walt and his wife Phyllis, Skeezix and his wife Nina, Corky, Clovia, Slim, Avery, Mr. Pert, Joel, Rufus, and a whole cast of familiar characters. Reproduced from syndicate proofbooks and featuring an enlightening introduction by Rick Norwood."--
The Arthur of the Italians
This is the first comprehensive book on the Arthurian legend in medieval and Renaissance Italy since Edmund Gardner’s 1930 The Arthurian Legend in Italian Literature. Arthurian material reached all levels of Italian society, from princely courts with their luxury books and frescoed palaces, to the merchant classes and even popular audiences in the piazza, which enjoyed shorter retellings in verse and prose. Unique assemblages emerge on Italian soil, such as the Compilation of Rustichello da Pisa or the innovative Tavola Ritonda, in versions made for both Tuscany and the Po Valley. Chapters examine the transmission of the French romances across Italy; reworkings in various Italian regional dialects; the textual relations of the prose Tristan; narrative structures employed by Italian writers; later ottava rima poetic versions in the new medium of printed books; the Arthurian-themed art of the Middle Ages and Renaissance; and more. The Arthur of the Italians offers a rich corpus of new criticism by scholars who have brought the Italian Arthurian material back into critical conversation.
The Portfolio of Villard de Honnecourt (Paris, Bibliothèque Nationale de France, MS Fr 19093)
This book by Carl Barnes presents the first high-quality colour facsimile of a key manuscript of Gothic art and architecture and medieval scientific thought, the 'Portfolio' of Villard de Honnecourt, and gives the first complete codicological and palaeographical analysis of the text. Barnes clearly identifies what is and what is not known about Villard himself and the drawings and text in the manuscript, so removing many of the multiple layers of speculation that have clouded study of the work. The book is completed by an extensive bibliography of studies relating to Villard.
Science Translated
Mediaevalia Lovaniensia 40Medieval translators played an important role in the development and evolution of a scientific lexicon. At a time when most scholars deferred to authority, the translations of canonical texts assumed great importance. Moreover, translation occurred at two levels in the Middle Ages. First, Greek or Arabic texts were translated into the learned language, Latin. Second, Latin texts became source texts themselves, to be translated into the vernaculars as their importance across Europe started to increase.The situation of the respective translators at these two levels was fundamentally different: whereas the former could rely on a long tradition of scientific discourse, the latter had the enormous responsibility of actually developing a scientific vocabulary. The contributions in the present volume investigate both levels, greatly illuminating the emergence of the scientific terminology and concepts that became so fundamental in early modern intellectual discourse. The scientific disciplines covered in the book include, among others, medicine, biology, astronomy, and physics.
The Last Day of a Condemned Man
The Last Day of a Condemned Man (1829) is a short novel by Victor Hugo. Having witnessed several executions by guillotine as a young man, Hugo devoted himself in his art and political life to opposing the death penalty in France. Praised by Dostoevsky as “absolutely the most real and truthful of everything that Hugo wrote,” The Last Day of a Condemned Man is a powerful story from an author who defined nineteenth century French literature. If you knew when and where you would die, how would you spend your final moments? For Hugo’s unnamed narrator, such an existential question is made reality. Sentenced to death for an unspecified crime, he reflects on his life as its last seconds wane in the shadows of a cramped prison cell. Recording his emotional state, observations, and conversations with a priest and fellow prisoner, the condemned man forces us to not only recognize his humanity, but question our own. With a beautifully designed cover and professionally typeset manuscript, this edition of Victor Hugo’s The Last Day of a Condemned Man is a classic work of French literature reimagined for modern readers.
