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The Shadow Drawing
"[The Shadow Drawing] reorients our perspective, distills a life and brings it into focus—the very work of revision and refining that its subject loved best." —Parul Sehgal, The New York Times | Editors' Choice An entirely new account of Leonardo the artist and Leonardo the scientist, and why they were one and the same man Leonardo da Vinci has long been celebrated for his consummate genius. He was the painter who gave us the Mona Lisa and The Last Supper, and the inventor who anticipated the advent of airplanes, hot air balloons, and other technological marvels. But what was the connection between Leonardo the painter and Leonardo the scientist? Historians of Renaissance art have long s...
The Marvel of Maps
Among the most beautiful and compelling works of Renaissance art, painted maps adorned the halls and galleries of princely palaces. This book is the first to discuss in detail the three-dimensional display of these painted map cycles and their full meaning in Renaissance culture. Art historian Francesca Fiorani focuses on two of the most significant and marvelous surviving Italian map murals--the Guardaroba Nuova of the Palazzo Vecchio, Florence, commissioned by Duke Cosimo de’ Medici, and the Gallery of Maps in the Vatican, commissioned by Pope Gregory XIII. Both cycles were not only pioneering cartographic enterprises but also powerful political and religious images. Presenting an original interpretation of the interaction between art, science, politics, and religion in Renaissance culture, the book also offers fresh insights into the Medici and papal courts.
More Than (2) Leonardo in Anti-Theory
South African art historian Susan Grundy offers a trove of unusual and arcanely brilliant alternative ideas about the mysterious Renaissance polymath painter, found in what she calls Leonardo anti-theory. In a narrative full of twists and turns, arguments and counterarguments, readers will be transfixed from beginning to end. Significantly, the author uses anti-theory to demonstrate the paintings and the Notebooks usually attributed to one “Leonardo da Vinci,” were alternatively produced by a number of artists and scientists. Ultimately, Grundy shows all Leonardo anti-theory is (a little bit or a lot) right; while all mainstream rhetoric is (mostly a lot) wrong. The author introduces the neglected masters, and even a possible mistress, in the workshops of Milan, Florence, and Rome.
Commedia dell' Arte and the Mediterranean
Drawing on published collections and also manuscripts from Mantuan archives, Commedia dell' arte and the Mediterranean locates commedia dell' arte as a performance form reflective of its cultural crucible in the Mediterranean. The study provides a broad perspective on commedia dell’ arte as an expression of the various cultural, gender and language communities in Italy during the early-modern period, and explores the ways in which the art form offers a platform for reflection on power and cultural exchange. While highlighting the prevalence of Mediterranean crossings in the scenarios of commedia dell' arte, this book examines the way in which actors embodied characters from across the wide...
The Stolen Notebooks
Delving into reasons biographers assume Tuscan painter Leonardo da Vinci wrote the Notebooks, hunting down sources and original texts, South African art historian Susan Grundy uncovers it was only Leonardo’s young heir Milanese Francesco Melzi who said these were the artist's Notebooks. In the nineteenth century European scholars began to access these Notebooks in more depth, transcribing the arcane backwards Italian and translating them into English. They discovered a man who did not seem to be Tuscan Leoanrdo da Vinci, as he seemed to be a man from the East. Yet, this reality was closed down by researchers determined to continue with the myth of the self-educated genius from a farm in Tuscany.
Leonardo Da Vinci
The #1 New York Times bestseller "A powerful story of an exhilarating mind and life...a study in creativity: how to define it, how to achieve it." --The New Yorker "Vigorous, insightful." --The Washington Post "A masterpiece." --San Francisco Chronicle "Luminous." --The Daily Beast He was history's most creative genius. What secrets can he teach us? The author of the acclaimed bestsellers Steve Jobs, Einstein, and Benjamin Franklin brings Leonardo da Vinci to life in this exciting new biography. Based on thousands of pages from Leonardo's astonishing notebooks and new discoveries about his life and work, Walter Isaacson weaves a narrative that connects his art to his science. He shows how Le...
The Fabrication of Leonardo da Vinci’s Trattato della pittura (2 vols.)
This first complete English translation, including over 250 full-color images, is a longitudinal cultural history of how art came to be institutionalized in the history of western representational practices.
Provenance and Possession
A thought-provoking study of how knowledge of provenance was not transferred with enslaved people and goods from the Portuguese trading empire to Renaissance Italy In the fifteenth and sixteenth centuries, Renaissance Italy received a bounty of "goods" from Portuguese trading voyages—fruits of empire that included luxury goods, exotic animals and even enslaved people. Many historians hold that this imperial "opening up" of the world transformed the way Europeans understood the global. In this book, K.J.P. Lowe challenges such an assumption, showing that Italians of this era cared more about the possession than the provenance of their newly acquired global goods. With three detailed case st...
The lost papers of Zoroastro زَرَادُشْت
Relevant. Challenging. A paradigm shift. Little considered by insiders who control Leonardo’s modern biography, the now barely considered Zoroastro Masino was an Italian man with a Persian name ( زَرَادُشْت ). He was an actual historical person – recorded as a magician, a metallurgist, a discoverer, an alchemist, and a prophet, in contemporary record. Marginalized by xenophobic forces even before he passed away, Zoroastro was mocked for a name common people in Italy could not pronounce. Zoroastro's epitaph called him a man of probity, a natural philosopher who was outstandingly generous. He was known to have been friends with high ranking Italians, his bones preserved in a tomb...
Leonardo da Vinci – Nature and Architecture
The second volume of Leonardo Studies offers an impressive overview of current Leonardo scholarship into two of his primary interests: nature and architecture. The authors consider Leonardo’s treatises and their aftermath, science experiments, and fields of art and science based on two abundant subjects.
